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Posted
1 hour ago, Guido said:

My vote is French.

Stainer "model", as labelled. I had a couple of these before.

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oh wow my label looks almost the same

any more info on these violins, if you know?

Posted
13 minutes ago, hnryhouuu said:

oh wow my label looks almost the same

any more info on these violins, if you know?

The fact that your label looks almost the same means no more than that - the label looks almost the same.

They are both facsimiles of a genuine Jacobus Stainer label.

Posted

Could you show a more close up pic of the rib joints? They look mitred in the actual, but not for sure. Anyway it’s not that important if it’s Vogtlandish cottage industry or Mirecourt factory IMO.

Posted
8 hours ago, jacobsaunders said:

There is nothing democratic about it

Couldnt agree more. But its not about the statistically safest conclusion either. I also agree with BF, not really a lot at stake with this one. 

Posted
3 hours ago, deans said:

I also agree with BF, not really a lot at stake with this one. 

I would slightly disagree - the Laberte Stainer models can be really good.

Unfortunately the OP's violin isn't one ...

Posted

The scroll looks certainly un-French. Just given that the rib joints are mitred (and the scroll deeply fluted) I'm wondering if it couldn't be some Mittenwald output...

A look at the bottom rib/endpin area could also be helpful.

image.png.097860c09bd38c0496cf92c2dcf633a8.png

Posted
2 hours ago, Blank face said:

some Mittenwald output

I don't see how you could rule that out from the current pics.  To me the outline and Fs look that way. And even the scroll a little bit. But until more pics come the numbers favor Jacob.

The more I look, the more I could believe M-wald.

Posted

Here is another French trade Stainer "model" of similar ilk. Dated on an importer label 1933. Some better materials.

I guess most major workshops would have had a model like this in the catalogue for a few decades.

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Posted

As usual with any of these "Stainer models", regardless of where from, there is nothing about them that relates in any way to the actual designs and instruments of Stainer. A pity, because if they were careful studies of the master in question they'd have a better shot at being good. 

Then again, Stradivari and Guarneri "models" by makers who have never handled one generally end up the same way. 

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