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How many grains high quality soundpost should have?


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46 minutes ago, David Burgess said:

No, although some general correlations do exist, in some circumstances.

When I checked fiddlershop.com . Their cheaper regular soundpost have 3-6 grains and the more expensive select have 7-10 grains so I concluded that with more grains comes greater quality and stiffness

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25 minutes ago, ViolinAnanda said:

When I checked fiddlershop.com . Their cheaper regular soundpost have 3-6 grains and the more expensive select have 7-10 grains so I concluded that with more grains comes greater quality and stiffness

I wouldn't consider that conclusive in any way. They are making a visual distinction, in order to charge more.

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15 minutes ago, Wood Butcher said:

I wouldn't consider that conclusive in any way. They are making a visual distinction, in order to charge more.

 

10 minutes ago, JacksonMaberry said:

Exactly, like with bridge mfgrs. Everyone (especially retailers) wants an easy way out. 

So how can one measure stiffness and quality if the grain doesnt determine it?

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Just now, ViolinAnanda said:

 

So how can one measure stiffness and quality if the grain doesnt determine it?

I only have great spruce, so any post I make from it is of good quality. 

It's easier to measure larger pieces, but you can measure the density and then measure the speed of sound. Those two together give you an idea of the stiffness. This is how bow makers (in the form of Lucchi numbers) assess the stiffness of pernambuco. It can also be done by deflection, but probably not gonna be easy to do with a stick of post material. 

Do you have good spruce for making fiddles? Cut off a piece and make a post from it, it'll be good. 

One last time and I'll leave it alone: if your fit isn't flawless, you're wasting your time worrying about this. 

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This is not really directly related to this topic so please forgive or ignore me.

I wonder if a spruce tree growing in an exposed position, buffeted by winds, will produce stiffer timber than a spruce tree planted near by, at the same time, but in the comparatively sheltered position in the middle of a small wood, thus protected from much of the buffeting of storms by the 'support' of the  surrounding trees.

The reason I wondered this is that my brother and I attended a tree planting session many years ago and we were told that care had to be taken when supporting young freshly transplanted trees with stakes as they can become too dependent on the stakes for stiffness and their developing trunks are at risk of ending up a bit floppy and not be able to support the tree properly when the stake is eventually removed.

A while later my brother noticed some medium sized, young, perhaps whitebeam?, trees on public land which had been supported by stout stakes for a few years and the strong, eye offending, rubbery straps fixing the trunks to the stakes were digging into and constraining the growing trees. Being a good citizen my brother decided to 'help' the poor trees by freeing them from their bonds. Shortly after, the trees had flopped over, their branches nearly touching the grass and they remained at this peculiar angle until they were chopped down years later. It would seem that their young trunks were too flexible to support the weight of their crowns once the support from the stakes was gone!

 

 

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6 hours ago, ViolinAnanda said:

So how can one measure stiffness and quality if the grain doesnt determine it?

It doesn't matter.  Even crappy spruce will function fine, although maybe the cutting properties would matter to the luthier fitting it.

But if you MUST know the properties of the wood, density is easy with a scale, calipers, and a little math.  Speed of sound by the longitudinal resonance method can actually work with a long piece of uniform stock, and undoubtedly you could find a bending frequency formula and do a similar calculation.

But all of that is pointless.

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On 6/23/2024 at 11:57 PM, ViolinAnanda said:

When I checked fiddlershop.com . Their cheaper regular soundpost have 3-6 grains and the more expensive select have 7-10 grains so I concluded that with more grains comes greater quality and stiffness

You can by the wood from any hardware store.

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4 minutes ago, uguntde said:

You can by the wood from any hardware store.

My hardware stores don't sell spruce, but if yours do that's cool. 

Granted, a very nicely fit post in the right spot, of the right length, made of pine or fir would perform admirably. Morel fit a pencil in a nice fiddle as a prank once and the client was thrilled (though he didn't know it was a pencil)

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30 minutes ago, JacksonMaberry said:

Morel fit a pencil in a nice fiddle as a prank once and the client was thrilled

Given one has strong enough suggestion powers and the right reputation you probably could fit a post made of soap to thrill the client.:)

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On 6/23/2024 at 1:29 PM, JacksonMaberry said:

However, if you aren't already fitting posts with total perfection, and don't have a solid working concept of how changes to position and tension affect performance, don't worry about any other parameter. 

I’m curious about this “solid working concept”?  
After doing this work for many years, I’m not sure that having one is useful beyond making sure that it fits well enough and isn’t so long that it causes damage, or so short that it will easily fall over.

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14 minutes ago, Mark Norfleet said:

I’m curious about this “solid working concept”?  
After doing this work for many years, I’m not sure that having one is useful beyond making sure that it fits well enough and isn’t so long that it causes damage, or so short that it will easily fall over.

That's about the long and short of it. :lol:

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On 6/20/2024 at 6:56 PM, ViolinAnanda said:

Is it my technic or is it soundpost that is not high quality?

As this thread has devolved into a discussion of fine points which there isn’t a lot value in considering until one has the basics sorted out…

It is your technique and may also be the result of your knife not being as sharp as it could be.

I’ll second watching the video of Davide Sora fitting a post.  A huge amount can be learned from watching someone who knows what they’re doing, and who has done it many times.

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Maker worth his salt should know how to fit soundpost perfectly. Perhaps some restorers may have more experience in adjustments of sound via soundpost but the fitting is basic skill just like joining plates.

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On 6/23/2024 at 6:40 PM, ViolinAnanda said:

So how can one measure stiffness and quality if the grain doesnt determine it?

When I have wanted to know the stiffness of a piece of wood, or the stiffness of an assembly made from or incorporating wood, the best method I have found has been to actually measure the stiffness. So far, this seems to have produced more useful outcomes than my Ouija board, my crystal ball, or counting grain lines.

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37 minutes ago, David Burgess said:

When I have wanted to know the stiffness of a piece of wood, or the stiffness of an assembly made from or incorporating wood, the best method I have found has been to actually measure the stiffness.

For getting down to the fundamental properties of the wood, I find that resonant frequencies are the simplest path, if the dimensions are uniform.  Assemblies are too complex for that.

Again, none of this matters for a soundpost.

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6 hours ago, Mark Norfleet said:

As this thread has devolved into a discussion of fine points which there isn’t a lot value in considering until one has the basics sorted out…

It is your technique and may also be the result of your knife not being as sharp as it could be.

I’ll second watching the video of Davide Sora fitting a post.  A huge amount can be learned from watching someone who knows what they’re doing, and who has done it many times.

I hope he listens to you, at least. 

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