Andreas Preuss Posted May 26 Report Share Posted May 26 The question is, does research on violin acoustics taking Cremonese instruments as a reference create a loop which feeds itself? And if so, this would also mean that makers who try to use the gained knowledge have no other choice than working with the traditional models? Then we could also ask the provokative question: Does acoustic research indirectly block the development of (fundamental) new ideas? Quote Link to comment Share on other sites More sharing options...
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.