elcuervo Posted December 31, 2022 Report Share Posted December 31, 2022 Good morning. Some time ago I had an old German copy Stradivari violin, which is well made, but all its accessories (pegs, fingerboard, tailpiece) were plastic and of poor quality, in addition to having a poorly adjusted sound post and a poorly made bridge. The sound of the violin was very loud and strident, like an old radio and in my orchestra it was the violin that stood out the most, to the point that my joking companions called it "il cannone". This Christmas an old luthier friend who lives more than 1000km away came to town to spend Christmas with his family and I immediately asked him to adjust my violin. As I mentioned earlier, the violin has a strong, deep sound, but with some small parasitic vibrations that caused it to sound like an old radio blaring, and I blamed this on poor quality accessories and poor sound post setup. and the bridge. He added ebony parts to the pegs, chin rest, tailpiece and fingerboard, since the ones that the instrument had were not original, they were made of poor quality wood painted black, added shortly before I acquired the instrument. The pegs were also painted and poorly adjusted, the tailpiece was plastic. He added an ebony fingerboard that he recycled from a cello fingerboard, ebony pegs set to perfection, a bridge that fully fits the top of the violin, and an ebony tailpiece. When I saw the instrument I was surprised, especially by the fingerboard, which had a tiny and old flame that matches the flame of the violin. When you finally play the instrument notice the change in sound. It still sounded loud, but it no longer had those annoying parasitic vibrations, instead it now sounded round and warm, but the A string did have a decrease in its sound, being very muted compared to the rest of the strings, as if there was something that prevented it from vibrating freely. I talked to my friend and he told me that it could be the position of the sound post, that he hoped to do that job with me so that I could tell him which place seemed best to me, but he couldn't do it because he traveled back He went ahead to his house, for which he gave me the violin with the sound post without my being able to play it before. He added some new pirastro tonic strings, which are nylon wound. Before that he had high tension all metal strings. I don't know what this decrease in sound could be due to, specifically of the A string. I think it may be the excess of ebony parts prevents the violin from vibrating freely, a sound post configuration that does not enhance the A string, the new low-tension nylon strings that do not fully vibrate the instrument or... all of the above together. What do you think? Quote Link to comment Share on other sites More sharing options...
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