David Burgess Posted March 30, 2022 Report Posted March 30, 2022 Never heard of "Rubio Soup". But a quick google search under "Rubio Soup+Kremer did turn up this: (I have deleted the link I originally posted, since it did not originally show photos of nude women, but I now understand that the page changes every few minutes. I will request that others delete the link from their quotes and replies as well.)
GerardM Posted March 30, 2022 Report Posted March 30, 2022 1 hour ago, David Burgess said: Never heard of "Rubio = Mr Burgess your a very naughty man. LOL
David Rosales Posted March 30, 2022 Report Posted March 30, 2022 19 minutes ago, David Burgess said: Never heard of "Rubio Soup". But a quick google search under "Rubio Soup+Kremer did turn up this: Blocked by my work computer! I'm expecting a call from IT now....
David Burgess Posted March 30, 2022 Report Posted March 30, 2022 Honestly, that is what turned up under the "Rubio Soup+Kremer" search, originally not very racy at all. But the page keeps morphing, so please delete the link from your quotes and replies.
Jim Bress Posted March 30, 2022 Report Posted March 30, 2022 59 minutes ago, David Burgess said: Never heard of "Rubio Soup". But a quick google search under "Rubio Soup+Kremer did turn up this: (I have deleted the link I originally posted, since it did not originally show photos of nude women, but I now understand that the page changes every few minutes. I will request that others delete the link from their quotes and relies as well.) That's like saying please don't press the big shiny red button! I went to Kremer and couldn't find Rubio-soup, but did find Rubio mineral ground which looks like it may be the same ingredients. https://shop.kremerpigments.com/elements/resources/products/files/79725MSDS.pdf Berl, For a mineral ground I use this mixed with colophony varnish. https://shop.kremerpigments.com/us/shop/pigments/11810-selenite-marienglas-fine.html
gowan Posted March 30, 2022 Report Posted March 30, 2022 Years ago there was a well regarded British luthier, David Rubio, who was well known for making red lake varnish. Could Rubio soup somehow be connected to that maker?
Shelbow Posted March 30, 2022 Report Posted March 30, 2022 19 minutes ago, gowan said: Years ago there was a well regarded British luthier, David Rubio, who was well known for making red lake varnish. Could Rubio soup somehow be connected to that maker? Definitely a true luthier. He made harpsichords and very fine classical guitars as well as violins.
duane88 Posted March 30, 2022 Report Posted March 30, 2022 It's a mineral ground that David Rubio used: David Rubio (rubioviolins.com) The link, safe and non-morphing, gives instructions for surface prep and the formula and application instructions for this mineral ground. He died a couple of decades ago, and a google search shows a number of MN threads about this very subject before 2010.
Berl Mendenhall Posted March 30, 2022 Author Report Posted March 30, 2022 1 hour ago, Jim Bress said: That's like saying please don't press the big shiny red button! I went to Kremer and couldn't find Rubio-soup, but did find Rubio mineral ground which looks like it may be the same ingredients. https://shop.kremerpigments.com/elements/resources/products/files/79725MSDS.pdf Berl, For a mineral ground I use this mixed with colophony varnish. https://shop.kremerpigments.com/us/shop/pigments/11810-selenite-marienglas-fine.html My reason for asking is, I nearly through the stuff in the trash. I’d be happy to give it to someone that uses the stuff. I bought it years ago thinking I might try it. It seems to me he used it with water glass and the different grades of rosin oil. That may be right or wrong, it’s been many years. Bottom line, if anyone can use it, it’s yours. Kremer wants thirty five dollars for a jar like this. You pay shipping.
duane88 Posted March 30, 2022 Report Posted March 30, 2022 The Recipe So, the recipe, (parts per 100)...based approximately on Barlow Spectra 18 of sample 21 Goffriller ‘cello. Magnesium 3.6, Aluminium 10.0 Silicon, 11.6 Phosphorus 2.4, Sulphur 6.9, Chlorine 6.07, Potassium 5.2 , Calcium 42.3, Manganese 0.3, Iron 10.6, Sodium l.3. In my attempt to produce a slurry containing these elements in roughtly these proportions, I mixed 45 gms of Calcium Lactate with l0 gms. Alum, 3 gms. Manganese Sulphate, 3 gms. Titanium Dioxide, 5 gms Yellow Iron Oxide 10gms Mica Powder with ordinary tap water (containing Chlorine) to make a thin suspension. Separately I prepared a 50% solution of Potasium Silicate.
Berl Mendenhall Posted March 30, 2022 Author Report Posted March 30, 2022 2 minutes ago, duane88 said: The Recipe So, the recipe, (parts per 100)...based approximately on Barlow Spectra 18 of sample 21 Goffriller ‘cello. Magnesium 3.6, Aluminium 10.0 Silicon, 11.6 Phosphorus 2.4, Sulphur 6.9, Chlorine 6.07, Potassium 5.2 , Calcium 42.3, Manganese 0.3, Iron 10.6, Sodium l.3. In my attempt to produce a slurry containing these elements in roughtly these proportions, I mixed 45 gms of Calcium Lactate with l0 gms. Alum, 3 gms. Manganese Sulphate, 3 gms. Titanium Dioxide, 5 gms Yellow Iron Oxide 10gms Mica Powder with ordinary tap water (containing Chlorine) to make a thin suspension. Separately I prepared a 50% solution of Potasium Silicate. Thanks for the explanation. I remember now why I didn’t use it. I thought there is no way the Cremonese makers used all that stuff mixed together. About this time I started using pumice. Only years later switching to Plaster Of Paris. Haven’t looked back sense.
Andreas Preuss Posted March 31, 2022 Report Posted March 31, 2022 Out of curiousity I bought it long ago from Kremer. I used it once on a test. The result didn’t convince me. Since then it sits in the shelf.
christian bayon Posted March 31, 2022 Report Posted March 31, 2022 3 hours ago, Andreas Preuss said: Out of curiousity I bought it long ago from Kremer. I used it once on a test. The result didn’t convince me. Since then it sits in the shelf. Same as you. Rubio was a very quick worker with a quite average varnish.
Berl Mendenhall Posted April 2, 2022 Author Report Posted April 2, 2022 On 3/31/2022 at 1:49 PM, christian bayon said: Same as you. Rubio was a very quick worker with a quite average varnish. I bet there are dozens of nearly full jars sitting around violin maker’s varnish supplies. As for me, I’m tired of looking at it, in the trash it goes.
Michael_Molnar Posted April 2, 2022 Report Posted April 2, 2022 8 hours ago, Berl Mendenhall said: I bet there are dozens of nearly full jars sitting around violin maker’s varnish supplies. As for me, I’m tired of looking at it, in the trash it goes. I cleared out a lot, but still have some that I think might be useful one day.
JacksonMaberry Posted April 3, 2022 Report Posted April 3, 2022 My finishing shelves are fit to burst, damn my hoarding tendencies. If I only kept what I actively use I could fit it all in a shoebox
Berl Mendenhall Posted April 3, 2022 Author Report Posted April 3, 2022 1 hour ago, JacksonMaberry said: My finishing shelves are fit to burst, damn my hoarding tendencies. If I only kept what I actively use I could fit it all in a shoebox I feel the same way. I’ve got at least a dozen jars of translucent iron oxide pigments. Couldn’t tell you the last time I used any of those.
not telling Posted January 5, 2023 Report Posted January 5, 2023 On 3/30/2022 at 5:50 PM, duane88 said: The Recipe So, the recipe, (parts per 100)...based approximately on Barlow Spectra 18 of sample 21 Goffriller ‘cello. Magnesium 3.6, Aluminium 10.0 Silicon, 11.6 Phosphorus 2.4, Sulphur 6.9, Chlorine 6.07, Potassium 5.2 , Calcium 42.3, Manganese 0.3, Iron 10.6, Sodium l.3. In my attempt to produce a slurry containing these elements in roughtly these proportions, I mixed 45 gms of Calcium Lactate with l0 gms. Alum, 3 gms. Manganese Sulphate, 3 gms. Titanium Dioxide, 5 gms Yellow Iron Oxide 10gms Mica Powder with ordinary tap water (containing Chlorine) to make a thin suspension. Separately I prepared a 50% solution of Potasium Silicate. Bump
Mark Caudle Posted January 5, 2023 Report Posted January 5, 2023 David Rubio was a very thoughtful and original maker. His varnish varies quite a lot and was constantly evolving according to the information that became available to him. This certainly involved some more or less successful processes. Personally, I very much appreciate that he never indulged in "antiquing". I have a cello made by him in 1980 that has served me well for more than 40 years since it was made and I remember with great pleasure the conversations I had associated with the making of the instrument.
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