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Device to fit bridges


Carl Stross

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As a newbie I tried the sanding jig on the violin I just made.  Despite my best efforts, the back and forth motion failed to capture the actual curve of the violin, so I went with the traditional method.  I found that using tangential light through the foot base I could tell if the fit was acceptable.  The chalk idea seems good as long as it doesn't affect the finish.  

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19 hours ago, Jluthier said:

 The chalk idea seems good as long as it doesn't affect the finish.  

The chalk should be soft and finely pulverized, not too gritty. If the varnish dulls slightly under the feet it is not a drama, moreover if some trace of chalk remains it helps not to let the bridge slip too much.

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On 1/8/2022 at 3:58 PM, Carl Stross said:

I'd rather bet on the answer being "no".

Why would you think we would never have seen Rene cut bridges?

While Rene didn't routinely cut bridges for clients (that's what the staff was for) he certainly did show us how to do it. Even though he was older when I worked for him and complained that his "eyes were gone" he still had amazing tool skills and could cut a beautiful bridge very quickly.

Any kind of machine or method using sand paper to shape bridge feet is impossibly inaccurate especially on an older instrument.

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2 hours ago, nathan slobodkin said:

Why would you think we would never have seen Rene cut bridges?

While Rene didn't routinely cut bridges for clients (that's what the staff was for) he certainly did show us how to do it. Even though he was older when I worked for him and complained that his "eyes were gone" he still had amazing tool skills and could cut a beautiful bridge very quickly.

Any kind of machine or method using sand paper to shape bridge feet is impossibly inaccurate especially on an older instrument.

Older instrument top plates often have a surface depressions from many bridge adjustment abrasions. The sliding sandpaper thing over a wide area won't work.  But on new instruments it will.

 

 

 

 

full disclosure: I used to work at the Carborundum company

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11 hours ago, Marty Kasprzyk said:

Older instrument top plates often have a surface depressions from many bridge adjustment abrasions. The sliding sandpaper thing over a wide area won't work.  But on new instruments it will.

 

 

 

 

full disclosure: I used to work at the Carborundum company

Not to my satisfaction.

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Usually the top radius is tighter north and flatter south to the extent that if you want a good fit when you move the bridge 2 mm you will often need to refit the feet. That means that the front and back of the feet are actually slightly different. Using a different  grit won't change that, and no rolling device can copy that.

To paraphrase a friend, sandpaper/wheel fits work for some definitions of "fit", but not for my definition.

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On 1/8/2022 at 3:58 PM, Andreas Preuss said:

Depends on to which working period you are referring to. If you really want to know, I’d ask Hans Nebel who was with Rene morel in the Wurlirzer shop. 
 

Oh Lord......Prepare to hear a lot of crazy stories about Rene, having nothing to do with bridge cutting.......:(

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2 hours ago, Michael Darnton said:
2 hours ago, Michael Darnton said:

Usually the top radius is tighter north and flatter south to the extent that if you want a good fit when you move the bridge 2 mm you will often need to refit the feet. That means that the front and back of the feet are actually slightly different. Using a different  grit won't change that, and no rolling device can copy that.

To paraphrase a friend, sandpaper/wheel fits work for some definitions of "fit", but not for my definition.

 

I agree, and this points out the fundamental flaw in the design of this bridge fitting jig.

If there really has to be a jig for amatuers to fit their bridge feet with sandpaper it should

work by holding the bridge in alignment while sliding the bridge side to side. I realize this is not perfect

but I think it would give a slightly better result

 

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On 1/13/2022 at 4:10 PM, Marty Kasprzyk said:

I have a viola player friend (very very best schooling) who has some sort of mental problem (goes with viola playing? ) where he continuously messes with  the sound post post positions, finger boards, bridges, and so on.  Nothing is exactly right!  He moves is bridge around so much that he has worn a deep depression in the top plate of his century old famous Italian viola.

I'm not at therapist but I would like to help him.  

 

Marty, maybe your idea with the epoxy would work for him if you forget the paste wax.............Won't be able to move it then.  Now, to solve the other issues..............;)

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