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STRADIVARIUS IN THE BASEMENT ....WHAT ARE YOUR THOUGHTS?


Schwartzinc

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1 hour ago, Schwartzinc said:

STRADIVARIUS IN THE BASEMENT ....WHAT ARE YOUR THOUGHTS?

What a delightful change from attic finds!  :lol:

If the media account is accurate (a BIG assumption, as we have seen before :rolleyes:), and it actually is a Strad, it's interesting that without an original label and unbroken provenance, nobody seems certain enough to decide, just by examination.   Sort of a blind test of connoisseurship.   stickpoke.gif.eaabdf6fcc0c25b0b318a28612324bd2.gif   :D

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1 hour ago, Bill Yacey said:

I think a dendrochronologist could offer more insight on the age and where it came from, as well as experts on the old Cremonese instruments.

I'm thinkin' so too.

From the article:

Kavalec himself entered the picture later, as an investor. A fitness professional, glass blower, and amateur physicist, he had both the artistic and scientific backgrounds needed to take up the case.

Well, how could anyone be a better violin expert than a fitness professional, glass blower, and amateur physicist? :D

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38 minutes ago, Rue said:

I was more taken by this bit of "support":

"Fein also brought a violinist friend, now deceased, to play the instrument............."

See, it must be a Strad.  https://maestronet.com/forum/index.php?/topic/350750-the-strad-soundexplained-in-a-nutshell/&do=findComment&comment=958502   :ph34r: 

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You can’t make a media sensation by making the headline 

Lupot found in the basement.

(though I wouldn’t mind to find one.-_-)

Dendro is a pretty precise analysis tool in particular for instruments by Antonio Stradivari, but before doing it one must make sure that the top belongs to the rest.

(I wouldn’t mind to find an original with a replaced top.-_-)

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2 hours ago, Rue said:

I was more taken by this bit of "support":

"Fein also brought a violinist friend, now deceased, to play the instrument, and she testified to its special tone, Kavalec said."

Maybe we need to raise the dead and have a conversation with them in order to get to the bottom of this...:P

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I liked this part of the article:

The estate from which Kavalec’s partner made the purchase was that of Gerardi’s daughter, who Kavalec said experienced a struggle not unlike his own to convince others of the violin’s significance in an arena dominated by dealers motivated to keep price-tags low. For years, he said, the instrument simply sat dormant.

I had no idea dealers were motivated to keep price-tags low. Live and learn!

 

 

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5 hours ago, Jeffrey Holmes said:

Possible, but the article mentioned the "quest" had already gone on for years... 

The "quest" would not stop if the predominant opinion of experts was that it's NOT a Strad.  Just as the quest to find bigfoot or the Loch Ness monster continues.  Just my opinion.

Dendro analysis would be nice, but even before that is the light transmissibility test.  Genuinely old violins have very opaque plates.

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7 hours ago, Don Noon said:

The "quest" would not stop if the predominant opinion of experts was that it's NOT a Strad.  Just as the quest to find bigfoot or the Loch Ness monster continues.  Just my opinion.

Dendro analysis would be nice, but even before that is the light transmissibility test.  Genuinely old violins have very opaque plates.

Yup...

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7 hours ago, Don Noon said:

The "quest" would not stop if the predominant opinion of experts was that it's NOT a Strad.  Just as the quest to find bigfoot or the Loch Ness monster continues.  Just my opinion.

Dendro analysis would be nice, but even before that is the light transmissibility test.  Genuinely old violins have very opaque plates.

"Quests" only continue if there is money to be made from them by somebody. In this case, I don't see any follow-up articles about the violin being sold, which is what I would expect he would do with much publicity if it were a real Stradivarius.

I don't see how anyone is making any money here. After all, he did buy it as a speculative investment. On the other hand, people will delay and procrastinate doing definitive tests if there is a chance that the test will prove their hypothesis wrong.  Who wants to have an unhappy ending to a good story or have a fact destroy a clever theory?

So maybe he hasn't had any tests done. Or maybe it was made by the Voller Brothers. ;)

************

In regards to "the light transmissibility test," what about newer violins made with genuinely old wood? 

 

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1 hour ago, GeorgeH said:

"Quests" only continue if there is money to be made from them by somebody. In this case, I don't see any follow-up articles about the violin being sold, which is what I would expect he would do with much publicity if it were a real Stradivarius.

************

In regards to "the light transmissibility test," what about newer violins made with genuinely old wood? 

 

I wouldn't discount the attention he receives for continuing on seemingly against all odds... Man of La Mancha with a fiddle.

My experience with new fiddles made from (what I was pretty sure was, or was told was) older wood is that while the tops might not transmit as much light, they do still transmit. Of course, the question is how old is the wood that was used? I've never bothered to get a dendro report on a new fiddle.

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59 minutes ago, Delabo said:

And can this be tested without taking the top off and holding the plate to a light?

Looking in the endpin hole with a bright light on the exterior works.

My experience is that light transmission of top wood is notably reduced starting around 100 years and continues to be reduced for a good while thereafter.

I am not confident concerning the scientific explanation I can offer as to why this all happens. I assume it has something to do with oxidation and UV exposure.  NC university produced a paper addressing the effect of UV... Hopefully Don Noon knows more.  :-)

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