Shunyata Posted December 20, 2020 Report Share Posted December 20, 2020 I am completely self taught without good professional examples to work from. So I have a question about the outer f luting on the scroll... How far under the scroll (where is joins the pegbox) does the fluting usually extend? Below is a scroll that I have roughed out (cherry, for a fiddle). The images show how far I can go with gouges but without buggering up the pegbox. Is this acceptable? If not, how do I do it? Quote Link to post Share on other sites
jacobsaunders Posted December 20, 2020 Report Share Posted December 20, 2020 How far the fluting goes into the throat differs depending on what school of violin making one wishes to aspire too. It is also a useful hint when one is trying to work out where an antique violin comes from. On Mittenwald violins for instance, the fluting goes right to the bitter end of the throat, on Markneukirchen ones, the fluting often finishes at about 6 o’clock, on cheaper ones, even earlier. From your pictures, I would describe yours as about 6 o’clock, quarter past perhaps. If you can’t get any further than that with a gouge, you should try using a knife. You would make life easier for yourself if the throat were more open (i.e. wider). A head doesn't need to go around with it's chin down on its chest Quote Link to post Share on other sites
Shunyata Posted December 20, 2020 Author Report Share Posted December 20, 2020 Thank you for your kind assistance. Knife worked well. Managed to add an extra 30 minutes of turn in. So perhaps I am in Western France now? :-) Thank you for the advice about the throat. I bought some Stradivarius Mediceo 1747 metal templates for the arching and neck - and the neck template has no throat as you have noted. I have wondered whether this was an artifact of the metal cutting process rather than "actual" to the 1747 instrument. On the other hand, the arching templates sound very nice and much better than flatter the arching I was using before. Quote Link to post Share on other sites
Wood Butcher Posted December 20, 2020 Report Share Posted December 20, 2020 7 minutes ago, Shunyata said: I bought some Stradivarius Mediceo 1747 metal templates for the arching and neck Are you sure? Stradivari was dead by 1737 Quote Link to post Share on other sites
nathan slobodkin Posted December 20, 2020 Report Share Posted December 20, 2020 Shunyata, When working under the throat you need to cut across the flute rather than along it. A knife works well but I find a chisel with a convex grind on the bevel can be used with the bevel down (towards the fluting) to cut across the flute right up to the throat. As Jacob said the tighter the throat the more difficult that will be. Quote Link to post Share on other sites
duane88 Posted December 20, 2020 Report Share Posted December 20, 2020 I take a piece of plastic, much like I use for leveling cracks, and place it in the throat to help with the hitting of the pegbox walls. +1 for the knife. Quote Link to post Share on other sites
Davide Sora Posted December 20, 2020 Report Share Posted December 20, 2020 52 minutes ago, Shunyata said: Thank you for your kind assistance. Knife worked well. Managed to add an extra 30 minutes of turn in. So perhaps I am in Western France now? :-) Thank you for the advice about the throat. I bought some Stradivarius Mediceo 1747 metal templates for the arching and neck - and the neck template has no throat as you have noted. I have wondered whether this was an artifact of the metal cutting process rather than "actual" to the 1747 instrument. On the other hand, the arching templates sound very nice and much better than flatter the arching I was using before. The Mediceo (Medici) is from 1716, not 1747 (perhaps the authors of the template have changed the date in order not to have copyright issues). The Mediceo throat is quite open, but often in the templates and during work it becomes narrower due to too much material left on the mark on both sides (pegbox and volute), a fairly common mistake. The back is fluted up to the end, as quite typical of Stradivari. I use knife and small flat gouge by cutting crosswise (see my video if you like). Difficult and tricky job, but it is one of the details that show the mastery of the luthier when you see a clean and accurate working. Quote Link to post Share on other sites
Shunyata Posted December 20, 2020 Author Report Share Posted December 20, 2020 This is fantastic, thank you! Based upon what you are showing, I think I need to try and fix the throat a bit, although there is a limit to what I can do at this point. Also, patterns are dated 1727, not 1747. My mistake. Quote Link to post Share on other sites
Davide Sora Posted December 21, 2020 Report Share Posted December 21, 2020 10 hours ago, Shunyata said: Also, patterns are dated 1727, not 1747. My mistake. I am not aware of any 1727 instrument in the Medici collection, either. Where do your templates come from? Quote Link to post Share on other sites
Shunyata Posted December 21, 2020 Author Report Share Posted December 21, 2020 Dictum Herdim. See below, although I ordered through a violin supplier, not Amazon. Quote Link to post Share on other sites
Shunyata Posted December 21, 2020 Author Report Share Posted December 21, 2020 The templates have a manufacturer sticker that says Strad Mediceo. Quote Link to post Share on other sites
Nick Allen Posted December 22, 2020 Report Share Posted December 22, 2020 On 12/21/2020 at 10:21 AM, Shunyata said: The templates have a manufacturer sticker that says Strad Mediceo. You should be aware that commercial templates are seldom close to accurate to the real deal. You're better off studying photos and other reference materials. Quote Link to post Share on other sites
jacobsaunders Posted December 22, 2020 Report Share Posted December 22, 2020 10 minutes ago, Nick Allen said: You should be aware that commercial templates are seldom close to accurate to the real deal. You're better off studying photos and other reference materials. My father always advised his night school students, to have a real old violin on their bench for reference when making an (early) new one. It is miles better to try and make a Collin-Mezin, or even the infamous Jusek, that you can pick up and look at, than some crappy pictures or plans Quote Link to post Share on other sites
Davide Sora Posted December 24, 2020 Report Share Posted December 24, 2020 On 12/21/2020 at 4:21 PM, Shunyata said: The templates have a manufacturer sticker that says Strad Mediceo. Oddly, the date is correct here on Dictum site (1716) : https://www.dictum.com/en/measuring-inspection-instruments-jbo/herdim-outline-templates-5-piece-set-violin-strad-mediceo-1716-739404 Quote Link to post Share on other sites
Shunyata Posted December 24, 2020 Author Report Share Posted December 24, 2020 ...and here you can see the 1727 Mediceo stamps on the templates I purchased! Quote Link to post Share on other sites
Wood Butcher Posted December 24, 2020 Report Share Posted December 24, 2020 Probably they are produced by a third party for Herdim, which could explain both the wrong date, and the wrong shapes Quote Link to post Share on other sites
Shunyata Posted December 24, 2020 Author Report Share Posted December 24, 2020 Ha! I think I agree with Mr. Saunders... have the original in front of you while you work. Quote Link to post Share on other sites
Nick Allen Posted December 25, 2020 Report Share Posted December 25, 2020 11 hours ago, Shunyata said: Ha! I think I agree with Mr. Saunders... have the original in front of you while you work. Yeah. Pretty soon us young guys will be lucky if we can get our hands on a JTL or Roth lol. With the rising prices of literally anything of value, and violins being treated as trading stock, all we'll have is templates given enough time. Although I'm being half-facetious. Quote Link to post Share on other sites
Bill Yacey Posted December 25, 2020 Report Share Posted December 25, 2020 On 12/20/2020 at 4:06 PM, Wood Butcher said: Are you sure? Stradivari was dead by 1737 It was from his belated era. Quote Link to post Share on other sites
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