b sharp Posted November 2, 2020 Report Share Posted November 2, 2020 I've recently come across a problem with a client's violin (classical player). Her violin that she has played on-and-off since the seventies has recently become much more 'ringier', i.e. lots of sustain and very resonant. I played the instrument, and it is honestly the most ringiest violin I've ever played... to such an extent that it would have bothered me as well. The sound just carries on - almost guitar-like. Now from a setup perspective, I normally aim to increase the ring or sustain, not decrease it. An examination of the violin shows no glaring issues. As an initial attempt I tried shortening the post slightly and moving it closer to the bridge. And then I temporarily added some weight to the top of the bridge and the tailpiece, thinking that if this works, I can always make these changes permanent. She reported back that the instrument is better, but not enough. So I'm asking for a bit of advice how to proceed. My ideas currently are: Shortening the post more Decreasing the afterlength Different strings? Change the bridge to a stiffer, heavier bridge Different tailgut? Maybe change the fingerboard resonance? Any other advice? Quote Link to post Share on other sites
martin swan Posted November 2, 2020 Report Share Posted November 2, 2020 Mostly this sustain is sympathetic vibration from the G string. It's easy to see if this is the problem by putting a tiny bit of tissue or cotton wool under the G just after the nut. If that's the problem, you can generally mitigate it by adjusting the afterlength. Quote Link to post Share on other sites
Nick Allen Posted November 2, 2020 Report Share Posted November 2, 2020 "Ringiest" is my new favorite word. Quote Link to post Share on other sites
baroquecello Posted November 2, 2020 Report Share Posted November 2, 2020 Has anything been changed lately? I'm thinking a different string brand, or maybe uninstalling fine tuners? I'd try a longer tail piece , or you can try out what happens when you install extra fine tuners. Quote Link to post Share on other sites
Marty Kasprzyk Posted November 2, 2020 Report Share Posted November 2, 2020 2 hours ago, b sharp said: I've recently come across a problem with a client's violin (classical player). Her violin that she has played on-and-off since the seventies has recently become much more 'ringier', i.e. lots of sustain and very resonant. I played the instrument, and it is honestly the most ringiest violin I've ever played... to such an extent that it would have bothered me as well. The sound just carries on - almost guitar-like. Now from a setup perspective, I normally aim to increase the ring or sustain, not decrease it. An examination of the violin shows no glaring issues. As an initial attempt I tried shortening the post slightly and moving it closer to the bridge. And then I temporarily added some weight to the top of the bridge and the tailpiece, thinking that if this works, I can always make these changes permanent. She reported back that the instrument is better, but not enough. So I'm asking for a bit of advice how to proceed. My ideas currently are: Shortening the post more Decreasing the afterlength Different strings? Change the bridge to a stiffer, heavier bridge Different tailgut? Maybe change the fingerboard resonance? Any other advice? The long sustain might be due to a large mismatch between the string impedance and the violin body impedance. The string's vibrational energy is not being transferred to the body quickly and the result is a long ringing effect. Two quick options are: Decrease the body's impedance by using a less stiff, lighter bridge. Increase the string's impedance by using heavier tension strings. Quote Link to post Share on other sites
Wood Butcher Posted November 2, 2020 Report Share Posted November 2, 2020 3 hours ago, b sharp said: I've recently come across a problem with a client's violin (classical player). Her violin that she has played on-and-off since the seventies has recently become much more 'ringier', i.e. lots of sustain and very resonant. I played the instrument, and it is honestly the most ringiest violin I've ever played... to such an extent that it would have bothered me as well. The sound just carries on - almost guitar-like. Now from a setup perspective, I normally aim to increase the ring or sustain, not decrease it. An examination of the violin shows no glaring issues. As an initial attempt I tried shortening the post slightly and moving it closer to the bridge. And then I temporarily added some weight to the top of the bridge and the tailpiece, thinking that if this works, I can always make these changes permanent. She reported back that the instrument is better, but not enough. So I'm asking for a bit of advice how to proceed. My ideas currently are: Shortening the post more Decreasing the afterlength Different strings? Change the bridge to a stiffer, heavier bridge Different tailgut? Maybe change the fingerboard resonance? Any other advice? Before jumping into all of that, it might be worth asking her if she has changed anything herself, such as chinrest, string brand, tailpiece etc. or if anyone else has worked on the instrument recently before you. For it to have changed so markedly, something must be different to before. I guess humidity could play a role, but as this is regularly changing, I'd have to assume it is something else. Quote Link to post Share on other sites
sospiri Posted November 2, 2020 Report Share Posted November 2, 2020 6 hours ago, b sharp said: I've recently come across a problem with a client's violin (classical player). Her violin that she has played on-and-off since the seventies has recently become much more 'ringier', i.e. lots of sustain and very resonant. I played the instrument, and it is honestly the most ringiest violin I've ever played... to such an extent that it would have bothered me as well. The sound just carries on - almost guitar-like. Now from a setup perspective, I normally aim to increase the ring or sustain, not decrease it. An examination of the violin shows no glaring issues. As an initial attempt I tried shortening the post slightly and moving it closer to the bridge. And then I temporarily added some weight to the top of the bridge and the tailpiece, thinking that if this works, I can always make these changes permanent. She reported back that the instrument is better, but not enough. So I'm asking for a bit of advice how to proceed. My ideas currently are: Shortening the post more Decreasing the afterlength Different strings? Change the bridge to a stiffer, heavier bridge Different tailgut? Maybe change the fingerboard resonance? Any other advice? Let it ring. It could be her thing. She could be famous as the Lady with the ringing violin. And she could say to her admirers "Yes, the rings the thing" A solo career beckons. Quote Link to post Share on other sites
Michael_Molnar Posted November 3, 2020 Report Share Posted November 3, 2020 On 11/2/2020 at 12:09 PM, Wood Butcher said: Before jumping into all of that, it might be worth asking her if she has changed anything herself, such as chinrest, string brand, tailpiece etc. or if anyone else has worked on the instrument recently before you. For it to have changed so markedly, something must be different to before. I guess humidity could play a role, but as this is regularly changing, I'd have to assume it is something else. Exactly. Does she store it differently? Quote Link to post Share on other sites
b sharp Posted November 5, 2020 Author Report Share Posted November 5, 2020 So just some feedback.... i changed a lot on the violin: moved the bridge back to a more standard position, new heavier stiffer bridge, shortened afterlength, dropped the string height, and some soundpost work. It still rings, but less. Client is happier now, although, if it was my violin, i would have done less to kill the ring. It grew on me... very good fiddle! I also asked about recent changes. Not much clarity, but the bridge did fall over recently and the FB was shaved. We've also had a change of seasons here from very dry to very wet. Maybe it was a combination of many things... One thing I noticed was that the neck is very thin... 3-4mm less than normal. Maybe that affected the body resonance? But that doesn't count as a recent change... Quote Link to post Share on other sites
sospiri Posted November 5, 2020 Report Share Posted November 5, 2020 13 minutes ago, b sharp said: Client is happier now, although, if it was my violin, i would have done less to kill the ring. It grew on me... very good fiddle! That's how I feel about a violin I own. I just think it has an upper harmonic response that is different to some others with a darker tone. Comparisons about which has a better tone are moot. Quote Link to post Share on other sites
David Beard Posted November 5, 2020 Report Share Posted November 5, 2020 My first suspicion would be that something is to solid about the post/bridge/strings setup. I would look first at a less stiff setup for the post. Quote Link to post Share on other sites
b sharp Posted November 6, 2020 Author Report Share Posted November 6, 2020 I see all the suggestions about a less stiff, lighter bridge. I might ask her to allow me to do an experiment at no cost to try this and report back... Quote Link to post Share on other sites
Shunyata Posted November 6, 2020 Report Share Posted November 6, 2020 If nothing changed, then nothing should need to be changed to restore the original sound... period. I am betting the bridge was located further south (perhaps accidentally) than it is now. I have noted on some violins, particularly those with thicker tops, that north-south bridge adjustments really affect ring on the E string and the relative balance with the ring on the lower strings. Super easy to check. Quote Link to post Share on other sites
Marty Kasprzyk Posted November 9, 2020 Report Share Posted November 9, 2020 A little while ago (March 10, 2010 in the topic "Ideal tailpiece string widths") Don Noon had mentioned that if the string spacings at the tailpiece were the same as at the bridge then string after lengths would be parallel and this would provide a more flexible connection with less damping than if the spacings were unequal. The tailpiece string spacing might have an effect on the amount of ringing. Quote Link to post Share on other sites
Marty Kasprzyk Posted November 12, 2020 Report Share Posted November 12, 2020 The open strings ring longer than stopped strings because the open strings have a stiff hard short nut which produces low damping whereas the stopped strings have higher damping from the wide fleshy fingertips. This suggest that the physical properties of the player's fingertips might influence the "dinginess" (our dumb MN spell checker wants to use "dinginess" instead of "ringiness") rather than the properties of the violin itself. Players with narrow heavily callused finger tips might produce a more ringing sound from their violins. The more you practice the more dinginess "ringiness" you get. Quote Link to post Share on other sites
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