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hide glue surfactant


Mat Roop

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So I have this sentimental VSO that arrived in my shop.  The center seam on the top about between the bridge and fingerboard has released, but the gap appears less than paper thin. The violin is not worth almost any repair, but because of the sentimental value to the client, they'd like to have it playable. Top removal is really out of the question, and my usual tactic for this type of situation, is to the heat all surfaces well, have the glue a bit on the thin side and use a small suction cup to press the glue in, and flex as much as possible without making the separation run.. 

Thinking about this, for now and the future, is there a surfactant that can be added to hide glue to help it pull into the seam?  will it affect holding power or future repairs?

Appreciate any thoughts... Thanks, Mat

 

IMGP9494-1.jpg

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For this type of situation I would take a piece of spring steel, long and  narrow,( .015,, or .010,, or several.005's together,, whatever you got laying around that feels right). Put clear packaging tape on one side so the glue can't stick or rust,, if any glue leaks through. Then hold them in place on the inside, centered along the seam with some magnets placed on the outside. Put in some sound posts along the seam, just tight enough to start to open the seam a bit, remove the magnets, then work in the glue, knock out the posts and clamp the arch from the outside with slight pressure. Did I mention Slight pressure?

You will want to test the crack with the sound posts first without the metal liner in place,, and figure out your limits, and just how loose and far the crack actually is. They don't have to be pushed over the back seam to do the job. Slightly round both ends, they can be regular cheap dowels,,, put leather on the sliding end if you want,,,,etc.  Run through it with the posts first and get them figured out. As soon as you put one in too tight the one beside it will drop... have some string on them for easy removal. It is definitely a delicate, "Watch Makers" type of operation.

A bit of practice and you develop a "feel" for it. A dedicated narrow ruler with a vee ground in the end to catch the top of the post and keep it in place,, while you push the bottom of the post under to tighten it,, will make it much easier. Also put  masking tape on the steel, on the post side,,, to give it some traction so it doesn't slip around.

To clamp the outside, again a long thicker piece of spring type steel along the crack, (with clear tape for no stick) with bass bar sized blanks across the top side to side,, and use those cheap small plastic bar clamps. Clamp from the wooden cross bars to the edge of the back plate to pull the top toward the back plate and close up the crack.  I have deliberately clamped several tops in this way to their breaking point (just for a test on junk) and it takes a lot more than you would imagine to break it. The first place they give out is a split from the upper eyes to the top edge, then the lower holes blow. Just be reasonable and all will go well. To close the crack the metal is not usually necessary, just a few cross bars judiciously clamped will do it. as you push down on the top the crack is automatically being pushed together, just don't make a flat spot. Check that out ahead of time, it is usually fine, but sometimes a curved caul might be in order, most likely not,,just depends. Did I mention,, Slight pressure?

At first this may seem overwhelming but after you got it it is really useful for loose bass bars, cracks, center seams,, smashed, stepped upon, sat upon,, cheap fiddles, pull out the pieces prop them up and glue,  I have been shocked how well things turn out, just another way of thinking about it. quck and dirty, but still a good solid job. Good enough is good enough for some things,,,just a few more miles, another year. and  kid's 'done.

Probably not so quick the first time,, I can make it look easy.

 

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thanks Evan... good ideas. What I have done also  is taking a 90 degree bent instrument screwdriver and with a pad on the end, thru the f hole and then levering the joint up to open the seam, lower to close and with the hot glue over the seam, this repetitive motion works the glue in.

I'm still curious about the surfactant idea and sent an email to Milligan &Higgins to see what they have to say... cheers, Mat

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1 hour ago, avandesande said:

Does it go all the way through? Wouldn't stringing it up and tensioning it pull the crack together?

yes, and yes... but it needs to be reglued otherwise the separation will continue until the top is in 2 halves.. then the whole top needs to come off. So the question in my mind really was how best to get the glue into the separation when you can't really pull it apart.... and the surfactant idea came to mind, but I don't know which surfactant to use  ( if any) or the consequence of using it. 

Cheers, Mat

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3 hours ago, Brad Dorsey said:

I'd like to see a picture of this if you have one.

Pretty simple.... a screwdriver bent 90 Degrees & covered with plastic tubing. Mostly used for F-hole cracks. ..

Heat crack, Lay a bead of glue on crack, insert tool thru f hole and lift one side of crack from underside, then push down from outside.. pulsating up & down, and glue works in nicely.

Problem with my current situation is that there is very little flex ( almost none)  in the area to be glued. Evan's post above is helpful.

tool.jpg

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7 hours ago, Mat Roop said:

Alcohol is dangerous around violin varnish!

Yes i know, but depends how careful you are ! Theres a pdf link to the article which is quite interesting. Ive repaired cracks where i just use a hyperdermic  to put a little ethanol in the joint and then let dry around 5-10 minutes before adding glue to the joint. (this is an alternative to adding alcohol to the glue)

a.JPG

b.JPG

Animal_glues_a_review_of_their_key_prope.pdf

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3 hours ago, Bodacious Cowboy said:

I could imagine myself spending more time thinking about how to do this without taking the top off than it would to just take the top off...:D

For sure, but once you have it figured out... bob's your uncle!    ...cheers, minimalist Mat

 

4 hours ago, fiddlecollector said:

Yes i know, but depends how careful you are ! Theres a pdf link to the article ....Animal_glues_a_review_of_their_key_prope.pdf 176.57 kB · 0 downloads

Thanks fiddle collector... great article, and helpful! ... Mat

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39 minutes ago, Bill Yacey said:

I wonder if taping up the F holes and applying a medium vacuum source momentarily to the endpin hole would draw the glue in from any cracks?

Interesting idea. My first try might be applying mild air pressure (less air pressure than would blow the tape off the ff-holes) to open the crack enough to facilitate getting the glue in, and then applying vacuum to clamp it.

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1 hour ago, Bill Yacey said:

I wonder if taping up the F holes and applying a medium vacuum source momentarily to the endpin hole would draw the glue in from any cracks?

Yes, but you would need real good vacuum control, otherwise you could easily create more splits or even collapse an instrument.... worth pondering!

For some time I have had the idea of doing something akin to what is done to fill and seal auto windshield stone chips... Create a vacuum then release filler into vacuum. But can't get my head around the how of the  mechanics to doing it on an assembled violin.

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You can build a dam  around the void as to contain the glue,, apply glue first,,then you use a soft rubber edged hose or whatever it takes to surround and seal, and pull the vacuum, for long enough according the the glue, and situation, then when the vacuum is released the glue will suck itself in to the void. The vacuum will pull vacuum through the glue lying on top of the void as long as it is liquid. The reservoir of vacuum under the glue will then suck it into place.

If glue is injected into the  vacuum too far from the destination,, it will boil as it travels to the void, and  then the vacuum will have  been greatly reduced by the time it finally gets there.

A hypodermic needle inserted into the hose next to the void will also allow glue to be applied moments before the vacuum is released.

More wandering thoughts.

If you pull vacuum on a violin it will pull the arch joints so tightly together,, no glue would be able to enter,, unless of course something on the inside was holding it apart.

That is one thing I've never done,,, tried to collapse a fiddle with vacuum,, without a sound post,,, it has crossed my mind though,,, hmmm,, thinking of a sacrifice,,,,hmmm...

could be fun and enlightening? I do hate not knowing for sure.

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This is why I suggested a medium vacuum, enough to create a little bit of negative pressure at the crack opening, and then immediately removed when the glue is drawn into the crack.

Using air pressure to push the glue into the crack might work, but it might tend to gel the glue too quickly

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28 minutes ago, Evan Smith said:

That is one thing I've never done,,, tried to collapse a fiddle with vacuum,, without a sound post,,, it has crossed my mind though,,, hmmm,, thinking of a sacrifice,,,,hmmm...

could be fun and enlightening? I do hate not knowing for sure.

Shouldn't be difficult, but a vacuum pump would be less messy.

Atmospheric pressure collapsing a steel drum:

 

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