Jump to content
Maestronet Forums

Just venting


Jeffrey Holmes

Recommended Posts

24 minutes ago, violguy said:

Jeffrey's bondo romance reminded me of the 3/4 plywood bass which had the top attached to its' blocks and ribs with construction adhesive. Those were fun times!!!

I had a vintage Gibson guitar come in a few years ago where a previous owner had tried to "repair" a significant belly bulge by gluing a 1/2" thick by 3"wide by full width of the lower bout chunk of plywood under the area where a bridge plate usually lives....... with Construction Adhesive.

New owner was adamant and willing to pay the freight....so new top on that one....

Link to comment
Share on other sites

I remember years back when I was starting with instrument repairs, our bass player had loose bass bar and wanted me to repair it. I decided I was not equipped enough for such large task so he took it to some local "repairperson". The bass returned with something like 150 finishing nails around back (every inch or so, the back was never removed before) and the back and bar glued with some sort of white glue or epoxy that failed in few weeks so I had to re-do all the mess after this guy. Hundreds of splinters missing from the back inside had to be filled with new wood and most of those nails got pulled through the back. Ugly. Lesson learned.

Link to comment
Share on other sites

6 hours ago, violguy said:

Jeffrey's bondo romance reminded me of the 3/4 plywood bass which had the top attached to its' blocks and ribs with construction adhesive. Those were fun times!!!

If Strad had had the option of using Liquid Nail for the neck instead of real nails, wouldn't he have used it?  (My apologies in advance.) 

Link to comment
Share on other sites

On 12/16/2018 at 8:06 PM, CSchabbon said:

That must have been a fast worker if he managed to mix the bondo, slap it on the top, add the linen and clamp it all on the ribs in only 6 minutes! I'm impressed.

You can slow down the process by using less hardener / activator and by working in a cooler environment.

The last time I applied it in my garage the temperature was about 4 degrees C , say 25 F.  Could spread it at my leisure and it was still a bit tacky after 2 days!

Link to comment
Share on other sites

18 hours ago, HoGo said:

I remember years back when I was starting with instrument repairs, our bass player had loose bass bar and wanted me to repair it. I decided I was not equipped enough for such large task so he took it to some local "repairperson". The bass returned with something like 150 finishing nails around back (every inch or so, the back was never removed before) and the back and bar glued with some sort of white glue or epoxy that failed in few weeks so I had to re-do all the mess after this guy. Hundreds of splinters missing from the back inside had to be filled with new wood and most of those nails got pulled through the back. Ugly. Lesson learned.

As horrifying as this is...this is the result of not having enough qualified 'repair persons' in the neighbourhood.

Seriously - for most people, what are the options?

1.  Stop using the instrument?  Hard to do when you need to practice/perform.

2. Buy a new instrument? With exceptions, too expensive.

3. DIY?  Probably not.

4. Find someone, who may live far, far away - book an appointment - book a flight?  Hmmm...let's see, that would still put you out of commission, take forever, and cost a fortune...

The only thing I can think of - which still may not work for most people, is to put the damaged instrument away until a qualified person can be found, and rent (or borrow).

BTW... this happened to me yesterday in rehearsal.  The whisper key on my bassoon is stuck (again).  The first bassoonist suggested I 'fix' it by moving a wire.  Against my better judgement, I moved the wire.  ACK! Now I can't play at all!  Can't get the wire back in place!  I had the clarinets and oboes frantically looking for a crochet hook during rests...and the oboe player had one!  :D Got the wire back in place!  Whisper key is still stuck, but I managed, albeit a few notes didn't sound.

Thankfully I have a bassoon repair person close by, who I need to visit this week.

I don't have a spare bassoon.  I can't afford a spare bassoon.  Unless you're a professional bassoon player, I don't think anyone has a spare bassoon...

Note to self:  Put a crochet hook in my gig bag...

Link to comment
Share on other sites

20 minutes ago, Rue said:

As horrifying as this is...this is the result of not having enough qualified 'repair persons' in the neighbourhood.

Seriously - for most people, what are the options?

I think that sums things up pretty neatly. And I imagine that behind most horror-story repairs is a crest-fallen musician, who thinks their cherished instrument is a gonner and fit only for the bin for the type of issue most maestronet members would take in their stride before their first coffee of the morning. 

25 minutes ago, Rue said:

I don't have a spare bassoon.  I can't afford a spare bassoon.  Unless you're a professional bassoon player, I don't think anyone has a spare bassoon...

hmm - I thought all bassoons were spare basoons...(just kidding).

Link to comment
Share on other sites

My son's pride: the '87 Camaro IROQ  on the right. Won some prizes. All stock. Sofar no need for bondo, keeps it stored in the winter as well. BTW up north where he lives we have only 2 seasons: summer and winter. And winter is divided in early winter (fall) mid - winter (winter) and late winter (spring).100771986_camaroIROC87.jpg.1c8c0d5ce99240fae12651a9cd495cf6.jpg

Link to comment
Share on other sites

Rue has really hit on an issue.  I barely feel qualified for repairs, but compared to the stuff I imagine we have all seen, I'm at the masters level.  People have moved into a commodity/dispose mindset.  Don't understand the time an instrument takes to make, let alone repair.  Unwilling to pay.  And are then too-often obnoxious about the whole process.  

My most cringeworthy discovery was the inside of an interesting 17th C N Italian instrument.  Fortunately, bondo hadn't been invented when the butchery was done.  A friend and I surrendered and turned it into a kit, soaked out a pound of glue and parchment, and random patches.  I hate to think what would have happened with modern materials available!!!

I have zero, none, nada instruments to repair at this point, and am hiding.from them for a bit!!!

Link to comment
Share on other sites

On 12/18/2018 at 9:40 PM, hendrik said:

My son's pride: the '87 Camaro IROQ  on the right. Won some prizes. All stock. Sofar no need for bondo, keeps it stored in the winter as well. BTW up north where he lives we have only 2 seasons: summer and winter. And winter is divided in early winter (fall) mid - winter (winter) and late winter (spring).100771986_camaroIROC87.jpg.1c8c0d5ce99240fae12651a9cd495cf6.jpg

My dream is to buy my wife a fully restored 69 camaro like she once owned. Car seats are behind us, so sports cars keep creeping into the conversation.  

Sorry for continuing the topic diversion. 

When I get back in town I will post my first ID thread for a 3/4 violin that was given to me that I don’t think is worth the repair just to be given away to a student. 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
  • Recently Browsing   0 members

    • No registered users viewing this page.


×
×
  • Create New...