vathek Posted September 14, 2018 Report Posted September 14, 2018 Recently I had to send my 1913 N. W. House violin (listed in Wenberg) off to get the reglued as the recent heat and humidity caused the glue to fail. The luthier took pics of the inside and I thought some of you would get a kick out of some of the unusual features. I had assumed the violin had no corner blocks and now I see that the walnut faces on them made them hard to see. I have no explanation for the 2 piece blocks or the tube for the end pin.
Rue Posted September 14, 2018 Report Posted September 14, 2018 Lol...cute! A nice bit of history - thank you for posting!
Violadamore Posted September 14, 2018 Report Posted September 14, 2018 I see that there have been weirdos unusually imaginative people in Ann Arbor for longer than I'd realized. With the various departures from the ordinary, how does it sound?
Addie Posted September 15, 2018 Report Posted September 15, 2018 Your end pin is missing its removable pitch pipe. No kidding.
The Violin Beautiful Posted September 15, 2018 Report Posted September 15, 2018 I wonder whether the central bar was added to give the top more mass. The normal one seems to be a replacement, so I assume the other one was made at the same time. It also looks like there’s a piece of hardwood running up the middle of the neck, perhaps to prevent warping. Definitely an intriguing experimental instrument.
Jeff White Posted September 15, 2018 Report Posted September 15, 2018 Love the uniqueness in this. Wow, a lot to look at. Worried about that cracked endblock as it seems the grain in running with the grain on the ribs, looks like that could easily carry into cracking the lower rib bouts. Normally we would replace that endblock, but that's too idiosyncratic to change out, need to repair it instead.
Quadibloc Posted September 15, 2018 Report Posted September 15, 2018 I know that someone made a bridge with three feet; maybe this violin with its extra bass bar was made to be used with such a bridge?
vathek Posted September 15, 2018 Author Report Posted September 15, 2018 The end block was repaired after the pics were taken. I believe that Wenberg mentions that House used two bass bars, so I think they could be original. Also not sure what the repairman may have repaired. It sounds and plays very well. It's a nice violin.
PhilipKT Posted September 15, 2018 Report Posted September 15, 2018 What’s the point of two bass bars? Wouldn’t two create two strong and conflicting resonances, resulting in a weaker sound?
David Holbrook Posted September 16, 2018 Report Posted September 16, 2018 Interesting work. Thanks for posting the pictures. Somewhere I have a Boston violin with a three piece laminated neck with the dark center strip, I'll try to find a picture, they could have worked together at some point.
vathek Posted September 16, 2018 Author Report Posted September 16, 2018 David: hope you can find a pic, would like to see it.
GlennYorkPA Posted September 16, 2018 Report Posted September 16, 2018 Here is Wenberg's interesting entry regarding N.W. House: 'Worked as a violinist in a theatre orchestras in Chicago. Violin maker. Worked in Springfield OH 1909 to 1910. Also worked in Ann arbor, Michigan, doing repair work. Own original model. Wings of f-holes bevelled qt ends. Edges of the top have maple grafted on to prevent damage. All ribs made with an outward bulge. Two piece neck with sides of pegbox ornamentally carved, on some “HOUSE” is carved on the back of the pegbox. Golden brown spirit varnish. Handwritten label directly on the back. Fine artistic workmanship. Also rebuilt instruments using multiple bass bars'. Glenn
vathek Posted September 16, 2018 Author Report Posted September 16, 2018 Yep , that's the one, with all the features mentioned.
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now