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Hamberger Adjustable Soundpost for Violin


mood2000

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13 minutes ago, FoxMitchell said:

such as why are they so expensive?

They are pretty pricey. But it aint cheap these days to have a traditional post fit by a good luthier. This cost is equal to about three normal post fittings and sometimes that's how many a player will need before settling in on one.

I like the idea, but for some reason I cant see myself living with a violin that has one of these inside

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8 minutes ago, deans said:

They are pretty pricey. But it aint cheap these days to have a traditional post fit by a good luthier. This cost is equal to about three normal post fittings and sometimes that's how many a player will need before settling in on one.

I like the idea, but for some reason I cant see myself living with a violin that has one of these inside

Are you saying it takes three posts to get one right?  Not trying to put you on the spot, but is that what you are saying?  If so, I would love to explore the process and when you feel it is right.

 

 

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8 minutes ago, Jerry Pasewicz said:

Are you saying it takes three posts to get one right?

No, but I guess I shouldn't have used the term "right".  I don't consider myself that picky, but I know players that have had many posts cut before they got what they wanted, and are still always heading to the shop for adjustments.

But  I do have  instruments where I have a long and short post that I switch from time to time. They are both "right" I guess.

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1 hour ago, deans said:

I don't consider myself that picky, but I know players that have had many posts cut before they got what they wanted, and are still always heading to the shop for adjustments.

Is your shop next to a psychotherapist's office?  "Location, location, location...." :ph34r::lol:

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47 minutes ago, Davide Sora said:
 

I foresee a lot of work in soundpost patching for restorers if the adjustment tools are left in the hands of "experimenters" violinists to play with the tension of these soundpost.

Please, not on my violins....:)
 

 But just think, then we can put in carbon fiber soundpost patches!

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56 minutes ago, Davide Sora said:
 

I foresee a lot of work in soundpost patching for restorers if the adjustment tools are left in the hands of "experimenters" violinists to play with the tension of these soundpost.

Please, not on my violins....:)
 

This soundpost was developed in collaboration with Chi-Mei precisely because of the need to avoid damage to the internal surfaces of a historic instrument. The feet are always in 100% contact with the plates.

With conventional posts there are no mechanisms in place to prevent amateurs or even great set-up maestros from buggering up a table with an overlong post.

I was introduced to this post by one of the inventors/developers about 3 months ago, and we were very quickly able to improve the sound of a couple of rather temperamental violins. 

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