sospiri Posted March 13, 2019 Report Share Posted March 13, 2019 2 minutes ago, martin swan said: Interesting that both have very visible compass marks on the inner back ... Why do some makers do that? It's completely effing stupid. Quote Link to comment Share on other sites More sharing options...
Filipe Veríssimo Posted March 13, 2019 Report Share Posted March 13, 2019 5 hours ago, sospiri said: Why do some makers do that? It's completely effing stupid. Not sure about its purpuse, maybe as a reference to set the soundpost vertical. The center is also marked in the top (see photo), It helps to keep the bridge in place! I've been searching who signed the bridge but I can't find anything, can you help? It's something like: J PH…...VILLE LT Quote Link to comment Share on other sites More sharing options...
sospiri Posted March 14, 2019 Report Share Posted March 14, 2019 21 hours ago, Filipe Veríssimo said: Not sure about its purpuse, maybe as a reference to set the soundpost vertical. The center is also marked in the top (see photo), It helps to keep the bridge in place! I've been searching who signed the bridge but I can't find anything, can you help? It's something like: J PH…...VILLE LT I don't know the purpose either. Someone tried to explain it to me once, but it made no sense. You have two scratched circles around a small hole in the inside of the violin, what purpose can that serve? The name on the bridge? J PH. Jean Philippe?? Quote Link to comment Share on other sites More sharing options...
martin swan Posted March 14, 2019 Report Share Posted March 14, 2019 On 3/13/2019 at 11:53 AM, sospiri said: Why do some makers do that? It's completely effing stupid. Yup, it's like the central pin on Cremonese violins, what the f*** is that all about Quote Link to comment Share on other sites More sharing options...
sospiri Posted March 14, 2019 Report Share Posted March 14, 2019 15 minutes ago, martin swan said: Yup, it's like the central pin on Cremonese violins, what the f*** is that all about No idea, but some say it is perhaps evidence of a link between Nicolo Amati and Jacob Stainer? I just don't like those scribed circles and holes. I like smooth clean lines and surfaces inside the instrument. Quote Link to comment Share on other sites More sharing options...
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