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Leo Aschauer 1928 Violin


Prestochangeo

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I recently came into possession of a violin whose maker label says:

"Made in Mittenwald

Modell Klotz

fecit 1928 sub auspiciis 

Leo Aschauer"

 

I'm just looking for information about this instrument, although it would be nice if someone pointed me into the direction of a seller. I know very little about violins, and haven't played one since I was 14, though trying to tell my grandmother this is impossible.  This was given to me by said grandmother who got it from a friend because they all still think I play. 

Thanks in advance and sorry if I've just posted to the incorrect forum. 

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Aschauer was for many years the director of the violin making School in Mittenwald. One could suppose it was made by one (or several) of the apprentices there. I am not familiar with Mittenwald vm School Labels with any English language, so wonder if it was stuck in by an American wholesaler. I would be interested to know if it has a Mittenwald vm School stamp on the inside of the back (above the Label) it would look like a Christmas tree

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1 hour ago, jacobsaunders said:

I am not familiar with Mittenwald vm School Labels with any English language, so wonder if it was stuck in by an American wholesaler. I would be interested to know if it has a Mittenwald vm School stamp on the inside of the back (above the Label) it would look like a Christmas tree

Moennig & Son in Philadelphia sold "Aschauer" instruments.  I had assumed the labels were inserted here, but am not sure that's the case.

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It is definitely not pristine, we'll call it well loved. 

I'll take it to The Loft in Columbus, Ohio in a few days to see what they say. Thank you all for being so quick to respond and helpful. My mother would have had me take it to [generic second hand instrument retailer] so thank you for again for the info. 

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I guess the OP will be very happy with the answers so far and may not object me adding another possible Aschauer instrument to his thread.

Mine is labelled to be from the Workshop of (Leo) Aschauer 1951, no school tree, no other marks.

I have doubts that the label is authetic. It is glued in a bit rough and there seem to be glue marks indicating the outline of a previous label mostly covered by this one. It would also be possible, that the glue marks are from a previous position of this label - it may have come lose and was re-glued.

In any case it looks a bit dodgy. On the other hand it is a not-so-exciting workshop label and I thought they would not make typical targets for fakes.

The violin has four corner blocks and the linings run right over them.

Any observations are welcome and might save me a trip to my luthier - I live in the middle of nowhere.

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There was a lot of stuff from elsewhere (i.e."junk") sold by the Mittenwald makers as their own, so I guess it was bought by Aschauer from behind the iron curtain (s. contraband)  to sell it as a student instrument. Actually the label GEWA Mittenwald Adorf, what includes East and West, is found in VSO from the Far East as well.

The OP violin gives another answer to ViodA's question reg. the Mittenwald school prioduction from the between the wars period.

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2 hours ago, Guido said:

Thanks, I appreciate the assessment that this is a cheap and nasty junk violin. I'll be happy with that. But I don't hink it has ever been to the US. I got in Germany and it now lives in Australia.

I'm very sorry, this forum is normally rotten with Americans. If I ever see one with an upside-down Christmas tree, I will know what to think.:)

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Jacob, 

The  OP's instrument looks quite a bit better than the 1951. Am I wrong about that being more of an advanced student instrument than a VSO? I have seen other  M'wald  school made instruments that were really quite well made although stiff and lacking in style. Also had a Leo Aschauer viola that fit that description. Good solid craftsmanship but a bit heavy. I believe that one had the Christmas tree and was labeled in German.

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5 hours ago, jacobsaunders said:

It looks as though some American wholesaler (Moennig, if Jeffrey is right?) has been using up his Aschauer labels in junk (non-Mittenwald) cheap and nasty violins

The instruments I've seen that were sold through Moennig were similar-to-better in quality to the OP's instrument. I've not seen non-Mittenwald instruments that were sold by that firm with an "Aschauer" label.

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36 minutes ago, nathan slobodkin said:

Jacob, 

The  OP's instrument looks quite a bit better than the 1951. Am I wrong about that being more of an advanced student instrument than a VSO? I have seen other  M'wald  school made instruments that were really quite well made although stiff and lacking in style. Also had a Leo Aschauer viola that fit that description. Good solid craftsmanship but a bit heavy. I believe that one had the Christmas tree and was labeled in German.

Just to clarify: Talking about the recent GEWA instruments I thought of VSOs, the OP is IMO a quite good Mittenwald school instruments, made while Aschauer looked over the shoulders of the apprentice (or drank a cup of coffee^_^). If Guido's violins is junk or an average east european student instrument, from the 1940s, sufficient for an amateur player, depends from the point of view, or maybe your opinion about deceiving labels.

BTW, seeing the "1" at the second violin, I think it isn't written in America.

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1 hour ago, nathan slobodkin said:

Jacob, 

The  OP's instrument looks quite a bit better than the 1951. Am I wrong about that being more of an advanced student instrument than a VSO? I have seen other  M'wald  school made instruments that were really quite well made although stiff and lacking in style. Also had a Leo Aschauer viola that fit that description. Good solid craftsmanship but a bit heavy. I believe that one had the Christmas tree and was labeled in German.

 

 

Dear Nathan,

 

I would have thought that is is patently obvious that the 1951 labeled violin does not come from Mittenwald, the school there, or from Aschauer. The OP 1928 one, by contrast is thoroughly characteristic of the Mittenwald vm school of that period. Very much not a VSO, but the work of a meticulous apprentice.

 

I do not know if you had your training in a school, or with an individual maker. If you were at a vm school though, you will know that there are normally students with a wide range of abilities, also those who have just started, and others in their 3rd year.

 

When I first moved to Vienna in the 80's, I lived in the Zollergasse, on the corner of Mondscheingasse. In the basement of the neighbouring house in Mondscheingasse was the violin makers shop belonging to Herr Nowy. Herr Nowy, it seemed, spent much of the day standing on his doorstep, to make sure that nobody came into his workshop, which looked like a bomb had recently exploded. He let me in though, and his main theme when he spoke to me was, how he had learnt in Mittenwald alongside Mr. Weißhaar, who was now famous in California. I never met Weißhaar personally, but am pretty certain that he was a great deal more impressive.

 

I must admit that I “inherited” a packet of Mittenwald labels from the estate of a Viennese vm many years ago, which have lived in my stamp album since, although no Aschauer ones. The Christmas tree stamp though would seem very reliable, and I would have serious doubts about a Mittemwald vm school violin without one.

 

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6 minutes ago, jacobsaunders said:

... Herr Nowy, it seemed, spent much of the day standing on his doorstep, to make sure that nobody came into his workshop, which looked like a bomb had recently exploded. ..

Now there's an interesting business model! ;)

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On March 30, 2017 at 9:21 AM, jacobsaunders said:

 

 

Dear Nathan,

 

I would have thought that is is patently obvious that the 1951 labeled violin does not come from Mittenwald, the school there, or from Aschauer. The OP 1928 one, by contrast is thoroughly characteristic of the Mittenwald vm school of that period. Very much not a VSO, but the work of a meticulous apprentice.

 

I do not know if you had your training in a school, or with an individual maker. If you were at a vm school though, you will know that there are normally students with a wide range of abilities, also those who have just started, and others in their 3rd year.

 

When I first moved to Vienna in the 80's, I lived in the Zollergasse, on the corner of Mondscheingasse. In the basement of the neighbouring house in Mondscheingasse was the violin makers shop belonging to Herr Nowy. Herr Nowy, it seemed, spent much of the day standing on his doorstep, to make sure that nobody came into his workshop, which looked like a bomb had recently exploded. He let me in though, and his main theme when he spoke to me was, how he had learnt in Mittenwald alongside Mr. Weißhaar, who was now famous in California. I never met Weißhaar personally, but am pretty certain that he was a great deal more impressive.

 

I must admit that I “inherited” a packet of Mittenwald labels from the estate of a Viennese vm many years ago, which have lived in my stamp album since, although no Aschauer ones. The Christmas tree stamp though would seem very reliable, and I would have serious doubts about a Mittemwald vm school violin without one.

 

Thanks Jacob,

I wasn't implying that the fiddle with the 1951 date was from Mittenwald just using the date to differentiate it from the OP's 

FYI my own training was done in what I think was the only real production shop in the US at the time. About 20 guys making about 500 instruments a year ranging from better grade student models to individually made gold medal winners. Great place to train. People from a number of different schools and countrys, strict discipline and great team spirit and pride in our work.

I'd still be there today if I wasn't a country boy who prefers the woods to a big city.

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