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You might want to check out Walter Mahr, I know they list them, but I have never seen one.

 

Of course there are many Chinese ones, but they vary in quality, and many aren't close to being anything historical.

 

There are many individual makers that produce them, but you might be looking for things that are a bit less costly. Besides Mahr, there must be other German commercial firms that make something decent. 

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Pieter Affourtit made the Baroque bow that I've been using.  I think he fits the bill as a reasonably priced European.  

 

When I was bow shopping, Gabriela Guadalajara sent me 3 bows, all three by Affourtit.  2 baroque "sonata" bows and 1 classical bow.  The baroque bows were both excellent.  I had a hard time choosing between them.  I found the classical bow very interesting, but I did not like it.

 

At the moment, I'm in the market for an early Baroque short bow.  I've been talking with my local bow maker, David Forbes, about building me one.  At the moment, we're still in the research phase.  If anyone has any advice, I'd appreciate it.  I've learned a lot already by reading, but there is no substitute for having one in the hand.

 

David had a classical violin bow in the shop on an English model that he'd recently built that I thought was excellent.  He's also reasonably priced and does quite a bit of business in Northern Europe (but he's not European).

 

(PS:  Pieter Affourtit and David Forbes are both reasonably priced, but maybe they're not mid-range.  But Baroque bows are so affordable even from excellent archetiers.)

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Quick as a bunny, David spent last weekend building me a little Baroque bow.  It's light, made out of snakewood, with only a hint of cambre near the tip.  Black hair.

 

I'm not sure it's as small as I was expecting, but the viola is gigantic, and the bow feels noticeably smaller and lighter than the one I've been using and sounds noticeably different.  I would compare it to driving a sports car: it's lighter, you can feel the road more.  I am very excited, I believe this bow has profound implications.  I think my Baroque dances sound better already.  The sound is clear and accents rhythm.  I think it would be fantastic for fiddlers!

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Ernie Hartl in Washington State makes long and short baroque bows in the $1k range along the lines of Robert Seletsky's recent scholarship. He's making one for my fiancée right now, a short bow of snakewood with mammoth ivory button. He is using a screw mechanism so she can use it in a variety of climates. In the interest of full disclosure I must say that I am his apprentice.

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