Dwight Brown Posted August 14, 2015 Author Report Share Posted August 14, 2015 Conveinently Our own Luis Manfio just saw the Mahler viola in his home city. The present player let him examine it, The back and ribs are poplar. The head sure looks like poplar grafted to a maple neck (as you would expect). The peg box shows several cracks as I look at it on Cozio. dlb Quote Link to post Share on other sites
Dwight Brown Posted August 14, 2015 Author Report Share Posted August 14, 2015 Sorry the silly thing got so big! It was not like this on Cozio! I am not even sure you guys can see it. If it is a problem please delete it. dlb I am sure Luis will chime in here. Quote Link to post Share on other sites
Húslař Posted August 14, 2015 Report Share Posted August 14, 2015 Conveinently Our own Luis Manfio just saw the Mahler viola in his home city. The present player let him examine it, The back and ribs are poplar. The head sure looks like poplar grafted to a maple neck (as you would expect). The peg ox shows several cracks as I look at it on Cozio. dlb Attached jpg. picture cannot be open in my pc. If we said poplar, it means which species? Popolus Nigra? Because the ribs on this viola has signs of radial cells which are not so distinctive on popolus nigra wood. And such clear carved scrool with this material is also very difficult. excuse me, but I have small problem with understanding of Your American English Quote Link to post Share on other sites
Dwight Brown Posted August 14, 2015 Author Report Share Posted August 14, 2015 I invented the Peg Ox too! My typing is pretty rough at best :-) I am not sure of the rib wood and I don't know how to get the picture to post, I'm lousy at it. I pay for access to the Cozio Archive , very much worth it. I don't think I can share pictures from there. In the Hill book on Stradivari they mention it has a back and sides of poplar, but they make no mention of the head wood. (Page 96 "Antonio Stradivari His Life and Work) Interestingly that say that at the time of their examination it had it's original neck. It has a graft now. I can't imagine neck made of poplar, but I am far from an expert. http://www.cello.org/heaven/hill/three.htm DLB You are quite correct about my American English, I write like real scatter brain! Quote Link to post Share on other sites
JavierPortero Posted December 10, 2017 Report Share Posted December 10, 2017 (edited) Two years later I can give you my opinión as a player. I comissioned and played for 7 years a modern Stradivari model viola, the instrument is a copy on the Archinto viola with a Niccolo Amati model scroll. The reason I comisioned this violas was that at the time I was playing a 1972 Horacio Pineiro viola, Andrea Amati model, 16.5 inches and I wanted a more responsive instrument. The Pineiro viola succeeded on producing a good viola tone but bowingwise it was a bit slow responding and heavy sounding, that plus long orchestra seasons got me into thinking about going for a diferent viola model. I comissioned the strad model viola, moved by the amazing rendition Maxim Vengerov made of the Walton concierto playing on the RAM Archinto Stradivari. We decided to make a violin like head, no shoulders as the original model, and the maker choose a Niccolo Amati scroll. Best material were used for the construction and a golden oil varnish covered the instrument. After a long wait I recieved the new viola and it was quite a change, totally different sound, cannot say better or worse, just different. I played on this instrument non stop for seven years mostly on the orchestra seasons but also in chamber music and eventually in solo performances. So, I would say the model is really good for playing in the orchestra, you can hear yourself clearly, is not really loud but clear and focused sound, also playability is better since is not a heavy sounding instrument, bowling comes out easy. In chamber music or small groups I feel the instrument is wanting something, specially if you play second viola. It can sound a bit trebly. I think the best used for this particular viola is to play solo. in the end I came back to play an Amati viola model, got a modern Cremona brothers Amati model, mainly because I started missing the fuller tone I had with the Piñeiro, still the Strad model is a keeper, right now on loan to a university student. Edited December 10, 2017 by JavierPortero Rephrasing Quote Link to post Share on other sites
Urban Luthier Posted December 10, 2017 Report Share Posted December 10, 2017 The Macdonald seemed to work just fine for Peter Schidlof. Quote Link to post Share on other sites
Don Noon Posted December 10, 2017 Report Share Posted December 10, 2017 On 8/1/2015 at 9:57 AM, Dwight Brown said: How do modern violas based on the Stradivari CV form work out. ... I have heard of widening a bit from the middle and perhaps other alterations. Interesting that this old-ish thread got re-activated just after I developed a design for my next viola based on the CV form. I use "based" loosely, as in the Davy Crockett hachet story... widened in the middle, shortened to ~400mm, diddled with upper and lower bout sizes, and grafted on completely different F holes, somewhere between GdG and daSalo looking. Of course, I'm a long way from actually making it, and I might change my mind... so I won't post any sketches now. But I'll definitely post photos in about a year when it's done (intended for VSA entry). Quote Link to post Share on other sites
Dwight Brown Posted December 10, 2017 Author Report Share Posted December 10, 2017 I would love to see ideas as to what a GDG viola would have looked like. Right now Josh Beyer is working on a corner less viola based on the Stradivari Chanot-Chardon ex Bell. (I know it's one of my odd obsessions !) I really am of the opinion that the middle bout is the engine that drives a viola. My Dilworth Linarol model viola has tons of power at just 405mm. Good to see this Lazarus/Zombie thread has come back. DLB Quote Link to post Share on other sites
JavierPortero Posted December 10, 2017 Report Share Posted December 10, 2017 32 minutes ago, Urban Luthier said: The Macdonald seemed to work just fine for Peter Schidlof. Absolutely! Regretfully I think there are only two Stradivari violas used regularly, the Mahler and the one in Japan played by the violist of the Tokio Quartet... maybe the Gibson is being played also. Quote Link to post Share on other sites
Ron MacDonald Posted December 10, 2017 Report Share Posted December 10, 2017 I have three modern violas, one of which is by Michael Darnton. It is an enlarged copy of the 1670 Tullaye Stradivari violin and is identical to that in "Making a Viola" on his website. It has very good sound in the lower range but in the upper (D and A strings) it is really outstanding. At 16 inches, it is also very comfortable to play. Recently, one of my students performed the Mozart Kegelstatt trio and had trouble balancing the piano and clarinet so I loaned her the Darnton which solved the balance problem. Quote Link to post Share on other sites
Tets Kimura Posted December 11, 2017 Report Share Posted December 11, 2017 This is a viola based on the CV form I made this year. I kept the original's dimensions, and also the shoulder of the scroll, but it worked out well sound wise. The tone was more focused than my Guarneri based model. Quote Link to post Share on other sites
Ethan Ford Heath Posted December 11, 2017 Report Share Posted December 11, 2017 Torry Borman says on his website that his personal viola model is based on GDG. Quote Link to post Share on other sites
Ethan Ford Heath Posted December 11, 2017 Report Share Posted December 11, 2017 Since non-CV form violas are coming up, Sean Bishop spoke very highly of two violas he was selling by Alessandro Tossani, of Cremona, who seems to be a bit less well known. Tossani started making violas based on the Mahler, at 413mm with poplar backs, but has migrated to 420mm and maple backs. I gather that he doesn't make many, and one supposes is busy with the "CremonaTools" business. As far as I know, that is the only model and size of viola he makes, and he feels satisfied with it. Unfortunately I have not had the opportunity to try one. Quote Link to post Share on other sites
Urban Luthier Posted August 5, 2018 Report Share Posted August 5, 2018 Here is the Archinto viola and cello in recital. Start at 5:30. Amazing what one can fine these with a bit of careful looking... Quote Link to post Share on other sites
JavierPortero Posted March 15, 2020 Report Share Posted March 15, 2020 So, here a recording I made on a modern viola copy of the Archinto Stradivari made in 2010 by Martin Gorostiaga in Buenos Aires. The instrument was used extensively since it was fresh from the maker, shows lots of wear now, the oil varnish cracked quite a bit. I agree the sound is not as expansive as the modern Amati copy I have made in Cremona but the Stradivari model is SO easy to play, even across the scale and also exquisite design. Quote Link to post Share on other sites
Stephen Fine Posted March 15, 2020 Report Share Posted March 15, 2020 Old thread, but I'll add that my former student plays a spectacular Tossani made after the Mahler. Like this one: https://www.alessandrotossani.it/en/strumenti/viola-2016/ Quote Link to post Share on other sites
deans Posted March 16, 2020 Report Share Posted March 16, 2020 Usually see Silverthorne with a much larger viola. Looks like a toy in his hands. Quote Link to post Share on other sites
Urban Luthier Posted March 16, 2020 Report Share Posted March 16, 2020 Yes the Amati, but i think it is now back at the RAM Quote Link to post Share on other sites
Ron MacDonald Posted March 16, 2020 Report Share Posted March 16, 2020 I'm very lucky to have a Strad model viola by Michael Darnton. It is based on the Tullaye violin and is identical to the viola on Michael's "Making a Viola" photo essay. It's a very fine instrument. Quote Link to post Share on other sites
JavierPortero Posted April 8, 2020 Report Share Posted April 8, 2020 On 3/15/2020 at 11:15 AM, Stephen Fine said: Old thread, but I'll add that my former student plays a spectacular Tossani made after the Mahler. Like this one: https://www.alessandrotossani.it/en/strumenti/viola-2016/ Nice instrument Stephen Quote Link to post Share on other sites
Stephen Fine Posted April 8, 2020 Report Share Posted April 8, 2020 18 hours ago, JavierPortero said: Nice instrument Stephen Thanks. I found it for her, just walking around Cremona while on vacation. Tossani's shop is lovely, I walked in and mentioned either that I was shopping for myself or for my student and was told that he didn't have any violas in at the moment. But after I tried a couple violins, a viola appeared. A month later she was in the neighborhood for a chamber music festival, he gave it to her to try on trial, and she's been playing it happily ever since... 4 or 5 years now. Time flies. Quote Link to post Share on other sites
uguntde Posted April 11, 2020 Report Share Posted April 11, 2020 On 8/7/2015 at 3:18 PM, MANFIO said: Antoine Tamestit is playing Harold in Italy here with our State Orchestra so I had the oportunity to meet him for some viola test drive, and see and listen to the "Mahler" Strad viola. He produces a beautifull sound on it. The instrument is in mint condition with lots of coloured varnish. As mentioned by the Hills the head is not in proportion to the body, being oversized. In a 2018 recording on youtube he seems to play a modern viola. WIkipedia says he owns a Vatelot. Or is this the Mahler Strad you are talking about? Here he shows the Strad and it looks different. Quote Link to post Share on other sites
MANFIO Posted April 11, 2020 Report Share Posted April 11, 2020 All the times I saw he playing was with the Mahler Strad. I think the videos were recorded with the Mahler. Quite a nice man, player and viola test driver. Quote Link to post Share on other sites
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