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Hill Bow: Tortoise Frog to Ebony


Guy_Gallo

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I have a gorgeous Hill  Bow by William Retford.  I  am thinking of getting am ebony frog to replace the original both to preserve the original and to make it possible to travel with the bow.

 

The bow probably dates from 1910-20.

 

Questions:

 

Anyone have a Hill ebony frog from that era they'd like to sell?

 

The tortoise is unlined.  Would an ebony from that era be unlined?

 

If I have one carved, should I have it unlined?

 

Can an off the shelf silver fitted frog be made to fit this channeled stick? (see attached image)

 

Thanks,

 

Guy

post-1913-0-76465500-1401567309_thumb.jpg

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I have a gorgeous Hill  Bow by William Retford.  I  am thinking of getting am ebony frog to replace the original both to preserve the original and to make it possible to travel with the bow.

 

The bow probably dates from 1910-20.

 

Questions:

 

Anyone have a Hill ebony frog from that era they'd like to sell?

 

The tortoise is unlined.  Would an ebony from that era be unlined?

 

If I have one carved, should I have it unlined?

 

Can an off the shelf silver fitted frog be made to fit this channeled stick? (see attached image)

 

Thanks,

 

Guy

 

Hi Guy;

 

Hope you are doing well.  Haven't seen you here for a while.

 

May be best to have an ebony replacement frog made for the bow...  same style as the tortoise original... or at least that's my opinion.

 

Quick question.  Does that bow bear Retford's mark at the tip facing (an engraved dot)?  If so, the mark is often repeated on the unlined area of the the tortoise frog.  Unusual to see drill marks in the mortise left by that maker.  From what I understand, he used to have a bit of a thing about that, especially when Napier Sr. did it (the story goes that Napier did it to piss-off Retford).  As far as I know, Napier Sr. did not otherwise mark his work (the younger Napier used a floral mark).

 

Cheers!

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Ebony isn't completely safe anymore either.

Might want to consider having a replacement frog made out of some material which won't be challenged in the near future, like domestic cow dung.

As long as you don’t travel international or to California.  Mad Cow, and all that...  :rolleyes:  :lol:

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  • 4 weeks later...

Sorry to be so long in replying.  I've been snowed under recently.

 

Yes, it does have retford's engraved single dot on the tip.

 

There is no dot on the frog.  There is a letter K which is repeated on the stick.

 

-Guy

 

Quick question.  Does that bow bear Retford's mark at the tip facing (an engraved dot)?  If so, the mark is often repeated on the unlined area of the the tortoise frog.  Unusual to see drill marks in the mortise left by that maker.  From what I understand, he used to have a bit of a thing about that, especially when Napier Sr. did it (the story goes that Napier did it to piss-off Retford).  As far as I know, Napier Sr. did not otherwise mark his work (the younger Napier used a floral mark).

 

Cheers!

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Guy, I'm sorry that I forgot about this post till today. Tim Baker, who worked at Hill's in the later years was at Oberlin for the bow workshop. You could have sent it to him to look at. I guess your problem is that any of the Hill guys still active would require international shipping for a copy and fit, not a good move with tortoise shell.  You might look up John Aniano who works at Yung Chin's shop in NYC, or used to anyway or Isaak as was mentioned. He's a very talented bow guy who might enjoy the job. There are many great bow makers in your State who can make you a copy. David is correct in stating the horrific problems that may lie ahead for those of us who use exotic woods for our production, but can you imagine the havoc that will ensue if old work with ebony involved in it goes verboten. Anything is possible but almost no one with a violin of any quality would be able to buy, sell, or travel. I have to believe that some of this can and will be straightened out. If you want to plan for the possible problems with ebony, I would suggest having the archetier who copies your frog use a non porous  piece of African Blackwood. I don't know why more makers don't use it for frogs. It's not on any lists that I know of and Selmer still makes thousands of clarinets out of it. It's also as pretty as the best ebony and the weight is slightly heavier, but not much and that can be controlled by a good craftsman

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