Peter K-G Report post Posted December 6, 2018 Really nice edge/corner work! Maybe you, like me, have studied RH's edge work Quote Share this post Link to post Share on other sites
catnip Report post Posted December 6, 2018 Really nice edge work and crisp looking scroll!! ... thanks for posting such inspiring pictures! Quote Share this post Link to post Share on other sites
Jim Bress Report post Posted December 6, 2018 Beautiful workmanship! How are you finishing the walls of your scroll turns? I'll be depressed if they are that clean straight off the gouge. -Jim Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted December 6, 2018 thanks for your kind words everyone! Jim, scroll was mostly gouge work, the larger surfaces of the volutes were scraped clean. The area around the top and front of the flute was finished with a knife. The volutes and around the eye and volute as it heads into the pegbox is gouge work. This is my 3rd so I'm really just trying to figure stuff out as I go. I used the strad template to layout the scroll but i didn't do a great job scraping off the compass marks. The varnish has seeped into the compass pricks and gouge facets -- it looks unsightly to me right now Hopefully it will tone down as I add colour to the varnish. Quote Share this post Link to post Share on other sites
Jim Bress Report post Posted December 6, 2018 Impressive all the same. We're on the same number. I think varnish accents tool marks, and they show more over time. I aim for completely clean without getting overly fussy. I am un-bothered by any accidental tool marks. Sometimes this occurs just moving stuff around. I don't antique, so I call these character marks. Our working method for scrolls are about the same. Unfortunately, I always seem to have small pits in the walls that are probably from compression during the gouge cuts. I guess I need to sharpen my gouges better/ more frequently. I can see the compass prick in the above picture. I think these are very common. The camera doesn't show the tool marks that probably only bothers you. We're our own toughest critic. Looking forward to seeing your varnish work. -Jim Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted December 14, 2018 Some work in progress varnishing shots.... this is my third and the second time I've used an oil varnish. Still lots to learn about application, texture and managing colour. I'm having a hard time getting the camera to focus -- the varnish is quite transparent. Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted December 16, 2018 I started to so some research on baroque fittings and I'm having a hard time tracking down baroque style viola fittings. I will make the tailpiece. Does anyone have a reco for good quality but affordable pegs and bridges? At this point I may have to cut my own bridge from a blank, but I have neither the toolset nor the skill to turn my own pegs. Since this is my first go at a baroque instrument, I don't want to spend a ton. Any recommendations would be appreciated! Quote Share this post Link to post Share on other sites
JacksonMaberry Report post Posted December 16, 2018 Plenty of good baroque bridges available from the usual suppliers - Despiau, Aubert, Milo Stamm. As for pegs, using the simplest looking pegs you can find is just fine. Quote Share this post Link to post Share on other sites
Ernest Martel Report post Posted December 16, 2018 1 hour ago, Urban Luthier said: I started to so some research on baroque fittings and I'm having a hard time tracking down baroque style viola fittings. I will make the tailpiece. Does anyone have a reco for good quality but affordable pegs and bridges? Hansell make a nice baroque peg but there could be a wait time depending how busy they are. https://www.hansellviolins.com/set-of-4-style-j-pegs-673-p.asp You could also try Dov Schmidt for less expensive pegs. Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted December 16, 2018 1 hour ago, JacksonMaberry said: Plenty of good baroque bridges available from the usual suppliers - Despiau, Aubert, Milo Stamm. As for pegs, using the simplest looking pegs you can find is just fine. thx Jackson -- I looked at these - some nice product. For violas however, most resellers don't have any stock! Being in Canada ordering single items from the US or Europe can be very expensive with shipping. a $30 winds up being $70-80 dollars. Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted December 16, 2018 57 minutes ago, lpr5184 said: Hansell make a nice baroque peg but there could be a wait time depending how busy they are. https://www.hansellviolins.com/set-of-4-style-j-pegs-673-p.asp You could also try Dov Schmidt for less expensive pegs. These are really really nice, thanks for pointing them out E. Probably a bit pricy for my first venture. But will book mark these for future projects. Quote Share this post Link to post Share on other sites
JacksonMaberry Report post Posted December 16, 2018 5 minutes ago, Urban Luthier said: thx Jackson -- I looked at these - some nice product. For violas however, most resellers don't have any stock! Being in Canada ordering single items from the US or Europe can be very expensive with shipping. a $30 winds up being $70-80 dollars. Oh my goodness! I didn't realize, sorry. If you aren't able to find anything, send me a message. I have a stock of old bridge wood. Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted December 21, 2018 Thanks Jackson. I found a supplier in Canada that sells bridge wood, so I'm going to cut my own based on Strad and other templates. I traced out something in CAD to work with. Should be an interesting exercise! Quote Share this post Link to post Share on other sites
catnip Report post Posted December 21, 2018 Which supplier in Canada sells "bridge" wood? I always just keep an eye out for extremely tight grain maple with little to no flame. I have a billet of sycamore maple that I may sacrifice for bridge wood since the billet's character is just dots and lines. A couple of years ago I was experimenting with laser cutting bridges using the Epilog laser at the public library. Most people there were using the Laser to cut out Christmas decorations. Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted September 18, 2019 It has been a while since I posted, but a PM from Jim motivated me to take some photos of current work. I started a cello based on the Davidov / Gore booth. I drew it up by hand based on Roger's poster. (There is a photo of the Gore booth with the belly off the body which was useful as well). The form is two 18mm baltic birch plywood sheets laminated together - I was inspired by a from by Michael Koeberling posted in his bench. This was a lot of work to make but it is quite light weight and easy to maneuver. I don't have a bandsaw capable of re-sawing cello rib stock so I ripped 3mm pieces by hand using a Japanese Ryoba saw. Great saw, tracks well but this was a lot of work. The cello wood I have is attractive enough but certainly not stellar. Still it should serve well for this project Quote Share this post Link to post Share on other sites
ctanzio Report post Posted September 18, 2019 Thanks for the picture of the form. I wish you success on this project. Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted October 29, 2019 Cello rib garland. First cello. The amount of effort and skill required to build a nice rib garland was much more difficult than I thought - far greater than a violin or viola. Bending the corners required basically all my strength to hold the bending strap fast around the iron to set the bend. Twisting and warping was an issue as well, even working carefully i had to correct twist throughout each bout before gluing. Lastly it took a bit of patience to get an invisible joint between the lower bouts. All and all i'm fairly pleased with the result. The curves follow the outline fairly closely. Quote Share this post Link to post Share on other sites
Jim Bress Report post Posted October 29, 2019 Looks really nice! You had to give me a scary story (rib bending) before Halloween didn't you. Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted October 29, 2019 ha not too scary but a couple of other things I found challenging... Working in a small space is really difficult -- one needs a bit of elbow room around the bending iron to work efficiently -- kind of hard in a 8 x 8 ft shop. I can barley fit a Cello on my bench! I found it easier to fit the ribs with the form secured in the tail vice so the form rested at a 90 degrees angle to the bench - easy for the first 5 ribs - kind of hard for the las one! I had to work really fast when gluing. Because the ribs are thin and cover a large surface area - i found if i used too much glue, I got a bit of warping even before the clamp was secured. I used a hair dryer on the highest setting to warm the parts before gluing and this really helped also one more thing - i cut the blocks with a gouge and rasp and for the most part left things fairly rough - I think the texture helped with gluing. I made this sanding thing in the shape of a bending iron -- a few passes with this really helped keep the corner bits that meet the form and joins nice and clean. Quote Share this post Link to post Share on other sites
Ken_N Report post Posted October 29, 2019 Nice job. I haven't bent cello ribs yet. I have a back and belly roughed in, but the back has a really low arch because I sawed it in half crooked, so I might redo it. I did bend ribs for an arch top guitar with a cutaway, and that was quite an ordeal. One piece on each side, but at least the ribs are only 3" tall! I used cello rib stock ripped in half. I can say that the ribs fairly followed to outline too. But not with a straight face. Everyones work is so much neater than mine. Ken Quote Share this post Link to post Share on other sites
Ernest Martel Report post Posted October 30, 2019 Real nice work! How thick are the ribs? Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted October 30, 2019 Hi E thx. ribs are 1.6mm a tad less in the c bouts Quote Share this post Link to post Share on other sites
Ernest Martel Report post Posted October 30, 2019 Wow...I bet that is hard to bend. I always wanted to build a cello. Fine job! Quote Share this post Link to post Share on other sites
Urban Luthier Report post Posted October 30, 2019 Bending wasn't that difficult -- bending to the right shape and gluing with one pair of hands was a challenge! Quote Share this post Link to post Share on other sites
