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Body modes as violin sound equalizer


Peter K-G

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And I think you're still looking under the streetlight for keys that are far away in the dark.  If you can refute or explain away easily discovered problems, then carry on...

 

-Good violins do not have a specific set of signature modes or plate taptones

-Bad violins can have perfectly wonderful body modes and taptones

-Signature modes do absolutely nothing for the upper A string or anything on the E string... and isn't that where a Strad is supposed to stand out?

 

Can you be really, really sure that I haven't solved the puzzle?

 

A and E string will not stand out they will be magical!

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Isn't  the amplitude of the A0  important too?

Some.

It is important not to have too much.  My VSA fiddle has about the strongest A0 of what I've built, and the critiques were that it is a bit too dark and boomy.  It's all a balance, I think, with the higher frequencies being much more important.

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