CCM Posted November 14, 2012 Report Share Posted November 14, 2012 I have a collection of Hill bows and I would like to know the distinguishing characteristics and/or stamps used by Tubbs & Allen. I want to add these 2 makers to my collection and want to have some degree of familiarity with their output while at Hill. I have 3 Tubbs bows made post Hill which are pretty easy to spot but I'd like to know if his production while at Hill had any other telltale characteristics. I also have bows made by lesser former Hill makers (e.g. Bultitude, Watson) which don't compare favorably to Hill makers such as Yeoman, Napier, etc. (IMHO). Quote Link to comment Share on other sites More sharing options...
Ratcliffiddles Posted November 15, 2012 Report Share Posted November 15, 2012 Consider looking through old auction catalogues, spotting bows with the stamp W.E Hill, they were often the early work of James Tubbs, Very distinctive to my eye and quite different from later production. Don't recall ever seing a real early one with silver face for example, often rounded rather than square frog. when you see a few, they become obvious. There are quite a few unstamped as well. The frog on this one is sooo typical of early work. (bought on ebay with a crap fiddle about 4 or more years ago) unstamped, early James Tubbs. http://theamaticolle...re&iProduct=107 I don't see Allen bows much to be of any help. Quote Link to comment Share on other sites More sharing options...
violinbridges Posted November 16, 2012 Report Share Posted November 16, 2012 http://www.hillbows.com something I made forTim Toft Violins a while ago, some lovely bows and some for sale, a good way to have a look at the makers and their work. Quote Link to comment Share on other sites More sharing options...
CCM Posted November 17, 2012 Author Report Share Posted November 17, 2012 Thanks to you both for invaluable information! You guys are great! Could you please give me a general idea of how Tubbs later production (as shown below) differs from his early production at Hill? Would you say the earlier work is just rougher or is there more to it? Quote Link to comment Share on other sites More sharing options...
Jeffrey Holmes Posted November 18, 2012 Report Share Posted November 18, 2012 I removed Jacob's post as you requested... but his message to you was correct. "At" the Hill workshop is not really the correct image for Tubbs relationship with the Hills. If my memory serves, both Tubbs and Allen spanned the period in which the "W. E Hill" (no and sons) stamp was employed. Of course, it seems as Tubbs may have had a habit of obliterating this stamp with his own when bows came in to him for rehair later on. If I'm incorrect about the stamp, someone please correct me. My brain is full of last week's adventures at the VSA presently. Among a few other things, Allen's head style (especially in the chamfers) is rather individual, and his technique for making Parisian style eye inlays also differed from the rest of the pack. Quote Link to comment Share on other sites More sharing options...
jacobsaunders Posted November 18, 2012 Report Share Posted November 18, 2012 I removed Jacob's post as you requested... but his message to you was correct. A Pm that I recieved yesterday evening: Member Members 109 posts LocationNew Mexico & California Sent Yesterday, 08:42 PM Stop making your stupid and rude posts. I hope to see you at the NAMM Show. Quote Link to comment Share on other sites More sharing options...
CCM Posted November 18, 2012 Author Report Share Posted November 18, 2012 Thank you Mr. Holmes for the information. Does anybody have a photos of any of Allen's bows so I can see their chamfers and frogs? I can't wait to start my search for more Hill bows! Quote Link to comment Share on other sites More sharing options...
CCM Posted November 19, 2012 Author Report Share Posted November 19, 2012 Also, are Bultitude's bows that were made when we worked for Hill as heavy as his post Hill production? Quote Link to comment Share on other sites More sharing options...
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