Allan Speers Posted January 18, 2007 Report Share Posted January 18, 2007 I just received a bunch of violin parts & tools from the early 1930's. Included are two Aubert bridges with e-string inserts that look to be Ivory. These are very deep "V"'s. How common was this? Would these be considered top bridges, or more student-grade as with today's ebony inserts? Quote Link to comment Share on other sites More sharing options...
violinbridges Posted January 18, 2007 Report Share Posted January 18, 2007 Alan I don't think they were very common I have not seen many, ebony seemed to be the insert of choice. Both were normally mid to lower grade bridges. Can you post a photo www.violinbridges.co.uk Quote Link to comment Share on other sites More sharing options...
Luuk Posted January 18, 2007 Report Share Posted January 18, 2007 Allan I wouldn't know. My viola bridge has an ebony insert as well, on the a-string. It isn't a student-grade bridge (or viola), however. I never asked my viola maker why he did so, but now you aroused my curiosity... As the ebony is inserted only at the place of the thinnest string, I guess it prevents the string "cutting" into the wood of the bridge, but I'm not sure about it. Luke Quote Link to comment Share on other sites More sharing options...
Magnus Nedregard Posted January 18, 2007 Report Share Posted January 18, 2007 It depends on the wood in the rest of the bridge, some old bridges have excellent wood, photo? I've seen some Aubert bridges with ivory inserts that are WAY too deep, and they are mostly a bit useless, as it makes the E sound funny, and it also looks dangerous too me, might fall out. They might be useable bridges in any case, but nowdays other ways of reinforcing the bridge under the E string are found to be much better. Quote Link to comment Share on other sites More sharing options...
Winston Posted January 18, 2007 Report Share Posted January 18, 2007 I have a bridge from J. A. Gould & Sons, Boston, 1957, which has ivory inlays for both the A and E strings. These inlays are not visible on either the front or back surfaces of the bridge: they sit in a tiny mortise along the top edge. Each is about 5 mm. long, and slightly less than one mm. wide. Quote Link to comment Share on other sites More sharing options...
oldgeezer Posted January 18, 2007 Report Share Posted January 18, 2007 My bridge has an insert under the E that was inlaid by the maker. It's just a very small ebony chip, not one of those large factory inserts. I use the plastic protector that comes with the E just the same. Those ivory inserts may be added by the person who cut the bridge rather than being a stock factory item. Quote Link to comment Share on other sites More sharing options...
barnesviolins Posted January 18, 2007 Report Share Posted January 18, 2007 quote: I have a bridge from J. A. Gould & Sons, Boston, 1957, which has ivory inlays for both the A and E strings. These inlays are not visible on either the front or back surfaces of the bridge: they sit in a tiny mortise along the top edge. Each is about 5 mm. long, and slightly less than one mm. wide. I fist saw this method for the e string done by a prominant maker in Chicago. I liked it very much. I do that now on my own instruments. I really liked the look and the concept. I have a whole bag of old ivory piano keys that work perfectly. I had a violin that I used ebony and gold trimmings on, so actually inlaid a piece of 14K gold under the e string. Quote Link to comment Share on other sites More sharing options...
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