vmhuang Posted May 19, 2006 Report Share Posted May 19, 2006 I am in the process of shopping for a new viola and have an opportunity to purchase a really nice Eredez viola at a very good price. It is a little big for me but nothing I cannot realistically handle, has beautiful tone and is in excellent shape. I know its total history, from the time it left Eredez's hands till now and the information is accurate. I've done a search here and have dug up very little, but the article in the Strad was very enlightening. I did not know that Eredez and Rivka Golani were married at one time. My viola teacher was a one time student of Golani's and this is her (my teacher) viola. Or that Joseph Curtin actually started learning the craft from Eredez. I would like to know the board's opinion on Eredez's instruments in general. Are they generally good? Workmanship? Any known issues? TIA Vincent Quote Link to comment Share on other sites More sharing options...
vmhuang Posted May 19, 2006 Author Report Share Posted May 19, 2006 I forgot to add that this is for one of his cutout violas. Apparently, there were only 35 ever made. Quote Link to comment Share on other sites More sharing options...
SteveLaBonne Posted May 19, 2006 Report Share Posted May 19, 2006 I've tried one Erdesz owned by a friend, a "normal" non-cutout model. Appearance was attractive, workmanship (as far as a non-conoisseur player can judge) by no means the neatest but in a nice sort of way if you know what I mean. (I gather that's pretty much the way his instruments are). Sound and response were wonderful- I was very jealous. Quote Link to comment Share on other sites More sharing options...
vmhuang Posted May 20, 2006 Author Report Share Posted May 20, 2006 Thank you for the reply. I've noticed the same on a few of his other instruments I've seen. Quote Link to comment Share on other sites More sharing options...
Mark_W Posted May 20, 2006 Report Share Posted May 20, 2006 Never saw the the violas, but I heard a great report about a violin he made when he lived here in NJ. Apparently he was a very restless guy who moved about. Anyway, it was said he could make a fiddle out of a milk crate. He wasn't very reverent about using classical models, either. I have a feeling he's going to be a very collectable maker, if he isn't already. Quote Link to comment Share on other sites More sharing options...
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