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Put A Label In?


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Hi All,

I have an old violin without a label. Should I put one label

there? ( I don't know what to do and uncomfortable without a label ) Of course by a luthier. Thank you for any advice.

PS. I feel that the violin has been mistreated as being one without its identity. Why it should have no label? Forever? /yuen/

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For motive, take a look at the Tarisio auction. Though February's sale is for 'speculative' instruments, one still finds that labeled violins attract more interest. I wouldn't be at all surprised if many of the false labels in older instruments were inserted at the behest of owners.


It never crossed my mind for one moment that Mr Yuen would wish to do something that was less than scrupulously honest.

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There has been much discussion of old German violins on this board, but I would like your feedback on the sound, playing qualities and especially projection of instruments such as Klotz, Widhalm, Roth, Glass and others. Has anyone tested these kinds of instruments in a solo playing situation? Keith, I know you love your early Roth, I also have one which I play all the time but never in a hall. Thanks in advance.

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Ken, I'm sure yuen would not do anything amiss. I'm speaking of owners who wish to keep their violins, but need reassurance. I know for a fact that dealers have inserted labels for their clients as a sort of harmless and inexpensive attribution. Wasn't there an anecdote about that in A Thousand Mornings Of Music? I think I recall it.

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Hi,

I know you did not ask me. I have a Stainer model German violin like you said, it is not concert hall kind of violins you think. My reason of saying so is that I feel they do not have enough power so not project well enough (good sound though, whereas some contemporary American made violins have noticeably better power). Just one person's observation. /yuen/

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Yuen,

I agree your violin needs a label!

The label might say:

"A violin from the private collection

of Yuen, a connoisseur of instruments of

fine tone and beauty.... anno 2005"

How could anyone quarrel with that?

I have an old "Strad" book with a label:

"Ex Libris

Ernest J Doring"

I cherish it and every time I pick it up

I feel I have a bit of history in my hand!

Your 'labeled' violin may elicit a similar

sentimental attachment by a future owner...

and possibly even enhance the value.

Jimbow

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Yuen,

I would urge you to leave the violin as you found it. A fake label jumps out like a sore thumb and in my view, actually detracts from the violin. It shows to the auction buyer, for instance, that the violin has been recently tampered with rather than recently discovered from a little old lady's attic. A violin needs to stand on it's own merits and a fake label is going to fool very few people. Even those who don't yet have a lot of experience with I.D. can still spot a phony label.

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In general I agree with Chris--violin labels simply muddy the waters, inasmuch as the violin itself usually outlives the owner, leaving future generations to puzzle out the sometimes-not-so-obvious misattribution. In the end, though, the fiddle is yuen's property. He can do with it what he pleases.

Personally, all the more interesting violins I've come in contact with have had no labels, making the mystery more fun.

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Hi,

True, very true.

I feel sorry the violin has been mistreated. No identity.

( factory workers are humble honest beings) Just my thought. Thank you. /yuen/


Yep, no respect. I noticed at the latest Tarisio auction that an unlabeled French violin #293 got no bids, even though it looked pretty good to me.

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