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Found 43 results

  1. Looking for some guidance here, label says Paul Bailly but it looks German.. Sorry the photos are not more clear! Taken from a listing. Thanks in advance.
  2. Thanks for viewing my violin. Wondering if this can be close to anything the label says? I spoke to a local violin shop owner and he said it was an authentic German violin valued $3000-$5000. My biggest concern was the 4 digit inventory number?THANKS!
  3. Hi, I recently found this fiddle and am in need of identification assistance.. It came into my life all funky. I did not bedazzle it. After reading here for 3 days, I’ve learned a lot, but not enough to tell what I’m holding. The label looks super nice, saddle is marked an=25 Czech. Can’t see additional markings other than label (even with endpin out) Any Identification assistance would be greatly appreciated. I love it whatever it is, hope someone enjoys the pics, thanks! Violin dimensions (these are edge to edge) Length - 23.5 in - 59.69 cm Body length - 14.25 in - 36.195 cm Upper bouts - 6.5 in - 16.51 cm (widest) Middle bouts - 4.25 in - 10.795 cm (narrowest) Lower bouts - 8 in - 20.32 cm (widest) All corners are blocked (vertical grain) seemingly with equilaterals, linings run behind.
  4. Good day everybody, I would appreciate ANY help possible since my initial research have not yielded any leads. I am stuck as to the best possible research tools for my mini project. This is a strange but true story. I will make it short so as not to waste anybody’s time. My Dad purchased this violin in the 1960’s in Moscow, USSR. In order to take it out of the country he had to get rid of the label so as to make sure it looks like a factory-made violin. Over the years he forgot what the label said and the original price paid. The only thing that he does repeat again and again is that it was a French master. So, maybe the original label had a French sounding name. I came across some articles on French violin makers. However, none of the images I have seen compare to the violin in question. It has a single panel on the back. Not two panels. It does have a carved scroll. My Dad is saying that it is a larger violin in size but NOT a viola. It does have a very beautiful sound. I am NOT a professional musician. So, my apologies if the above description are in layman’s terms. Thank you.
  5. I have a very strange old violin. I haven't seen anything else quite like it, and I would love any information that would give any idea of age/origin, etc. There doesn't appear to be any label or other markings inside the violin. Many thanks in advance! David
  6. I have a 2008 Alois Sandner Model #8225 cello that I bought a few years ago at Ifshin. I'm trying to ID it so that I can resell it. I would appreciate any help with this! Thank you so much! (Yes, one of the strings has broken so I'd need to get it restrung)
  7. I can’t find a chart that shows this yellow and brown string. Based upon thickness for being a C string, I believe it is tungsten. Does anyone have an idea?
  8. hello! i am new to this website, so forgive me if there’s anything on this post that’s out of wack... But I am a high schooler who wants to know more about my violin. I bought it around 4 years ago and was told by the business (who of course sells string instruments) that this is a German violin around 100 years old. I’ve always been curious as to whether or not this is correct, but also- what are these weird spots on my violin? Many of the nicks and circular indents were on the violin when I first got it- it doesn’t matter to me, but I’m just curious whether or not someone here knows if there’s an actual reason for this. There’s no label inside, but instead there are weird black spots. (I know, it’s a terrible pic... that’s through the f-hole) I tried looking around online for any reasons for the spots or indents, but I couldn’t find anything. I greatly appreciate any input!!
  9. Does somebody could give me the autore's name of this drawing?
  10. I recently acquired this lionshead violin I am currently doing research on them and I just get more and more confused. As I stated in the title there is not identification paper inside the body of the fiddle that I can see. It may have moved however I do not have the tools to look inside of it. I want to know if there is any reason why I should not take this fiddle in to get repaired. Or if I should just set it in an auction on eBay for parts.
  11. Had this restored. It wasn’t in that bad of shape. The luthier couldn’t give me a name or an age, he thought maybe baroque. I don’t know why it has filled holes in the c-bouts and the three upfront. It came with a bow marked Vuillaume probably a copy. Thanks in advance.
  12. This is my first post on the forums. I've been learning violin repair/restoration for about a year now and have been learning through the repair of a variety of old factory fiddles in various states of disrepair. I know enough about identifying violins to make me dangerous, so I'm hoping someone might be able to tell me about this fiddle. I recently picked up this G.A. Pfretschner and I'm wondering what anyone might be able to tell me about it. From the research I've done, it seems many (or most) of these violins were student grade instruments although it appears some of the instruments were of reasonably good quality. This fiddle, unlike others I've worked on, seems well constructed. It has an independent bass bar, corner blocks and from what I can see with an inspection mirror the top plate seems to have been carved with more care than I've seen on other factory fiddles. Thanks in advance and I'm looking forward to learning from folks!
  13. Hello everyone! First of all, I've been observing this forum for a long time and I'd like to thank you all for countless hours I spent here, exploring the fascinating subject of violin making and its history, the amount of knowledge one can find here is just unbelievable! I have here a violin which I'm curious to know more about - it's actually not yet another "how much can I sell it for" topic, I'm not interested in the value, I'm just very interested in knowing as much as possible about the model and origin of this violin. I tried to do my best, I did my homework and read the guidelines for taking pictures, hope they are sufficient - if not, let me know how can I improve them! I also measured it, the measurements are 359; 167/110/203. There is a label inside, but since it's for sure fake, I thought I shouldn't show it yet in order not to influence anyone's opinion. If you have any thoughts about this instrument, I'll be very grateful if you share them!
  14. This is a smallish 7/8 cello that is on loan to me. I am very curious about how old it might be and of course, who the maker might be. The person who was storing this cello seems to know nothing about this cello except it’s “old”. Help appreciated!!
  15. Dear members, I have this violin from years ago. I bought thinking in order a restoration and barroque setup. Unfortunately my luthier said is too damaged, so the restoration is too expensive for the quality of instrument. Even so he said also is from late XVIII century, probably german. The instrument shows a repair label by Robert Hislop (no idea who was), Galashiels, 1886. Near the button has stamped apparently the name of the luthier but is almost erased: WIL... (William?). I know this kind of stamped names are typical from some french and english old violins but I can't find concretely who made the instrument. Could be made by scottish maker? That's all for now. Many thanks in advance!!
  16. My Mom gave us her cello about 5 years ago that she has had most of her life and she is now almost 70. It has part of a marking on the inside that says "made in Germany", but that is the only identification I can find. We are going to have to sell it and I don't have any idea what maker it is from or what general price I should try to sell it at. She played it in many orchestras and other cellists thought it had a wonderful sound. Any help you could provide would be wonderful! Thank you. -Jonathan
  17. My wife just bought a cello at a garage sale. The cello had belonged to the father of the woman who sold it. She did not know the origin of the cello but thought it might be from around the 1940’s. It has been played a lot and is in dire need of some tender love and care and we plan to talk it to a lutier for renovation. It was bought at the island of Gotland in Sweden so it is probably made in Europe. It has no labels or stamps inside the body. Anything you can tell us about it from the pictures would be greatly appreciated. If more pictures are required please specify what kind and I will add them. I have tried to follow the guidelines how to take pictures for identification and hope that this type of post is ok.
  18. Hi all, Can anyone help identify possible makers for this bow? It appears to be stamped SED????ON There is a sticker on the frog which reads made in France. Thanks
  19. Anyone have any general starting points to ID a Romeo Antoniazzi violin? Features to look for? Identifying stylistic elements? Marks? Et cetera... I am working on a research project on the lineage of makers he is a part of but his style seems, to my extremely basic eye, to be all over the board and very diverse. So I’m having trouble nailing down some themes to note for his instruments. I also don’t have a paid Tarisio account which I suppose might help but I’m trying to save money for now. Any tips on his instruments much appreciated. Thanks much!
  20. Can anyone tell me what you think about this old fiddle? I bought it at a goodwill for very cheap - mostly for the purposes of practicing removing and inserting a soundpost, set-up, etc. But I'm starting to think it might be worth more than I paid for it. Curious? There was a label on the inside - in fact it looks like there was a label on top of a label. Two different ages. It almost looks like someone tried to remove them (or maybe the top one and ruined the bottom in the process). Purfling is definitely real. Wood seems decent. No cracks. It looks to me like the nut (and maybe the fingerboard) was replaced at some point. The new nut doesn't seem to have been made very well... I might try to make a new nut. Bridge says Joseph Teller 1892 Germany **. It looks like someone put newer Dominant Vision strings on it. Anyway - let me know what you think. Thanks!
  21. Interesting viola shown on violinist.com: http://www.violinist.com/discussion/thread.cfm?page=1014
  22. I have inherited (and play) a violin that has been passed down from my great great grandfather. The only only information I have about the violin is that it was taken to Gallipoli with the New Zealand troops on 16 October 1914. My dad seems to think that it might have been made in France. Does anyone have any idea where this violin may have come from? It is completely unlabelled on the inside. My second question is in relation to the bow. A local reputable violin dealer, repairer, valuer etc. has confirmed it is a genuine W.E. Hill & Sons bow but I'm wondering if anyone recognises the mark - particularly whether it is a "dot" or a "zero" in terms of who the specific maker was. THANK YOU! (Also I’m sorry the photos have been uploaded out of order for some reason. If you need a clearer picture of any, please let me know.)
  23. Hi all and Happy New Year, I´m posting some pictures of a violin a bought about 10 years ago and sold to a friend of mine. The violin has came back to me again for re-sale and I´m wondering what it is since I never really had a clear idea about its origins. I bought it from a Ebay seller in USA for 1.000 USD and I find this instrument OK for the money; I´m quite sure this is an easily identifiable violin but I don´t really have an idea; it looks french for me but I´m not an expert not even a good amateur or connoisseur. So I ask for some help in order to know a little more about this nice violin. The label says Vistoli Luigi fece in Lugo 1921 but I don´t expect this violin to be italian Condition is very good apart of some retouching to front table around and under bridge and fingerboard. Thanks everybody in advance, Luis
  24. The question I get asked most often about my 'cello (I mean, after, 'Don't you wish you played the piccolo?') is, 'Who is he?' Because he has a face instead of a scroll - and not the 'normal' lion or beautiful woman, but a cheerful, balding old codger. The seller suggested Mittenwald 1870-ish, but couldn't tell me who he was. I wonder if anyone recognises him? Or maybe the lamb-and-flag stamp on the back? Thanks!