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I had a few questions about this cello. First of all, has anyone ever heard one (not heard of)? Would this classify as a fairly well-built American cello? Ebony insert/purfling on the neck, or is that just an inked line (probably)? And, is there any benefit to the lining construction? https://rover.ebay.com/rover/0/0/0?mpre=https%3A%2F%2Fwww.ebay.com%2Fulk%2Fitm%2F264676299826
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Okay - likely a dumb question best answered on a guitar forum...but I'm sure someone on MN knows... Disclaimer: I know nothing about guitars - be kind. Two years ago I traded a violin I wasn't playing - for a guitar. Goal: Learn the basics (no rush) so that: A ) I can strum a few chords to be able to sing for the entertainment of my parrots or - if I ever got good enough - accompany easy fiddle tunes. B ) I can pick - enough so I can amuse myself with Pachelbel's Canon... I was advised to get a nylon string guitar and came home with a very nice classical guitar.
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Who was the first violin maker to make the linings over the corner block? The earliest I know from the top of my head was Celani in mid 19th century. Does anyone know a maker in the 18th century using this technique?
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Over the last couple of years I have extensively studied Stradivari's guitars, guitar forms and templates and guitar making methods, to come to a more close reconstruction. The large guitar was made after Cremona template MS. 750. The small guitar was made after the little form in Paris (E.901.6). The cases were based on the "Giustiniani" example. These were the first guitars ever made after the Stradivari forms and templates, instead simply making a shortened version of the "Hill" or copy a guitar with later alterations (Rawlings). An article about this investigation, along with a pl
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Hi everybody!! I would like to share with you this book: Fundamentals of Interpretation By Edoardo Catemario I think it's a great new entry in my personal list of the "books of my music library". It's a little manual that contains all those information that every expert musician knows. It's written by Edoardo Catemario who said: "It took me over 15 years to make it as concise as possible and is now only 36 pages. Everything you need in order to understand the very basic knowledges of interpretation is here". The book is in pdf format and is free to download: http://www.catemario.
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