Looking through piles of old ebony fingerboards and other ebony pieces I realized that finding a perfect match is indeed pretty difficult.
To make no mistake I first cleaned the frog and polished it with fine micro mesh. Then i polished a small portion of seemingly good matching pieces.
There are many different hues of black. Blueish black, brownish black, grayish bkack etc. The type I was looking for had a blueish hue.
However, when I found an almost matching piece I saw that the pore structure wouldn't match.
With further search I got a piece with finer pores but color was a sort of suboptimal, somehow not dark enough.
Finally I decided to select rather by pore structure than color At the same time I wondered if the blueish hue didn't come from wear .
Before glueing the piece I tried to find the best orientation to have a similar pore structure .
Wondering if someone here has a better recipe to match ebony replacement wood in a frog restoration?
Hi,
Can anyone please help me with methods on how to straighten a warped/skew violin bow? I recently got quite a few cheap chinese factory bows for free from a music shop, so I have enough practice material.
Thank you.