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Showing results for tags 'Tourte'.
Found 6 results
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Do you think it is worth to show this one to Raffin or it is "only" a German bow?
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Just because it's been quiet over here: https://www.invaluable.com/auction-lot/archet-de-violon-c3249dbb66
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Hi, I should start by saying I am not a musician, I wanted desperately to be, and tried many instruments when I was younger but I am apparently completely talent-less, so I may struggle with industry terms..... I bought the following at a recent auction on a whim (yes i know dumb) because i thought it was just elegant, and love tactile things... (again yes i know) I just wanted to try and identify if it is only worthy of wall decoration, or if I should be doing something else with it. My total investment was £50, and so I am very happy if it is just for d
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Hello and goodbye.
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Hello Everyone firstly i am new to this forum so i apologise if this is in the wrong place i recently came across these two antique Violin Bows, one is a Tourte branded one which i showed to some freinds and they thought it was of a very good quality. it measures 67.5cms long and it weighs 50grams including hair and grip which i understand is very light for a bow, it is also octagonal all the way down the shaft if anyone could help me ID this that would be great the other one is a round shaft non branded bow which measures approx 72cms long and weighs 56 grams Tou
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I've read many theories about the superiority of violins by the old masters -- theories that explain the great price differences between those instruments and modern ones. These theories include: superior materials, special wood preparation, natural aging, secret varnish, superior craftsmanship, etc. Does a separate set of theories explain why classic violin bows bring such high prices? Has that been discussed on Maestronet, and can anyone point me to that discussion? Thanks in advance for suggestions.
