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Found 3 results

  1. I just got a new bridge for my Montagnana cello yesterday and I'm finding out that the height between the end of the fingerboard and the bridge is 7.5mm at the A string and 10mm at the C string. I have Jargar medium gauge strings on the A and D and Spirocore, tungsten wound (also medium gauge) on the G and C. Aside from the string height, the my cello sounds much more beautiful with the new bridge and the only problem is the facility to play it. Should I bring it back to the guy who worked on my cello or just learn to live with the high strings?
  2. Hello, my name is Jim Biggs, I'm a student in the violin-making program at Indiana University. I'm starting my first cello, using the Strad poster for the Montagnana Sleeping Beauty. I have some questions for Maestronet members who've built cellos based on the Sleeping Beauty. 1) Scaling off the poster, I get 32.5mm for the top arching and 30 for the back. I've read the Sleeping Beauty has a lot of distortion in the back and possibly in the top, do you use these measurements? 2) The high points for both top and back seem to have migrated toward the tailpiece. Do you center the high points in the middle of the long arch? 3) To gain clearance in the wide C-bouts, do you raise the overstand or projection? What measurements do you use? 4) Do you prefer maple or poplar? What difference do these two woods make to the sound? 5) Do you have a preferred bridge type, French or Belgian? Favorite strings? 6) Do you have a Montagnana model that you prefer to the Sleeping Beauty? 7) Does anyone know who currently owns the Sleeping Beauty? Any other bits of information regarding this model would be greatly apprecitated. Many thanks, Jim Biggs