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“Violin Identification and Price Guide“ BOOKS 1,2,3 (selling as set) by Roy Ehrhardt - Very Good Condition $350 “The Best of Trade Secrets” theStrad BOOKS 1,2,3 (selling as set) - Like New $75 “The Violin Makers of the Guarneri Family“ William Henry Hill.. - Excellent Condition $10 “Violin Varnishes“ Joseph & Reiner Hammerl - Excellent Condition $45 “Antonio Stradivari, the Cremona Exhibit of 1987“ - Excellent Condition $350 “Stradivari‘s Violin Forms” Steward Pollens” - Near Mint with one small smudge on front cover. Very Rare (Abe Books $1,000+) $850 Price of individual books do not include shipping. Sold separately the collection = $1,650 I will take $1,200 FOR ALL Include shipping. John http://ebay.us/ndV007?cmpnId=5338273189
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Hello, and welcome to my introductory page! I'm a maker of violins, violas and cellos, and also specialize in sound adjustments. I'm also researching, teaching & writing about classic lutherie techniques. Graduate of The Violin Making School of America, Salt Lake City, USA, under Peter Paul Prier. Luthiers and shops I have worked with includes Samuel Zygmuntowicz, Brooklyn, and Christopher Reuning of Reuning & Son violins, Boston. For more information check out the links below. Enjoy! Telephone: +46 708755318 Address (Map): Pålsundsgatan 6, 11731 Stockholm, Sweden By Appointment only Web shop: Zethelius Violins Feel free to browse the web shop. Free shipping & 30 days return. Sweden only. Instagram: @zetheliusviolins Sometimes, but not always violin related content. When I publish a photo I usually do it in Instagram. Articles featured in The Strad magazine: August 2006 In August 2006 I published my theory for how the Cremonese (and all the Italian violin makers really) worked their archings. Not from the outside, as is the modern practice, but from the inside with the use of a chain. It stirred quite a controversy in the violin making community. Since then a growing number of makers use my 'inside first' method. December 2011 The best of the classic makers had a special method for finding harmonic relationships in their scroll carving. March 2014 Antonio Stradivari's only surviving template for a cello corner is an important clue as to how the instruments were made. Here I show how I make my own corner templates inspired by Stradivari. April 2016 June 2016
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Hi all, This excellent crack repair article really helped me out recently when a cello came into the shop with soundpost and bass bar cracks along the full length of the top. The repair work I do is generally guided by the Weisshaar book, so it was great to read some new (to me) material instead of the just referring to the same passage I've already read again and again. I was wondering if the maestronet community would be interested in compiling a thread dedicated solely to links of articles devoted to repair and restoration (of course only articles that are intentionally made available to the public via the author's personal website should be included). After all, this crack repair article was published in 2001, so I didn't have a chance to catch it the first time around (I was still in high school . . .). If everyone agrees that this is a worthwhile idea, then I think this may be a job for LinkMan! (at least to start it off.) “Hold on tight” The Strad Nov 2001 article on crack repair By Andreas Hudelmayer http://hudelmayer.com/about-me/articles/hold-on-tight-the-strad-nov-2001-article-on-crack-repair/
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