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Found 23 results

  1. Learn here how to remove rust
  2. Greetings, My name is Nestor I am from Greece and this is my first post on this forum. I am planning to build a violin and I am still gathering all the tools necessary to do so. I do have a workshop with a few tools but I am trying to keep the cost down as much as possible because its tools are kind of a rabbit hole. It gets really expensive. I wanted to ask your opinion regarding files. How many of them are (really, like impossible to work without them) needed, what types, how coarse etc? Thanks in advance and I am really glad to be part of this group Nestor
  3. I found this interesting article some time ago and saved it in my browser's bookmarks; I would like to ask some questions about Morel's knives since I know that there are some people on this forum who were trained in his shop or personally knew him and so I hope they'll be willing to share some knowledge on this. René Morel workshop artefacts - the Cozio carteggio First question is: it seems that Morel was always in search of the best tool steel blanks for his knives. What kind of steel did he use? The article says that the blade stock was made in the Mirecourt style and it had
  4. Here is some stuff for sale. Juzek caliper- larger size for cello-SOLD holtier varnish. Dark is between 1/2 & 2/3 full. Clear is full. Old wood tube colors. Madder lake red is unused, madder lake brown red is very used, but there is plenty for multiple instruments left. I plan to include the brown red with the sale of the red.-SOLD Veritas convex sole squirrel tail plane. Dremel purfling jig-SOLD ibex purfling marker-SOLD old wood siccativ. SOLD Text me for fastest response. Make an offer on any or all of the items. 651-890-6683
  5. Happy 100th Birthday Posted: Wed Dec 27, 2017 2:30 pm Post subject: Happy Birthday, Harold Hayslett Celebrated his 100th birthday yesterday, Dec 26. He's a resident of Charleston, WVA. After retiring as a plumber/steamfitter in 1980 he began making violins, and became a well respected cello maker. In the 1990s he was awarded a Gold Medal for Cello tone from the ViolinSociety of America. This fall, he donated nearly his entire shop inventory of partially completed instruments, parts, p
  6. Whenever I see cheap violin making tool sets on websites like eBay, AliExpress, etc. (which I probably shouldn't be looking at at all, I know ) , very often this kind of tool is included: I haven't been able to find what the tool is for, can anyone enlighten me? Thanks
  7. Hello! I've a question for anyone who knows: How do you sharpen your scrapers effectively? I've not done too badly with a standard, straight-edged card scraper, but I've yet to find a good and reliable method for sharpening my curved scrapers and I know they're not cutting anywhere near as well as I would like them too. I'm just coming up to preparing my kit violin for varnish and I've love to know how to get a good edge on my scrapers before I begin the task I've found a lack of information in this regard when looking previously so maybe this can be us
  8. Yes. I am grumpy I look after my tools and equipment. It's a source of pride. I don't mind lending stuff - IF I get it back in the same shape I lent it out in. Take my shop vac for example. After I use it I empty it. I dust it off. I have been known to wipe it down or wash it off if it needs it. Why would someone borrow it and return it filled with dirt and filthy on the outside too? What are they thinking? That I enjoy the privilege of cleaning up after them? That I have nothing better to do? They might not care about their stuff
  9. I have a large pile of old wood , antique forms and violin making materials , violin and viola patterns from the estate of a violin maker from Crimea . i have attached photos of the contents of the boxes laid out on my studio floor. I know very little about these objects , except that they are quite old and quite beautiful. Can anyone enlighten me ? thank you .
  10. Heading to the cabin in the woods for the weekend? Off to a workshop? Family trip coming up and planning some "me" time? If you have a nifty way of transporting and keeping together your tools for the road trip, how about a photo and/or description? I know there is a fellow in our midst who has an amazing tool box he keeps with him as he travels across the country -- a vet who started making while on duty overseas. Someone else will remember his name. We've all schlepped in a suitcase at one time or another and for obvious reasons, that can be far from ideal. I im
  11. UPDATED March 14 It's been an awesome response to my post to sell off my barely used/never used luthier tools and materials. While I'll probably always wish I had actually pursued this work, at least I'm recouping some of the cost and the supplies and tools are finally getting used. Most items have been sold and delivered already. Here's what's left and up for sale still. I'm pricing everything at 50% of my cost or sometimes less. Pics supplied upon request. Jeweler's saw pick for plug removal bridge and fingerboard templates roll
  12. I took some classes in bow rehairing and repair as well as violin repair and construction but never continued with it. I've decided to sell off all of the materials and tools as they were costly to purchase and are not doing anyone any good just stored in a box(and I need to recoup at least some of the cost!). If you contact me I can provide you with a list of items for sale or if you are looking for anything in particular just ask. I also have 2 DVD;s, still in wrapping unused- When Trees Sing- Peter Paul Prior; Disc one and fifteen. I'm not sure if this is the bes
  13. We are located in Windsor On Canada - We still have an amazing collection of tone wood for violin, viola, and cello - both 2 piece, single pieces and jointed pieces spruce and maple - most pieces are from 1974 - 1980's accessories include bridges, fingerboards, etc wood blocks for scrolls molds ribs scrolls roughed out tone wood roughed out bows (brazil wood - various sizes) hanks of horse hair for bow rehairing tools 6-14 terrco marlin violin carver (backs, fronts and scrolls can be easily reproduced here) and so much more We are very limited in time as
  14. I know some of you like old tools...and maybe someone could use this to bend ribs... This is all my daughter's fault. If her truck hadn't broken down...and then enjoyed a prolonged a small northern farming hamlet...while being repaired... Then we wouldn't have driven her all the way back there to pick it up and we wouldn't have stopped at various highway antique shops on the way home. This is a Peter Wright anvil. I haven't figured out the date yet but it is an 83 pound model. I don't know if the grey paint was original or not. How would you clean it up? To keep it "origina
  15. Hi Everyone, I'm new to this group and I'm just moving into a wonderful sunny room to make instruments. However, I'm not sure how best to set up my space. What do you suggest? From past experience, or what you do in your own work space, what works best so I'd have easy & quick access to everything and my bench doesn't get too cluttered? I have a drafting table with no drawer space, a smaller free standing bench with small shelves and drawers on both sides, two large free standing shelves & milk crates, and wall space. For tools, I have chisels, gouges, three knives, planes,
  16. I wanted to thank Michael Richwine for his recommendation of the Zona saw. It arrived today and I'm sure it will be perfect for cutting the mortise for the neck. I was impressed with the quality too. I got a catalog from them (Micro Mark) and one of the things they sell is a 5" drum sander. Someone was looking for a method of thinning ribs a while back and this might work. A customer quote says they thinned some 1/16 stock to 1/32 with a tolerance of 0.003"! It's only got a 1/3hp motor so I really doubt it will do a full 5" width but it might work well for rib stock.
  17. I'm just starting out, and while I have enough tools to get through the ribs and plates, I know that when I get to it, I'm going to need more than my solitary #8/18mm gouge to do the scroll. What would be a recommended set of carving gouges to make this process not horribly difficult?
  18. For those of you out there that were wondering how to make your own Foret or Bow Drill, Rodney Mohr posted instructions on his facebook page. Instructions are accompanied by some pictures. Wish you all luck in making your own Foret!
  19. Here's an interesting photo of a violin maker's shop, from Ebay: It is comfortably cluttered, and will perhaps look familiar, one of the eternal verities of the luthier's profession. This man will be one of the two hundred or so violin makers who proliferated in Maine between about 1880 and 1910, and produced at times some very nice instruments. He may have a real bench, but it doesn't show here; the low bench to his right seems to me very much like one of the common s
  20. "...never such a sight... cleats don't fail me now!" Please help me in planning this double bass repair. The 3 ft long top crack over the soundpost has reopened - and the cleats placed on the many rib cracks are very unstable. Some questions about these repairs and tools i will need. Is it correct to start with freeing the soundpost crack and reglueing it in sections, from the center first?It is well aligned at least. I have thought to use small metal "toolmaker's" clamps with spruce studs and plastic wedges. I have seen the "calamari" clamps in other threads; this is my question
  21. Hi again. Can someone please tell me where I might be able to find some wood carving gouges online? Ive been looking at hardware shops at so many places locally already but couldn't find any other than the normal flat surface chisels. Ive been able to find small gouges for the scroll, but nothing big enough for the body of a violin. Also, since I live in South-Africa, please only recommend websites where they ship internationally, if possible. I went to look on this website and found today, but the shipp
  22. ARTICLE AS PDF I thought this would be nice short article to share from ETUDE of Jan 1950, "HOW TO CHOOSE A VIOLIN." There are some interesting images of small hairpin style lining clamps and other details that are fun to view and read. You can either load the PDF attachment, or download the individual pages here: INDIVIDUAL PAGES I am sorry that I have not been participating much, but I got m
  23. Would a plane bedded with a low angle be best suited for top and back plate jointing? Given the grain orientation of curly maple would the low angle plane be the preferred choice for jointing the back plate? Would using that same low angle plane for jointing present problems in the spruce of the top plate?