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Found 2 results

  1. I have a cello made by Tetsuo Matsuda made in 1985. Overall the build quality is amazing. The cello is more on the heavy side. The sound of the cello is alright. The g and c string in overall in my opinion a little weak but it may be just the type of string used. On the A and D strings, it has larsen and on the G C string it has spirocores. There has been damage done the the cello. It had a neck graf and it also had a little chip taken off and glued back on on the left-hand side. It's hard to tell but I seems like the cello has a broken neck but reglued back on. I was just wondering how much the cello would be worth nowadays in the market. Thanks for the help! If you want more information, just reply to this topic. If you want pictures, I can post some if you ask. Thank you so much for the help
  2. Hi all. Being fairly isolated from what other makers are doing, my dear husband has asked me to ask on here about what it is you do antiquing-wise, and why. European makers, is it easier to sell a fiddle that looks old? I don't mean those making bench copies, since that's a completely different endeavor than just trying to create an old-looking painting on a violin. Curious about all perspectives on antiquing, or to hear from those who renounce the trend. If that's what's going on...I mean, if 200+ years of something can be just a trend. But then, it may be: men were wearing wigs for longer than that.
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