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Hi, I'm looking for opinions about how Magister Varnish behaved over time. If anyone on the Maestronet Forum can share observations about the behavior and wear patterns of the Magister Varnish over time I would appreciate it. I ask if the type of wear would have any similarity to the Cremonese Varnish of 1700, we know that the fluorescence light was very similar. Another question would be about what you considered most positive in the result of the Sandarac Oil Varnish "Vernice Liquida" type, and whether you still consider it viable for current use. Thank you for attention, greetings.
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With many thanks to Helen Michetschläger I would start this topic. http://www.helenviolinmaker.com/talks_articles_files/Saltpetre-BVMA_10.10.pdf Come together revive this legacy!
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- Koen Padding
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