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Found 9 results

  1. Hey all. I'm currently trying to make a copy of the Davidov Strad cello, but the posters are no longer continued. I've searched all four corners of the internet and I cannot, for the life of me, find an available poster. If someone would be willing to take high resolution photos of the poster (so that I can read the measurements!) that would be great! If not, any other forma b celli or modern forma b celli plans would be wonderful. Thanks.
  2. The Tale of the TAILPIECE, a History of this small accessory From Medieval times right up to the present day, a History of this violin family, small accessory. English and French version are there, on Academia.edu: http://univ-montp2.academia.edu/EricFouilh%C3%A9
  3. Hello everyone, I want to give some background to contextualize my need for a luthier to consult with on a custom electric violin My name is Cooper; I'm 24 years old and have been playing fiddle for about 19 years. I am classically trained and also grew up playing country music, particularly Western Swing. I'm from Bakersfield, CA and I am very proud of "The Bakersfield Sound," Buck Owens, Merle Haggard, etc. Currently I play in a Bakersfield Sound band with my brother and our friends. So much fun! Mosrite was a Bakersfield based guitar company that left its stamp on country music and music in general. With artists like Buck Owens and Merle Haggard, Fender, a California brand, rose to prominence because of the Bakersfield Sound. Why do I bring up electric guitars when I'm looking for a violin? Well, I am looking for a custom luthier to make a guitar shaped electric violin (filled body, non-acoustic), one either in the style of Fender Telecaster or a Mosrite Ventures model. The idea is not completely unfounded (check out Mark Wood's "Katana" and "Legend" electric violins). I do wonder how realistic it is to make one. I have some details in mind (shorter body, issue of bow clearance, putting a "saddle" on the neck where it would sit traditionally on an acoustic violin, geared pegs, guitar-esque tail piece or regular one, fingerboard height, etc.) Of course, these issues should be fleshed out in more detail with whomever is interested. It would be ideal to discuss price range first too. I am new to this forum. If you have public contact information (website, business email, etc.), please do share! Or, let me know what way is better to get in touch! Thank you so much for your time and consideration! Cooper
  4. Hi, a rapid search on Abebooks for luthier books show a few hits https://www.abebooks.fr/products/isbn/9780962067358?cm_sp=rec-_-pd_detail-1-d_0-_-plp&reftag=pd_detail-1-d_0 but no hits on gut-stringed baroque-style violins. Does anyone have a suggestion of a good book on the measurements of baroque-styled gut stringed violins? Thanks
  5. Master luthier Jonathan Cooper will be teaching a one-week lutherie class at the Acadia Trad Festival in Bar Harbor, Maine from June 28 - July 3, 2020. At his shop in Portland, Maine, Jon has made over 400 instruments in the last 40 years. His fiddles are played by many of the world’s best performers in trad music. In this one week workshop intensive, students will work together on a fiddle that will be completed in the white – no varnish. The workshop is appropriate for intermediate and advanced makers but can be a good beginning foundation as well for those interested. Students are welcome to bring an instrument they are working on and get guidance from Jon in working on their own instrument. The class will cover an introduction to design and construction in all important aspects. There will be hands on demonstrations as well as access to an extensive personal library and direct examples of work from famous makers. Daily talks on varying subjects including history, maintenance, set up and sound production will be open to the camp at large as well. Participants are encouraged to bring their own tools, however a limited number of tools will be available for students who do not have all the necessary equipment. This class has a $40 lab fee payable when you arrive. NOTE: Only 6 slots are available for this course. Register early to guarantee your space! --- The Acadia Trad Festival, to be held June 28-July 3, 2020, is a week of classes, workshops, concerts, community dances and music sessions held at the College of the Atlantic campus on the shores of Frenchman Bay in Bar Harbor, Maine. The 2020 Acadia Trad Festival will focus on Irish, Scottish, Cape Breton, Acadian, and Québecois music and dance styles, and boasts a world-class faculty. Major classes are offered in fiddle, songs, bodhran, guitar, bouzouki, harp, cello, flute, whistle, accordion, concertina, dance, live audio production and fiddle-making. Additional instruments and genres are offered as afternoon workshops. For more information, and to register or purchase concert tickets, please visit https://acadiatradschool.org.
  6. Master luthier Jonathan Cooper will be teaching a one-week lutherie class at the Acadia Trad Festival in Bar Harbor, Maine from June 23-28, 2019. At his shop in Portland, Maine, Jon has made over 400 instruments in the last 40 years. His fiddles are played by many of the world’s best performers in trad music. In this one week workshop intensive, students will work together on a fiddle that will be completed in the white – no varnish. The workshop is appropriate for intermediate and advanced makers but can be a good beginning foundation as well for those interested. Students are welcome to bring an instrument they are working on and get guidance from Jon in working on their own instrument. The class will cover an introduction to design and construction in all important aspects. There will be hands on demonstrations as well as access to an extensive personal library and direct examples of work from famous makers. Daily talks on varying subjects including history, maintenance, set up and sound production will be open to the camp at large as well. Participants are encouraged to bring their own tools, however a limited number of tools will be available for students who do not have all the necessary equipment. This class has a $40 lab fee payable when you arrive. NOTE: Only 6 slots are available for this course. Register early to guarantee your space! --- The Acadia Trad Festival, to be held June 23-28, 2019, is a week of classes, workshops, concerts, community dances and music sessions held at the College of the Atlantic campus on the shores of Frenchman Bay in Bar Harbor, Maine. The 2019 Acadia Trad Festival will focus on Irish, Scottish, Cape Breton, Acadian, and Québecois music and dance styles, and boasts a world-class faculty. Major classes are offered in fiddle, songs & accompaniment, bodhran, guitar, harp, cello, flute, whistle, accordion, dance, and fiddle-making. Additional instruments and genres are offered as afternoon workshops. For more information, and to register or purchase concert tickets, please visit https://acadiatradschool.org.
  7. The Acadia Trad Festival, to be held June 24-29, 2018, is a week of classes, workshops, concerts, community dances and music sessions held at the College of the Atlantic campus on the shores of Frenchman Bay in Bar Harbor, Maine. The 2018 Acadia Trad Festival will focus on Irish, Scottish, Cape Breton, Acadian, Québecois and Old-Time music and dance styles, and boasts a world-class faculty. Major classes are offered in fiddle, banjo, guitar, bouzouki, mandolin, harp, cello, flute, whistle, accordion, dance, and fiddle-making. Additional instruments and genres are offered as afternoon workshops. For more information, and to register or purchase concert tickets, visit https://acadiatradschool.org.
  8. Portland, Maine master luthier Jonathan Cooper will be teaching a one-week lutherie class at the Acadia Trad Festival in Bar Harbor, Maine from June 25-30, 2017. Scholarships are available! At his shop in Portland Maine, Jon has made over 400 instruments in the last 40 years. His fiddles are played by many of the world’s best performers in trad music. In this one week workshop intensive, students will work together on a fiddle that will be completed in the white – no varnish. The workshop is appropriate for intermediate and advanced makers but can be a good beginning foundation as well for those interested. Students are welcome to bring an instrument they are working on and get guidance from Jon in working on their own instrument. The class will cover an introduction to design and construction in all important aspects. There will be hands on demonstrations as well as access to an extensive personal library and direct examples of work from famous makers. Daily talks on varying subjects including history, maintenance, set up and sound production will be open to the camp at large as well. Participants are encouraged to bring their own tools, however a limited number of tools will be available for students who do not have all the necessary equipment. This class has a $40 lab fee payable when you arrive. Please share: http://acadiatradschool.com/festival/
  9. I'm an italian cellist and this month I will have an important exam in my High School. I have to talk about bows built in carbon and I want to describe this new technology from a chemical point of view. I also would compare traditional bows' technology with carbon technology. So I ask you some information about this topic, thank you very much!
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