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  1. Hi. I understand we playing double stops using Just intonation instead of Pythagorean, but sometimes I have no clue which notes compromises which note... for example, from 1st Movement from Violin Concerto No.1, Op.26 by Max Bruch: Photo 1 (I hope this is correct): There are three double stops. D&B♭, C&A, B♭&G. D&B♭: D is an open string, so B♭ should be played higher (than in Pythagorean) in order to form a Just minor 6th with the D. C&A: A is an open string, so C should be played higher (than in Pythagorean) in order to form a Just major 6th with the A. B♭&G: G is an open string, so B♭ should be played higher (than in Pythagorean) in order to form a Just major 6th with the G. *I compromise non-open string pitch-classes to the open string ones because this allows sympathetic vibration (the point at which the note is exactly on pitch, the open string with same letter name vibrates freely) Photo 2 (I have no clue): Analyzing the double stop with the up-bow mark: There is one double stop, C&A♭. Neither of them is open string pitch-class, so none of them allows sympathetic vibration; should I play a higher A♭ or a lower C (than in Pythagorean) in order to form a Just minor 6th? And why? Thank you P.S. the piece is in G minor
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