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Found 4 results

  1. Hello I am selling my father's collection of luthier supplies - this is just a few items I've photographed thus far. I also have a full size viola - it is in excellent condition - as it was brought in to our studio just before my dad fell ill and remained in our inventory - purchased from either heinl & co or kessler violin co (chelmsford ontario) about 5 years ago - it needs to sing!!! asking $400 obo ivory fingerboards ivory chin rests bow hair - 15 packs - asking $50 asking $20 each or make me an offer for the lot if approved i will post many more new items - bridges, pegs, items for bows, rib wood, hand carving tools and so on- if you have a specific interest or questions please ask away! we are located in Windsor On. thank you!
  2. Pics can be found here: https://imgur.com/a/6VV2GOB My parents have this kind of awesome habit of remembering that I like antiques and that I like having instruments and things for them regardless of whether I play the instrument they pick up or not. They found this bow for $5 as part of an auction lot and gave it to me. Aesthetics aside, as one can clearly see the finish is a mess and the grip is a bit ugly (but not worn through, only some missing edges; it looks and feels like old leather). I don't care too much about that as I don't need it to look pretty as long as it sounds decent. The stick is stamped Sofian Zapf and, under the frog, it's stamped Germany and weighs, if I'm rounding up, 57g. The exact weight according to the scale I have is 56.7g. The frog doesn't match the bow at all and was probably replaced at some point; it's (the frog) super heavy compared to my other bows but it's not so unbalanced that it's difficult to use. The screw seems a bit too long as well but the frog isn't wobbly and it does tighten and loosen normally it just--sort of sticks out a bit more than the others I have. Despite it missing half of its hair (and the hair that's left was put on badly, twisted in some spots, and at both ends there are bits of it sticking out as it wasn't trimmed or put in properly, feel free to roast whoever rehaired the thing probably decades ago, because even I can see it's a...less than ideal job), I did decide to rosin it up and see how it sounded. It sounds pretty nice despite missing half the hair. Nice, warm, rich tone to it. As far as I can see, it has no cracks or anything in it that would require repair. Haven't had a luthier look at it yet, though my instructor took a look at it and gave it a spin and thought it'd probably be worth rehairing if it doesn't need any major repair. If I don't manage to catch them in when I'm there for lessons, I'll have them look at it when I pick up the other old bow I currently have in for a rehair and minor repair.
  3. I'm guessing that most rehairers will use a Herdim gauge (or something similar) so I'm curious to see where others may have "marked their gauge" for a ballpark average amount of hair. Here's a shot of mine and that particular mark has become the minimum amount I'll use for an average 4/4 stick, and usually a little more. Of course, viola or bass sticks would get more and I'll just try to 'eyeball' that, but perhaps you've arrived-at a set of markings on the Herdim that have worked well for you? I'd also be curious to know what the heck those little lines are actually supposed-to represent... like, maybe 10 hairs per-line or something?Thanks for reading
  4. Hi All, I'm thinking of learning how to re-hair some bows. I have a number of warped cheap wooden bows to experiment on, and I've been able to gather a fair bit of data on the process. However, does anyone have any recommendations for a good horse hair vendor? Or can anyone endorse a particular type of hair? I've heard that white hair from a stallion is the best for a violin bow (though I wouldn't mind experimenting with some cheaper hair first, just to have a test run so I don't ruin something really good). Thanks so much for any and all advice! - Sarah
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