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  1. I have a bow with a crack around the mortise that was previously repaired by another repair person multiple times. Most recently, JB Weld (steel reinforced epoxy) was used and finally failed after a few years. How would you remove the JB Weld? I attempted using xylene, but as I rubbed, the wood would splinter before the JB Weld would come off. Thank you for any advice you can offer.
  2. Dear Maestroneters, a student of mine bought a 3/4 bow that had been with the previous owner for 60 years. We would like to try to identify it, it only has france written on it and it looks quite old. What would be its value to you? I have a comparison video between it and a 4/4 carbon fiber bow and a 4/4 wooden bow. Carbon bow between 256BRL to 400BRL(45$ to 70$) for us it's intermediate begginer bow. Wooden bow is from Massaranduba wood 58$(Brazilian Redwood or Bulletwood) also a intermediate begginer bow. The link for the video: https://photos.app.goo.gl/Ac7TBhyiR52iuTTb7 the video its here now, with english subtitles(would be easier recorded in english but ive forgotten) Comparativo entre 3 arcos.mp4
  3. I have recently found a very beautiful bow by Kittel. Given how rare his bows are i am considering buying it. The bow comes with a certificate made by Kenway Lee. From what I understood after a bit of research, he was probably the guy to go to in order to autenticate such bow. The bow itself is mounted in ebony and silver, original in all its parts and in very good conditions, the asking price is 73k euros. I honestly have no idea if this is a good price or not, and if there is somebody to go to have a better certificate or a second opinion. Does anybody have any advice?
  4. edited
  5. Hi, everyone! I am looking for some help identifying which member of the Nürnberger family made my cello bow. I have reason to believe it was made by Franz Albert Nürnberger II based on my research, but I am by no means an expert, nor am I anywhere close to being one. I have attached detailed photos of the bow and have enhanced the brands for your reference. There are three brands on the stick - “ALBERT NÜRNBERGER” in a sans-serif font above the frog, "1896" and "No. 5729" on the underside of the frog. As I understand it, the sans-serif font was used by Franz Jr. from 1884 when he took over the business until around 1910, when the serif font began to be used. Does anyone have any thoughts?
  6. Hi everyone, I want to ask on everyone’s opinions on this cello bow I’ve encountered — it does have a label ‘C. THOMASSIN Å PARIS’ — but I do not see a round ferrule. I am not an expert, so I do not know every details about a Thomassin, so I’m asking everyone what they think about the wood quality, varnish, MOP, etc., and possible origins of this bow. Thank you all!
  7. Hello, I am trying to identify the maker of the following bow. It looks silver-mounted (for the button at least), and is branded N.LEMAIRE A PARIS. There is a pin visible in the button, and also one visible in the bottom slide. Does the style ring any bell? Thank you very much.
  8. Time for another sad bow from the study pile. This one made from a beautiful piece of wood with fine figure. There is a stamp is barely visible ' C Bazin ' on the player's side, upside down. The tip has been cracked and badly repaired.
  9. LCF

    Sartory?

    Next victim. Is this plausible, worth taking better photos and recording?
  10. This is one of a number of bows which I have access to for study purposes. Not for sale and not for repair. Most of the other sticks are without frogs, broken and/or very badly repaired, from a repairer's junk pile. I read Jacob's bow article a while ago which is why I zeroed in on this one. It looks like snakewood since there are typical black splots on two opposing faces. Weight as-is 83.8g, loa 700.5mm. The facets are regular. Matching ID marks on frog and stick, //. My cropped photos are a bit grainy since I haven't got the hang of bow pics yet so all photography tips will be appreciated. I have forgotten to photograph the slide which is a large piece of mop 11mm X 32mm. Hmm. That sounds metric. French?
  11. LCF

    Sartory?

    Duplicate post
  12. I have this bow by a maker named Enrico D’Argenio. I would like to know approx how much is this worth and nationality of this bow. Thank you so much.
  13. The question title is really the whole question.
  14. Hi, Since getting a new grip for this bow, I've noticed a dent appear that I don't think was there before: Is this a concern for the value of the bow or for the condition? Does it need to repaired in some way or have a new grip put on? Bow is JA Lamy
  15. Has anyone ever tried the small-batch Deja "Soloist" Rosin? What were your thoughts?
  16. Hello, I picked this up at a garage sale years back. I brought it to a music store in Toronto, they suspected it is a practice bow and not an authentic original Bausch. I am going to sell it on a local marketplace app, was wondering what price I should post for, and was hoping to be double sure it’s not worth more. I have sold all my string instruments so it’s my last piece to clear out.
  17. Back again with the random bows. Clearly the screw does not belong. Was trying this with a recently made bow by a nearby luthier and def preferred the sound to the newer one. Guessing your typical german trade bow. No markings. Seems like an XV on the inside on the frog.
  18. I’m not familiar with bow makers or how to identify what kind it is. Can anyone make out what it is?
  19. Hello! A few years ago I ended up with an antique(?) violin bow that someone threw in with an old violin I had purchased. The violin was a strad copy from Germany made about the time of WWII. The seller claimed to be somewhat of a luthier, but as I have learned more I am not so sure of how good of one, as I found out later that the violin was set up very wrong. Anyway... the bow had old thinning hair, though it still sounded fairly good. I put it away though, because it was in need of repairs. I pulled it out as I am considering learning to rehair a bow and wanted to practice on a junk one. So... I decided to make sure that the bow was for sure junk before I, perhaps, ruined it! But, I am having a hard time finding a final sign that this is a fake. So much mixed information online. The frog is very plain, no pearl eye. It does have a mother-of-pearl slide. The frog makes me lean towards fake as I cannot find another Bausch with a frog like this (unless it is not the original frog). The adjuster screw is from a different bow I had. BAUSCH in capital letters is stamped above the frog, but no L. before the name. Though, I have seen several of these being sold, still claiming they are genuine?? Some say that as long as it is in caps it is real. But, when I read about Bausch, they only mention the stamps with the preceding "L." and or with the following "Leipzig". Also, the grip is all leather... no metal winding. I am not well versed enough to know how to tell what kind of wood this is either. I was hoping someone could help. I live hours away from a violin shop/luthier (which is why I want to learn how to rehair my own bows ) and was hoping I could determine whether this would be worth saving and having repaired and rehaired by a professional, or if it it is a good junk bow to practice on. Thank you! Any insight would be much appreciated!
  20. Any knowledgeable person out there who knows what this engraving means on my Tubbs bow?
  21. Hello there, Can this type of crack be repaired or is the damage too bad? And is there a chance that it actually comes from the Vuillaume workshop? I'm considering taking a chance and buying this bow if it's possible to repair. I'd appreciate any input.
  22. Not a remarkable bow, by any means, but the playability is quite a bit better than most German cottage bows I have owned. Pernambuco is well-figured, in my opinion. Regardless, it is just a standard nickel-mounted German bow circa 1960. Have I overlooked something?
  23. Hello, I recently bought some old but unbranded bows. I wonder if anyone would know if it is French, English or German.
  24. Any thoughts on lot 209 in the July T2? I'm assuming it's "workshop of" but could it be something else?
  25. Has anyone ever tried the small-batch Deja "Soloist" Rosin? What were your thoughts?
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