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Found 4 results

  1. Hello Maestronet! I have quite a dilemna, as many of you know it is important to consider many things before making an informed decision. I have many questions for you violin makers out there both amateur and professional. I am 23 years old, and I am very passionate about the Violin. I currently am enrolled at a University in the Biology program. I love everything about the violin and enjoy messing around with different strings (probably have spent close to a 1000 dollars on different strings and just appreciating differences in strings and sound). I've also taken apart a few viol
  2. Hello there, I'm a new member, but I've used threads from this forum as an information source many times before. I'm a Danish cellist with a lot of hobbies, one being restoration of old violins. I'm rather new to it, though, and have only repaired one violin yet with a nasty sound post crack, so I need to gain a lot of experience. I picked this violin up from a luthier's shop window in Schleswig, Germany. He told me it's a 200 or more years old violin from Mittenwald. I asked why the maker didn't use flamed wood for the neck when the body seems to be of rather nice
  3. I'd like to announce a summer program that will take place in the charming city of Mayenne, France, where I'll be teaching alongside some wonderful artists such as the venerable Mark Drobinsky, one of Rostropovich's earliest students and assistants and the Hungarian pianist Gabriella Torma. The program is open to all levels, including adult amateurs, and can tailor instruction to include individual lessons, groups coaching, and workshops. Please see the attached brochure pic, and feel free to PM me on this forum if you might have any questions.
  4. Hello! Having just joined this vibrant and knowledgeable community of string enthusiasts, I'd like to ask for your opinion on recommended books for an amateur/beginning luthier. The person in question is a professional concert violinist who has been playing regularly on rare violins for over 10 years. Needless to say, he has a fine understanding of the instrument and a good knowledge of the various repair techniques, though he has not done any himself. He has recently expressed a desire to study this art much more intensively. Would anyone be able to recommend an in-depth,