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Found 3 results

  1. I'm having a hard time figuring out the origin of this instrument. It seems to have a lot of French attributes. It is 24" long, French boxwood pegs with MOP inlay, the saddle could be from anywhere I suppose, and the scroll looks to be French. The top and back both are one piece, which is another clue I think. Also the ribbing seems to be more present than normal German violins from the 19th century (if it is from that period) My confusion is in the varnish. There is no label. If you can identify a maker, Chanot, Schweitzer, even Peter Wamsley maybe (here's hoping), that'd be great. Any help i
  2. My question of the moment: Dutch violinist Simone Lamsma plays the “ex Braga” Stradivarius...and it's cornerless? http://pronetoviolins.blogspot.ca/2013/05/simone-lamsma.html "...Among other violins, she has played a (Ferdinand) Gagliano (1773), a Carlo Tononi (1709), and the Habeneck Strad from 1734, but her current violin is the Chanot Stradivarius (aka the Braga Stradivarius) of 1718 (or 1681 or 1726 – sources differ.) It has been loaned to her by an anonymous benefactor. The violin is reportedly protected by a (Dimitri) Musafia violin case, one of the best violin cases available.
  3. We will be presenting at the Heron-Allen Society Symposium in London on June 29th, 2013. We would like to solicit comments and recommendations from members concerning books, papers, photos and ephemera about Edward Heron-Allen. This society has been in existence since 2000 and have published numerous articles and presented 13 Symposiums on this interesting English polymath, luthier and musical writer on the violin family of musical instruments. His most famous music publications are: Violin Making as it is and was His 9 Violin Opusculums Di Fidiculis Bibliographia- Two volumes Viol