How would you characterize the sound quality of a Strad, Gesu, Amati, Guad, Bergonzi, Testore, Pietro Guarneri, or other models? I see on contemporary maker's websites how they would have these different models but many do not explain the difference in sound. How are they different and affected? Is it the thickness of the instrument, width of the bouts, size of the insturment, thickness of the varnish, etc. Curious to find out!