NCLuthierWyatt

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About NCLuthierWyatt

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  1. I agree, another thing we're ignoring by replicating arching is the warping that occurs through age as a result of string tension, humidity changes, and the sound post slowly altering the plates. If I recall correctly North Bennet Street School's violin making program is currently doing a study on this very issue. What's the point in replicating arching on 300 year old instruments if the the arching you're replicating doesn't even match the arching of the instrument of when it was new. If you're trying to replicate the arching of a 300 year old strad for aesthetics and to be able to say it's a 1:1 bench copy I can understand, but if you're aiming for matching sound characteristics, we're probably wasting time and lots and lots of money
  2. Thank you very much guys. I have pretty small hands and I've heard wonders about the Lie Nielsen 60 1/2 so I'm gonna go ahead and place my order!
  3. As an alternative to using CNC machinery have any of you seen the wood router offered by Gemini? Looks like a great option for those wishing to avoid the high initial investment of laser scanning along with having a lot less to go wrong. I work with lots of laser scanning and high end 3D printing in a dental laboratory along with some experience with CNC machinery in producing custom components for cars. Feel free to pick my brain if anyone needs help with figuring out how to export and edit STL files. Here's a demo of it. Not too bad for $3200.
  4. Hi, I'm starting to build my third violin and i'm looking to pick up a quality block plane for flattening the rib garlands and squaring corner blocks. Would the apron plane from Vertias or the Violin Makers Plane offered by Lie-Nelsen be ideal for this or would a slightly larger low-angle block plane from the likes of wood-river, veritas, or lie-neilsen be more ideal? Just wanted some input from people with more experience before I pull the trigger on buying a new one. Any input on the pros and cons of each brand's block plane is appreciated. Thank you very much guys!
  5. Thank you for all the feedback guys! Lots of new ideas and tools to try giving a shot. I will give a few of the aforementioned ideas a shot and figure out which works best for me.
  6. Hi, I am in the process of building my first violin using an inner mold and would like to use allignment pins for finishing the edge work before beginning thicknessing. I've heard of a variety of different materials being used for allignment pins however I would like to use ebony. Are there any places where I could find ebony pins? If not, how would I go about making them? Any advice or good alternatives to ebony pins would be great! Thank you.