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gtd

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Everything posted by gtd

  1. Oh, and the lower right bout (replaced wood) has worm damage while the rest of the violin doesn't.
  2. Hi all, Just looking at another violin I have wondering what it is and what it's all about. Some extensive repairs- seems like the entire right lower bout of the table has been replaced No purfling on the back, but there is an almost invisible, thin purfling right along the edge of the top. Little repair note on the top seems to indicate it's pretty old Bass bar isn't integral although I suppose could have been added later. Corner blocks don't seem to special but are present. What do you think? English?
  3. Yes it is Andrew! Definitely interesting to hear your story! It'll be fun to see what you think of in the coming next steps. Are you planning on going with a modern setup for both?
  4. I'm one of the lowliest peasants and a worried member of the rabble. Does someone have a backup of the site? I used to have a old computer with a complete download of the entire site just in case but unfortunately I ended up selling the computer. Or now that I think about that is that even legal? Oops....
  5. I'd have no qualms putting together a franken violin. I think it's totally acceptable to salvage an old neck and repair a semi decent violin that will keep it in use rather than making a new neck from scratch when neck is gone (one customer thought violins' weren't repairable, threw out the neck and found out you could fix a violin 2 weeks later). I think mixing plates is less okay. If unlabelled, totally fine as long as it's just the usual. I never messed with labelled plates but would probably make a repair label though offensive to some (ex. local maker or some no name) . If it's a nice instrument (labeled or not) would you make a new plate or if something was close use that? Problem is when to know if an instrument is nice or not..... as has been discussed before on this forum Now bows.....is it okay to mix frogs etc.
  6. There's a few individual makers out there using a outside mold I'm sure. There was a old timer from Italy who moved to Windsor area and based on his violins, used mostly outside molds. That how he was taught and that's how he did it. I think he's somewhere on Maestronet but I can't remember his username . Anyone else here use outside molds regularly? I pretty sure I have a partially finished violin of his somewhere and from what I remember was a pretty good amateur (he did mostly repair part time and museum work?). I'll post pictures when I pull it out of the pile
  7. Does it matter how instruments are made to players even at the top of the pile? Apparently not.......... From my understanding YoYo Ma seems to think that his cello table is bent under pressure and the grain orientation of the back and front are opposite directions. Starts around 5:46. It would be interesting to know how many players could explain how their instrument functions with some accuracy
  8. I have a cello in my rental fleet that came stock with the post and bb swapped around. top end was okay but bottom end had nothing to it. Switched out the bottom two strings and it improved enough to call good.
  9. gtd

    The Local Hacks

    Hah, I think I understand what you mean
  10. gtd

    The Local Hacks

    Yep I knew what i was getting into. But it's still a drag to see people getting ripped off. Thanks for the comment. I'm sure I'll survive it out. I'm past paying off my tools- only problem is now I'm looking for more.........
  11. gtd

    The Local Hacks

    I'm by no means an expert but I try my best to learn and to be fair and honest to my customers. If I don't know, I don't know and I'll say that. Currently, I'm sitting on a few instruments that are potentially worth a significant amount more than I'm comfortable being able to accurately represent so I'm waiting until I can know enough. However, the local hack is really getting to me. He has a large number of violins for several thousand that are often stripped and revarnished. Violins branded as Ferrari (but clearly a slighly nicer German) are sold as Italian superb, master quality for the professional player, for 5000 usd. He has a genuine Vuillaume violin that is amazing, of Colin-Mezin quality- like of course who wouldn't! If it says Hopf it is a Hopf of amazingness worthy of the professional. If the violin is light-weight it'll beat any Strad. White glue and the hardware hide glue variety are gobbed into loose seams and cheap ebay fittings are claimed to be original italian- a must have. Dents and scratches are filled with beeswax. This is occasionally seen in the background of some listings and according to one of his potential customers who realized what they were getting into before they came to me. Bridges and pegs are often ill fitting and brings a pain to my gut. I've pointed that out once and was told to have a good day. He seems to have a large following and seems to be able to sell some of these wrecks for several thousand. Oh, and if you want to ask about bows- crudely rehaired bow with bad windings. For example, 4000 usd for a italian violin will get you a bow with a cracked head. I see these listing with disgust and interest as if they don't sell within a few months the price drops lower and lower until a few hundred before it presumably sells. How do you deal with these people? Ignore them and carry on? Or shall we hash out your story is it better?
  12. I love it! Nothing but violas exist!
  13. not to mention grains, pinches, cubits, truckloads, etc. my old boss used to measure a 8x8s using, for example 16-3-7, which I understand comes from boatbuilding he always got confused doing Pythagorean theorem in imperial so we'd switch to metric but when you're trying to deal with √ several hundred cm it sure becomes confusing quick. Especially when calculating it out in the mud using an early 2000s flip phone
  14. Hey! Hey! Let's stick together up here! It's definitely 2 metres. Folks down south can have their 6'
  15. gtd

    I can't read!

    Thanks Jacob! That's pretty cool. But I proved I couldn't unfortunately, hopefully I'll graduate to identifying the next one I"ve questions about a bit more accurately. (like seeing the obvious)
  16. gtd

    I can't read!

    Hah, apparently I'm right and can't read. It does definitely says mittenwald! Just the first line left to decipher I guess almost looks like _bola_b/l last name almost seems to read Bly or Blij I've attached some more photos. Tried playing around with light and background and different cameras but seemingly to no avail. Hope someone can make something out or up. if you got violins at $10 similar to this I'll take you up on it and set up an auction in my parts. Auctions around here have been pushing 150+usd for cheap garden variety (© jacobsaunders??) only good for the woodstove. This one slipped by in a real estate auction apparently while everyone else was bidding up dustbin stuff from a recently passed local maker that I already got first dips on. (I'll be sharing pictures later when I get around to setting those up as they're pretty interesting in terms of construction)
  17. gtd

    I can't read!

    Got this at an auction for cheap based on the back picture. I expected it to have fake flames but now that I've got it in hand they are definitely real. Amazing looking wood and overall workmanship. I initially thought German but now I'm second guessing myself because it don't seem to totally match up. Maybe a better quality Markie that someone's redone the top on (see scratches)? Edit: forgot a pic of the rest of the table inside- nonintegrated BB- if you want a pic for whatever reason just holler! That toothpick soundpost though! Anyways it's got two inscriptions in pencil: William Clifford february 1890 Thomas Williams I can't make out the inscription on the table. Any tricks or does someone think they can make it out? As an aside. What do the number of gut strings on a violin mean? Could it be used to estimate age? Some have all 4, some 3 some wrapped. I've always wondered
  18. BB is usually length of the table subtract 8cm. And 13-14 mm high or so depending Can't see from the pictures if it's 'standard' or so and not something else
  19. Does PhilipKT mean bb extends to far to the bass side? kinda looks possible or a possible maybe..... as someone mentioned before. this member has been a on maestronet since 2001 and just waited 20 years to learn something new! Got to save the good ones sometime!
  20. Top measures at 2.2mm around the bout edges. Around 3mm in the middle and most likely less as my gauge is usually off by about -0.5mm on curved surfaces Funnily enough, no warping just an extremely small end block and a neck only attached to the back.
  21. Cool! Thanks all. Agreed not worth it but something to do when glue is drying on better things or when you're absentmindedly doing something else but have free hands....
  22. Came across this violin and decided to open her up. Has it been drastically altered? Someone has penned in 1926 on the back. Back is fairly crude with a lot of shallow gouge marks Top is quite thin I think at around 3mm in centre 2.2 mm around the bouts. Top is very smooth no gouge marks at all No purfling but has blocks quite light weight scroll is not to the bitter end Check out that bassbar!!! And it is separate. I've removed it already and no indication there was an earlier one.
  23. No cracks in the body! What a steal! Good thing pictures clearly show at least one crack maybe 2..... or maybe its just an artistic cleavage of wood......
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