Vernici Liuteria

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About Vernici Liuteria

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  • Birthday 02/07/1985

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    Male
  • Location
    Cerignola , Italia

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  1. Vernici Liuteria

    Instrument varnished with my product

    Change look and bottles
  2. Vernici Liuteria

    Oil Varnish

    in no technical manual on paints is specified the need to reduce the oil to the consistency of honey, it is something that makes no sense there is no reduction of the oil, on the contrary, there is an increase in weight due to the absorption of oxygen
  3. Vernici Liuteria

    Oil Varnish

    The oil could be raw , cooked or else, this does not affect the success of the varnish production , certainly the boiled linseed oil dries first, the best resins are hard copal or amber, these need to be cooked (pyrogenated)
  4. Vernici Liuteria

    Varnish Crackle Question

    Is my varnish ?
  5. Vernici Liuteria

    Oil Varnish

    As Jim already told you, it can not be called varnish . the oil alone will never give scratch resistant films. you should make a varnish in a 1: 1 ratio (1 part of resin and a part of oil) the most resistant resin is amber I produce varnish for violin making, I know something
  6. Vernici Liuteria

    Oil Varnish drying time?

    i reccomend "sikkative nr.203" of kremer pigmente , i use that in my varnish
  7. Vernici Liuteria

    Extracting a yellow pigment from aloe

    this is my luteola rosinate varnish
  8. Vernici Liuteria

    Extracting a yellow pigment from aloe

    my friend, you make too many problems, just do it, you will see that you will get a beautiful lac
  9. Vernici Liuteria

    Extracting a yellow pigment from aloe

    you just have to boil the plant in water
  10. Vernici Liuteria

    Instrument varnished with my product

    A work by luthier Lorenzo Mansi with my rosinate varnish and amber oil varnish as final layer
  11. Vernici Liuteria

    Extracting a yellow pigment from aloe

  12. Vernici Liuteria

    Extracting a yellow pigment from aloe

    i produce 5 rosinate : iron , zinc , zinc-madder , zinc-syntethic alizarine, zinc-luteola is a little less color than lac but is completely trasparent . I started by michelman method but i give improvements and changes . i pur tosinate in oil and heat 140-180 ° , the solubility is 100 % .
  13. Vernici Liuteria

    Extracting a yellow pigment from aloe

    A pure yellow , now i dont produce lac but i use the hydroextract for make a yellow rosinate varnish ( anyway zinc sulphate is present)
  14. Vernici Liuteria

    Making boiled linseed oil for use in varnish making

    100 c ? you want cook spaghetti ?