Vernici Liuteria

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    83
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About Vernici Liuteria

  • Rank
    Member
  • Birthday 02/07/85

Contact Methods

  • Website URL
    https://www.facebook.com/vernici.liuteria/

Profile Information

  • Gender
    Male
  • Location
    Cerignola , Italia
  1. Instrument varnished with my product

    thanks Carl , when you want , contact me for assistance
  2. Applying Vernice Bianca

    I think it's a good appetizer to eat. I tried the vernice bianca and found it really bad, never dry and sticky, I would never use it again. Now I use a zinc-rosinate oil varnish that I find extraordinary .
  3. Instrument varnished with my product

    I have your own idea
  4. Instrument varnished with my product

    Viola by Ornella Ceci ground varnish : zinc-rosinate oil varnish color layer : zinc madder rosinate o.v. and iron rosinate o.v. Final layer : amber oil o.v. Polish : wax tripoli polish
  5. Instrument varnished with my product

    Thanks
  6. Instrument varnished with my product

    "FINALLY! After almost 6 mounths of hard work, a summer totally sacrified, painful of mine and people who followed me during making, the viola is finished! Oil varnish byVernici Liuteria "
  7. Instrument varnished with my product

    Zinc-rosinate oil varnish ( ground for wood)
  8. Instrument varnished with my product

    Turpentine spirit Carl
  9. Instrument varnished with my product

    Matteo Rufini Instrument . Varnish with my product . Zinc Rosinate oil varnish as ground Iron rosinate oil varnish for color layer Amber oil varnish
  10. aniline dye

    Hi , the problem of oil varnish is that you can not load with a lot of dye. if it is an aniline for oil , is not resistant to the oil varnish (it is a contradiction, but it is so) natural lack or transparent pigments are never perfectly transparent. Natural dyes, that little part that dissolves in oil is not light-resistant. for this reason, i chose metallic rosinates. For yellow color I just think the wood exposure to light. For orange I make a madder-zinc rosinate For brown Iron rosin or fixed on zinc resin a nutmeg extract of nuts. just so you can load a dye on an oil paint of course I was inspired by the Michaelman method, but I improved it a lot
  11. Instrument varnished with my product

    This is manual on application of my varnish , the next revision will be more accurate . Violin Varnish Vernici Liuteria Manual.pdf
  12. Instrument varnished with my product

    No pigment . Only all-trasparent varnish . This is a madder-zinc rosinate oil varnish created with my method.for this varnish i use cold pressed linseed oil clarify to the sun .
  13. Instrument varnished with my product

    Zinc-Madder rosinate dry to the sun I modified the michaelman method to concentrate the coloring principle to the maximum
  14. Instrument varnished with my product

    Work by Ornella Ceci Ground - rosin zinc varnish Color layer - rosin iron varnish Exposed to Castello Sforzesco - Milan