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Dominik Tomasek

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Everything posted by Dominik Tomasek

  1. What makes you think that, Nathan? Thanks Dominik
  2. This is my favourite video about violin making. François Perrin making an exceptional viola.
  3. Dear DavidS, what is the fingerboard projection? From one of your photos it seems to me that it is rather low.
  4. I do opt for beech. It is not similar to any plain maple I've worked with but it strongly reminds me of beech I used to either scrolls or back plates of my small violas.
  5. Not exactly related to violins (at least I hope so) but my teacher used to have this conversation with me all the time - "How are you?" I asked..."It is bearable" he replied.
  6. From what I can see there are two different (?) instruments in the OP. If not I am confused! Anyway I agree with HoGo that the instrument in the first picture has got beech back. Not quatre sawn but beech. I have been quite successful with using beech in small viola backs, they give the instrument quite warm sound but also a bit of a weight. As HoGo says there is a famous Del Gesú violin with beech back and also there is a Paolo Testore viola with back plate of the same wood.
  7. I once tried to make spirit varnish using colophony but without success.The varnish was brittle and sticky, I also tried to add a bit of damar which is partially soluble in alcohol but without any success either.
  8. I agree with Martin. It seems he had a factory producing zithers, accordions and probably also violins but he mainly ran a shop selling these. The text on the right side of the label states: "Production of all musical instruments".
  9. I am very well aware that violins made from alternative wood species are rare and personally I've abandoned experimenting with different woods when building violins. But for violas it is a different story. I have been quite succesfully using beech for the back of my small violas. Personally I do not prefer the sound of quater cut maple back viola. I lean towards poplar, willow etc. That's why I was thinking about using Paulownia. There is nothing left to do but to try I guess. Dominik
  10. Dear maestronetters, does anyone have any experience with paulownia wood? I have been searching the forum but found nothing regarding using the wood for the back plate, only for blocks. From what I've found out it seems that it has somewhat similar properties as poplar. Am I right, or did I misunderstand? I was thinking about using paulownia for small viola back. Thanks Dominik
  11. Well, at least you found a gap in the market...
  12. Dear Nestorvass, At first I did not want to attend any of this conversation, but I've got to say something I guess. Few years ago I was in the very same situation as you are right now. I was more than very willing to make a violin. I spent hours and hours on the internet looking for information and step by step guides. I also discovered the opinion that David and others have - that it is not a very straightforward task and that it is not particulary easy to make a living out of violin making. The plan to build a superb violin on the first try collapsed rather quickly. I had to give u
  13. Dear ScotPiper, thanks for those rather interesting informations. Did you have to colour your varnish somehow? Thanks Dominik
  14. I believe that the website is created by Czech violin maker Vojtěch Blahout. According to Google search he is also MN member.
  15. I do not and I do not hesitate to use wood that has knots in it as I find them very atractive. I only try to avoid knots that are not solid and have tendency to move or to fall from the wood. As Wood Butcher says I would try to avoid having them near SP area.
  16. Besides the 17th century thing... What does it play and sound like?
  17. I have no idea since I have never seen the instrument. But I assume not.
  18. violin Rus, thanks for the reply! I know there are church basses with spruce back and I am also well aware of some cheap factory made celli which also present a spruce back. Do you have any pictures of that instrument? I find this story about Testore and his all spruce cello rather interesting thus I am seeking information regarding this particular instrument.
  19. Dear colleagues/Maestronetters Although I know that this kind of topics usually does not have too many replies I am still willing to try it. I am please seeking as many information as possible regarding all spruce (top + slab cut back) cello made by Testrore. It was mentioned several times here on the forum, mainly by Manfio. Photos are welcomed as well! Thank you for whatever you can share! Dominik
  20. The upper label says: Restored by: V. Kulovaný (name) Pupil of M.Pikart (name) Luby u Chebu (city in the CR where violin making school is located, on the very far west of the republic) The other one in my opinion says: Libor Šefe (Šefl) - Luby u Chebu. Although it is hard for me to read it even though I am native speaker. EDIT: The name on the lower label is Libor Šefl, I am enclosing one of his celli in the link below. http://www.paganini.cz/violoncella/417-libor-sefl/
  21. Yes, I guess so. Unfortunately Manfio is not answering my messages thus I am seeking information elsewhere.
  22. A while ago I read here about Testore cello with quatered spruce top and slab cut spruce back. Does anyone have more information or better at least any photo of the instrument? I've heard it is still used by some sololist.
  23. May I ask why is that so? I have never heard of Jalovec being unreliable source.
  24. I agree with palousian that the violin is definitely not made by Eberle. The corners, arching, scroll, f holes are way too different from Eberle's work. I might post some photos of Jan Eberle's violins from the book "Czech violin makers" writen by Karel Jalovec if you wish so.
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