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  1. I think that can be fairly described as ‘crushing it’.
  2. Very similar to the Stradivari peg. Very fine structure to the medullary rays and tight pore structure. My guess is some type of fruitwood. Pear, cherry, ive never seen plum (Meyer suggestion)?
  3. This is a peg in the old style from a Stefano Scarampella.
  4. Probably purfled after the top is glued to the ribs to which the neck is already joined but before the fingerboard goes on. The purfling goes past the neck but doesn’t join up.
  5. Agreed. The joint gives it strength while the glue should just hold the joint in place.
  6. Hi Edi, there’s not much to discuss. It either fits or it doesn’t. If one has trouble making it fit err to making it tighter at the bottom (at the button) and tighter at the front (ribs). There is not really any meaningful difference between the two neck settings styles as relates to the sides of the mortice
  7. As I am comfortable with this joint’s similarity in three views with a dove’s tail, I will ignore the pedantry. It’s the trapezoidal shape that makes it a dovetail.
  8. Additionally, most necks fail at the bottom of the mortice first and then the back of the mortice gives way. And while it is true that the back of the neck heel is mostly in compression that is only true only up until the bottom of the mortice fails. Also, the geometry of the <90 degrees is strongest for lateral stability also.
  9. I’ve been meaning to post this for awhile to the 158degree neck angle discussion but it is now closed. So, new thread. This is the reason, to my mind, setting the bottom of the mortice deeper than the top makes the joint stronger. No doubt the engineers will correct my errors. in the 90degree option the neck rotates around point A (the top of the neck mortice). For the neck joint to fail the glue must break in tension at the back of the mortice and the bottom must break in shear. As the neck rotates the bottom of the joint opens and encourages this type of failure. in the <90degree option the neck again rotates around point A but now the bottom of the neck is forced into compression against the the bottom of the mortice. This greatly reduces the likelihood of failure in shear. Additionally the back of the mortice would need to fail in shear (C) AND in tension. The small lip at the top of the ‘neck’ illustrated below indicates that the neck would need to slip upward to escape the mortice. The back of the neck heel is longer than the mortice at 90 degrees. (The hypotenuse of a 90 degree triangle is longer than its base). Compression under load is the principal structural feature of the dovetail joint.
  10. As Don said, arch height does not seem to affect cross grain stiffness much but as the arch is lowered the plate will need to be left thicker to maintain longitudinal stiffness. A thicker plate will increase cross grain stiffness in relation to longitudinal stiffness. The relational difference between M2 and M5 leads to all sorts of secondary effects in the transition range and bridge hill and the ensuing tonal differences. Lower arches sound different generally because the cross grain bending is relatively stiffer.
  11. Maybe it doesn’t really matter. And it’s a strong possibility I’m wrong about the whole thing. Necks aren’t the only things that fail.
  12. The <90 degree mortise is stronger because the back of the mortise (and the neck heel) is longer than the front of the mortise. The shape of the joint provides resistance to the shearing force along the button. The neck must slide upwards as well as outwards to fail (this can be seen in the video by observing the change in position of the small red dot at the top of the ‘mortise’).
  13. Here is a visualization of the 90 degree mortise and why it is more likely to fail. Because the back and the front of the mortise are the same length there is no resistance to the shear force along the button. As the neck hinges at the top of the mortise the joint opens providing no resistance to the shearing force of the failing joint.