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  1. A 1909 violin by him is included in Artemio Versari's Liuteria Moderna in Emilia-Romagna together with a paragraph about Giuseppe and his violin maker father Luigi.
  2. Here, here! And don't forget Scottish violas!
  3. ...it seems vaguely familiar. It wasn't perhaps described as "property of a Lady and practically perfect in every way" ?
  4. I like Amati. I've purchased from them and it was a pleasant and very straightfoward expereience - and I can't say that of some other auction house purchases. I also went to one of their London Exhibtions a few years ago and considered it very professional and yet accessible to all, even amateurs like myself . Their auctions remain interesting when so many others have homogenised around the cult of moderin Italians. Also, their condition reports and photographs are excellent and James regularly responds to posts here. They'll' be near the top of the list if I everI need to sell in a hurry.
  5. Which reminds me of my recurring nightmare....in which I've passed on and my wife is trying to sell them for the price I told her I'd paid for them Anyway, I've finally, just this week, emptied all my cases and filled a display cabinet. On the one hand this is good - I can see them all hanging there and appreciate them, but on the other hand, so can she ... and she can count! ( ...let's not mention the two in my "playing" case..) I've collected in a focussed way though so there is a theme to my small display.
  6. George Duncan emigrated to Innisfail, Alberta. I did a lot of research on this after buying the 1886 viola and an 1880 violin. After raking through heaps of records and tracking him down,, a 1921 Canadian violin ( with Glasgow label suitably amended for Innisfail !) turned up at Skinners which I was happy to repatriate. It is probably my favourite violin for sound not bad looking either, though the detail is less precise than the viola. As for James Duncan, I know his granddaughter.. I will pass on the favourable comments on his fiddle. Gordon
  7. A friend has a rather poor and battered instrument that she's had for decades and brought over from Australia with her when she came to the UK. I always think the best thing about it is the bridge, stamped "A. E. Smith" :-)
  8. When I was using a Bon Musica rest I used to unscrew the 'over the shoulder' bit before placing in the case . It wasn't really that much hassle.
  9. Nothing is sacred it seems. 21 out of 55 bottles were fakes! https://www.bbc.co.uk/news/av/uk-scotland-scotland-business-46627947/vintage-scotch-whiskies-found-to-be-fake
  10. Is this the same violin? https://www.the-saleroom.com/en-gb/auction-catalogues/criterion-auctioneers/catalogue-id-criter10822/lot-84b96013-94a4-4d63-a6b0-a92a0162a4b5
  11. I have a vivid memory of Isaac Stern striding on to the stage swinging his Guarneri by the scroll! Holding an instrument by the neck is surely the safest way to hold an instrument? I am always horrified to see people grabbing an instrument by the body with hands all over the varnish. I was letting a friend try out a few of my violins the other week..a nerve racking experience. The worst moment was when the mint condition fiddle got placed on her knees whilst she marked up the part and the bow was placed on the belly of the violin...I was alerted by the the clattering noise! I know dings are inevitable but I would like to think that my instruments will leave their time with me in at least as good condition as when we first met ... sometimes they will be in better shape! Anyone else have pet peeves? Instruments on chairs? Aaargh!
  12. Different meanings defintely! I can't wait to hear Martin's definitions Oh, and having met him briefly I would have said he was cultured but unpretentious.
  13. Yes peg box and twice in a week. My friend's breakages were in the same place. I was a bit spooked to discover the second breakage 30mins before a concert! All I had at the time was a used Karneol long scale G in my case - I put it on to replace the short scale G on the smaller viola I was using and it has been fine ever since. I switched to Zyex (my previous favourite) for the larger viola at the last string change but I will go back to Karneol at the next change. As well as the sound, I like the tension and feel of Karneols. Indeed all the Warchal strings I have tried have felt good under the fingers. I use them on my violins too. Gordon
  14. I've had this issue too - as did my friend after I had recommended them (!!) I'm hoping it was just a bad batch, because I like them.
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