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tim2

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  1. Some of you may remember me and my unique bridge designs - violinbridgeworks.net. Now I'm considering moving on to the violin (and other stringed instruments) body with an innovative design idea. An idea that would control movement of the wood in a similar way that is used to control the passage of light through the crystals of an LCD screen. I'll be back later with some of the details of the project.
  2. quote: Originally posted by: joerobson Here is another source. www.sutherlandwells.com Joe I'm not sure if they have pure tung oil, but they do have some very fine polymerized tung oil. I get the pure stuff from: http://www.realmilkpaint.com/oil.html
  3. quote: Originally posted by: NewNewbie Nice shop n' bandsaw tim2. Did you post this under shop pics as well? Quite likely - the picture is a year or two old, but that thread is too long for me to go have a look at to find out. Since that picture was taken, that large slab of maple on the table saw has been diced up and pieces of it are at different places all over the country, the parchment stretched and pinned near the middle of the picture, too, has been cut up and distributed, the splits of sycamore back in the right corner have diminished, I ripped out the old workbench to the right and completely rebuilt it, the stack of particle board and veneer plywood is in part, the top of my new workbench, many of the flutes in the box over in the lower right-hand corner below the workbench have been finished and sold, the sawdust in the dust collector bag has been filled and emptied numerous times, the tung oil cooking in the pressure cooker on the small stove near the back is ready for use, the bucket near the bandsaw containing the discards from bridge blanks has been emptied and refilled a couple of times, and the shop is now riddled with parafanalia related to the making of slide rules for kids - my most recent endeavor.
  4. quote: Originally posted by: NewNewbie This page has the Timberwolf bandsaw blades that run on a lower tension, that saves wear n' tear on your saw and the blade lasts ( is suppose to ) longer.... I too really like the Timberwolf blades. I use them exclusively for general purpose. For a practically perfect finish when resawing (even paper-thin) I use the wood-slicer blades. I have a rather large Jet bandsaw shown in the middle of my shop at the link below http://2timv.com/miscPics/ShopPicBig.jpg I had the exact same problem as Seth. The guide below the table had become misaligned, was touching the blade, wearing the teeth on that side and causing a crooked cut. This saw has rollers for guides, but below the table is an additional guide that the blade goes through but doesn't really touch, and it is the one that was out of alignment.
  5. quote: Originally posted by: David Burgess "tim2", a bridge cut the way you describe would be end grain on the front and back surfaces. While this may be viable, it's not he way bridges are usually cut. Normally, end grain is on the sides of the bridge. Hi David, Did he really write "parallel to the ground"? I'm sure that he knew better, and was right about the coffee thing - Tim
  6. quote: Originally posted by: GMM22 Imagine cutting a slot in a tree trunk parallel to the ground with a saw. Now imagine that you take a bridge blank and try to hammer it into the slot as a wedge, but because you decided to do this before having your morning coffee, you hammer it in feet first. The way you describe, is the way my bridges are cut - opposite the cello bridge shown inside the log at the link provided. And yes, as you suggest, there is less yield. For final cut, I suggest that the side with the rays face away from the player. If a bridge were cut as shown at the link, I would suggest final cut with rays facing towards the player.
  7. I'm one who enjoys reading the things that GMM22 writes about. Tim
  8. If you're interested in film, a place to get the smallest quantity, inexpensively is: HERE You could also remove the elements from one of the piezo products sold at radio shack, but the resonant frequency may be near what you may want to analyze, so be sure to read the specs on the package before you buy. If you're looking for accelerometers, the ADXL202E is pretty good and easily found with google. I just found out that analog devices has a new one that's better and even a smaller package - the ADXL330. I read somewhere that they may be coming out with yet another one that's about the same technology but a little smaller yet.
  9. I sell parchment. Not made from leather, but rather animal gut. It's very thin, quite strong, and of course attaches easily with hide glue. Some pictures of strips for bridges as well as large pieces at links below: large piece strip My email is in my profile.
  10. I always enjoy reading your philosophical input Dean. I seem to recall you mentioning that you are a writer. If not, you really should be. I also always enjoy reading articles like those written by Alan. I'm sure that all of us - most likely because we all share a passion for the violin - have similar sentiments. I find myself lost in time whenever I encounter things from the past that have special meaning and connection with things I'm involved in now. Being a fly-fisherman it's a special moment when I encounter a very old rod and reel as well as the old hand-tied flies and creel that go along with them. Being involved with archery and guns I love the old guns and longbows. Having a passion for photography it's a thrill to encounter old cameras, or black and white photographs. Having been involved with many aspects of working with cars, being around the old ones transport me to a time when that's all there was. I've always had a passion for books and have recently been involved in the old ways of book-binding. Holding an old tool in my hand causes me to long for a time when there were no power tools. Like yourself, I too have a rather large collection of old vinyl which I very much enjoy. There was a time when I was frustrated and even found myself angry by the way things change. I was definitely not one to embrace technology. But whether I embrace it or not, it's here, and always will be, so I've learned to accept it and have even learned to appreciate it. In fact, at this point in my life, perhaps more than ever, I have a deep sense of appreciation for the here-and-now and am just as excited thinking about what is to come, as I am thinking about what has gone. You're right - it's about connections.
  11. David - I've enjoyed following this. Thanks for conducting the experiments and for sharing the results.
  12. Interesting article. I think many people are frustrated by innovation and change. It's interesting to see an article, on a web page selling violins, against innovation concerning the violin - the internet is an icon of innovation. Imagining someone sitting at a bench for hours carving away to make a violin, and then using the internet which is all about doing things quickly and getting one's information handed to them on a silver platter, to me, demonstrates how confusing things are these days. It's complicated, where the craftsmanship actually lies these days. Is it the ability to copy the work of another craftsman, or is it the ability to create something innovative and new? Should one be more admired for their craft if they create something using methods that have been used in the past, which at that time in the past were innovative and new, or by methods, that like their craft, too are innovative and new?
  13. quote: Originally posted by: Jeffrey Holmes It's funny... but it seems that as soon as I feel settled, I change my mind/style slightly. Jeffrey, That bridge looks very nice. The only thing about it that I find a little distracting, is the angle of the cut at the end of the heel. Being at the same angle as the cut of the toe, it makes it look to me like the feet want to slide away from each other which just makes it "look" weak even though it's not.
  14. quote: Originally posted by: Michael Darnton This is something I cut for a rental cello (that is, it's beefy, and a bit quick/rough) but the lines are essentially what I usually do: That's very nice for a rental cello. I very much like the way you do the feet. The inside angle of the heel flows with the upper curve of the embelishment at the knee, and the toes are an appropriate length, with the tips cut to an angle that flows with the angle of the thigh. Some of those angles do nothing for the functionality, so it's nice to see a bridge where someone makes the cuts of such things in a way that lines of the entire bridge flow in a nice way. Tim
  15. quote: Originally posted by: scratchy rosin I downloaded a trial period of the Topaz plugin for Photoshop Elements. From here Topaz Plugin This is a first attempt but there are many other options to try. That's one of the best I've seen!
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