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  1. Dear All, This is utterly my fault - and thank you for flagging it up. At the first pass, I thought the brand looked like that of Fetique. I was wrong - it was Caressa & Francais. I changed it in the title, but it seems I forgot to change the brand in the description. Entirely my fault - changed on the catalogue and a small sale-room notice of shame. Sorry again - and thank you for pointing it out! Best wishes James
  2. Oh Urgh - slightly hard to answer this one, but it is a fair point. It's a cataloguing problem more than anything. J T-L probably but not entirely definitely, so I thought I would catalogue generally. Happy to revise if you can come up with a more satisfactory description. Truth be told it is far from being the instrument I focussed on the most.
  3. Thanks Shelbow, I can't speak for other auction houses, although I suspect it might be the same, but this is the first almost-normal auction we have had since the pandemic kicked off. It feels good to get back to some semblance of normal. A lot of the clients that we have seen over the last few months have been frustrated by not finding it easy to sell lately, so estimates should be rather fun. There's another thread on how auctions might cope post-Brexit in London. I think - and pray fervently - that we should be fine. I have popped abroad a fair bit (and everything is abroad now) and it is almost like the old days... with just a lot more paperwork on our side to pick up at the end of it. My general, meandering post-auction release thoughts are... this auction, after a 20 month lacuna is probably the new 'normal', we have done our best our side, but it will be interesting to see how it goes. Best wishes to all, Jamie
  4. No admonishment - but FL is definitely not closing. As with quite a few dealerships it ends up that there is more wood than any workshop could use in a few centuries. Storage space in central London is hardly cheap so... A lot of the wood has passed through a few hands before FL - the keen eyed will recognise quite a few workshop marks. There is even some wood from Hills in there. Hope that helps!
  5. Moring Violinnewb, yes, sorry. The sale proved to be much larger than we had expected and between cataloguing and pulling together our June Specialist sale I think our catalogue deadline was more aspirational than normal. One of the main issues I have is how on earth to catalogue wood. This is our fourth (?) makers' sale and I don't think I have managed to find the perfect description of what are - at their most basic - blocks of wood. If anybody wants to kick in once the descriptions are live and tell me how to improve clarity, please crack on. So, apologies - it should be up today, ideally before lunch. The team are just casting their laser eyeballs over the descriptions for typos. Best wishes, James
  6. I've known him for years. Liked him a lot when he was at Bonham's, then a degree of polite civility when he was at his next job. He's a good chap and I would recommend. The market will benefit from having him in it.
  7. Good Afternoon Mr. Twcellist - nobody regrets the absence more than I, but you can probably guess why it is hard to find good cellos in the current climate. My experience is that it is much harder to do any business at all during Lockdown V3. We managed to keep spinning along through 2020, but - and with good reason - people are less likely to meet at all now that they know the vaccine is round the corner. I am praying that when things clear up then I can leap around the UK like a gazelle, and, then, when things become easier internationally hop on planes, but in the meantime you are definitely looking at a tightening of supply.
  8. Phew Shelbow that was quick off the mark. Took your advice and book-matched it. Tuck in.
  9. I would try and split it fairly evenly. It never works out that way of course.
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