Jump to content
Maestronet Forums

Greg F.

  • Posts

  • Joined

  • Last visited

Everything posted by Greg F.

  1. I have no doubt that you know better than me. But this is the internet and we are having a public discussion of the various methods of selling something, which can hopefully air out all the pros, cons, nuances, and whatnots of such sales for the benefit of the OP. Perhaps this open discussion, even if nearly all the participants have no first hand knowledge of high dollars sales, is beneficial in some way? Perhaps more beneficial than the numerous private entreaties that the OP has received? Anyway, I'm finding this discussion interesting and insightful, but will leave it to the experts now.
  2. Although my selling "expertise" is in another area, I tend to agree with this. The high end violin business seems rather seedy. Sell it auction; let the dealers, investors and players fight over it and hope for the best. At least it will sell (in your lifetime). BTW, since when did well heeled buyers ever pay "full msrp" for anything? I thought they knew better?
  3. This thread shows a catalog page with a wide frog bow:
  4. Here's one I have that is marked Germany and also some info from a 1908 Sears catalog for a bow with a similar adjuster that has "extra wide frog".
  5. I have one on a nondescript (German, as I recall) stick as well. Such "wide body" frogs were offered on bows sold by Sears in the early 1900s.
  6. Carl Becker (1919-2013) Luiz Bellini (1935-2015) Gadda (Mario? Gaetano?) Ferdinando Garimberti (1894-1982) Franz Kinberg Poggi (1893-1984) Sacconi (1895-1973) Others? Any boomers who died relatively young?
  7. I'm no expert, but they look nice but rather "plain" (whatever that means).
  8. Not to mention that things we take for granted were more time consuming then than today. We flush a toilet, they... We open the fridge and microwave something, they... We switch on a light, they... We have power tools, they... Etc.
  9. Just for fun I checked the wiki on Guarneri. There is a list of his instruments (probably incomplete). 11 are noted as "1732", 3 as "c. 1732", and 1 as "c. 1732-33". I don't know how accurate this data is. Presumably some of his 1732 instruments have not survived. So was he very productive in that year, average, below or? If about 1/2 of Strads have survived and applying a similar factor to Guarneri, is it reasonable that he might have made 25-30 violins in 1732 or not?
  10. Thanks for the post and especially the names.
  11. Thanks for the reply. Others?
  12. Among modern makers (active in the 1970s, 80s, 90s, etc.) that are no longer with us, which ones have seen the most dramatic increases in the value/opinion of their instruments? Values adjusted in some nebulous way for inflation and opinions being...well, opinions.
  13. Define them however you like. So, any "discoveries" you're willing to share with us?
  14. Greg F.

    Bow Brands

    Another thread got me wondering about bow stamps. There are quite a number of very old bows by famous makers, that (presumably) were used extensively by professionals, that have remarkably clear brands on them after all these years ((judging by ones shown on various auction sites). Is there a chance that some of these have been "touched up"?
  15. Leaving aside the near zero chance of finding a "loose" Strad in the attic, does anyone have any more genuine "discoveries" (i. e. valuable instruments or bows found in unlikely places) that they'd care to share?
  16. Beautifully done. But I'm a bit surprised that the thread has gotten this long without someone claiming how inferior she is to Oistrakh or some other long dead player.
  17. Most all of my bows are cheapies, but I wonder if it's reasonable to think that, given the relative paucity of good bow wood, that older bows, including "factory" ones, are potentially a better source of good sticks than ordinary bows of more recent vintage ("artisan" bows excepted, of course).
  18. I don't know what it is but wouldn't mind owning it. Looks old. Is the weight 56.4 or 54.6 g? In general, are older bows more or less likely to be lighter than 60g?
  19. Greg F.

    whale bone

    I have a cheapie bow that looks to have an imitation whale bone lapping. It is only marked Germany. For the purposes of getting a rough date, when did imitation whale bone come into use? Also, is it fair to assume that "Germany" puts it before WWII? Thanks in advance.
  20. This thread may not have a point, but fwiw here's an old combo bow I'm putting together for fun. The nickel mounted frog came on a broken stick (missing head) that had a mostly illegible brand that MIGHT have ended in Dresden. The design of the eye looks like that on a bow sold by Sears around 1908. The stick was found without a frog. It has old silver wrapping. It needed a tip plate and I found one on a junker bow that fit ok. The frog also fit this stick surprisingly well. The stick needed some straightening (I used a hair dryer and my thigh for such). I haven't finished rehairing it, but am hopeful that it will function ok. Old cheapie bows are neat and educational (for me, anway).
  21. So a violin is only of value if it fits the standards of a (classical) professional? I guess the VSO factories were only catering to the rank beginners and nothing they produced could possible have been a satisfactory instrument for a "fiddler", a small group of amateurs, a talent intermediate who only played for his family, a player in a community orchestra, etc. Sounds a bit like saying only a race car can have value since it is the only auto that meets the requirements of a professional driver. All others are "worthless" auto shaped objects.
  22. Greg F.

    4 bows

    Here is a page from the 1908 Sears catalog showing some bows similar to yours. A pic of a bow similar to their $2.80 one. I think old inexpensive bows are neat.
  23. Way beyond my knowledge base, but thanks for the quiz. Re #9 on my list, there is a modern player of (nearly) the same name. But to rap this up I'll give the answer: Anatol Kaminsky.
  24. Looks heavily skewed towards players of the "recording" era. I wonder how Liszt would fair among historical pianists?
  • Create New...