~ Ben Conover

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About ~ Ben Conover

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  • Birthday 12/29/1969

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  1. Angles between corners and belly/back plates

    David, I'd like to know how exactly the sinking of the front is prevented by tapering the front upper bouts.....if you can compare it to springing a bass bar ? Although the upper bout taper is obviously Cremonese, I use a full body taper so the front plate can fit onto the ribs flat without bending. Seems to make better mechanical sense to me, might be wrong of course.
  2. Mike, interesting about the leather shoes. Some people are moving more away from power tools, some more towards. Doesn't make much difference if the quality of work is high, some tools just work better in the hand, others don't.
  3. what determines the sound a luthier aims at?

    One trap some makers fall into, 'befriend a soloist then my ego and instruments will sound great, but never admit to anyone least of all myself it's a fallacy', There's more to music and instruments than that, but it's also one of the reasons many 'soloists' or fine players steer clear of new instruments in the first place.
  4. Frank V. Henderson Bow

    A kind bow maker lent me two American bow making books, one was the Henderson. It attempts to cover everything but ends up neglecting much of the established French and English traditions. I didn't use any of the methods in the book.
  5. what determines the sound a luthier aims at?

    With 50 good makers (take the 32k price out of the equation) then the chances of their violins sounding 'similar' are good, but each one will have it's own voice and likely each maker will tend to make that sort of instrument....ie, not the same sound as the other makers. At least that's what I'd hope would happen. Then the obvious things, is the violin for a soloist (not many are) or a chamber player or a jazzer who uses steel strings or a b'rock player.....etc. Otherwise, if a maker is (or was) a good player with a degree of taste then the sound they want may be largely their own concern.
  6. Neck Pull-down

    Well, you could proceed as you intended perhaps use closing clamps to hold the lower bouts in place, so that you can glue the top on in one go, or get it right if it doesn't work first time.....since your guestimate of 0.5mm off the table neck mortice may not be exact. if the table is in good condition at the neck root then you may not need a special under the f/b clamp anyway....you could also use a wedge under the f/b I spose. Your call.
  7. Off-The-Shelf Tool for Removing Top?

    Main thing is to use a tool which will be tough long and thin enough yet not quite sharp enough to slice into the plate, as can happen. An old thin butter knife ground down work ok.
  8. Is there a Sound Post "General Rule/Tendency"?

    Roger's distance of a post width behind the bridge is interesting. I once put a post in front of the bridge as an experiment, sounded a bit different, but not much.
  9. Neck Pull-down

    New violin ? It might come down 1.5 in a year.
  10. Neck Pull-down

    What projection do you have now and what are you aiming for. if the neck thickness and over stand allow it, you could just plane a little off the neck.
  11. Bow porn

    Ufuk, wow ! great colours and lines, congrats.
  12. Antiquing trick

    'Fracking' as describe above can occur on new oil varnishes that are a bit thick. I just tried some packaging tape wrapped round the hand over areas of oil varnish that had been softened with alcohol slightly, it worked quite well in pulling off small bits but not too much, tiny islands rather than continents. Now I'm wondering if Conor will be antiquing his bass....
  13. Bow porn

    Some more of mine, perhaps there should be a forum for bows.
  14. Glue on your spread wedge

    The Gilles Nehr videos are interesting, he puts a tiny bit on the frog side and some rosin dust on the hair side. I put a tiny bit on both sides.
  15. Kevlar taipiece attachment

    I tie a normal knot in one end, put it thought the holes, and around the end pin, find the exact length minus a titchy bit to account for tension, take it off whilst holding carefully, mark the other end where I want the knot, tie the knot, cut excess off, and put it on again. Simples.